Then I thought, even in the face of death: If I lose hold I die, and for me neither the Rewah nor my place by the galley where the rice is cooked, nor Bombay, nor Calcutta, nor even London, will be any more for me. ‘How shall I be sure,’ I said, ‘that the Gods to whom I pray will abide at all?’ This I thought, and the Rewah dropped her nose as a hammer falls, and all the sea came in and slid me backwards along the fo’c’sle and over the break of the fo’c’sle, and I very badly bruised my shin against the donkey-engine: but I did not die, and I have seen the Gods. They are good for live men, but for the dead—— They have spoken Themselves. Therefore, when I come to the village I will beat the guru for talking riddles which are no riddles. When Brahm ceases to dream the Gods go.”

“Look up-stream. The light blinds. Is there smoke yonder?”

Peroo shaded his eyes with his hands. “He is a wise man and quick. Hitchcock Sahib would not trust a rowboat. He has borrowed the Rao Sahib’s steam-launch, and comes to look for us. I have always said that there should have been a steam-launch on the bridge works for us.

The territory of the Rao of Baraon lay within ten miles of the bridge; and Findlayson and Hitchcock had spent a fair portion of their scanty leisure in playing billiards and shooting blackbuck with the young man. He had been bearled by an English tutor of sporting tastes for some five or six years, and was now royally wasting the revenues accumulated during his minority by the Indian Government. His steam-launch, with its silver-plated rails, striped silk awning, and mahogany decks, was a new toy which Findlayson had found horribly in the way when the Rao came to look at the bridge works.

“It’s great luck,” murmured Findlayson, but he was none the less afraid, wondering what news might be of the bridge.

The gaudy blue-and-white funnel came downstream swiftly. They could see Hitchcock in the bows, with a pair of opera-glasses, and his face was unusually white. Then Peroo hailed, and the launch made for the tail of the island. The Rao Sahib, in tweed shooting-suit and a seven-hued turban, waved his royal hand, and Hitchcock shouted. But he need have asked no questions, for Findlayson’s first demand was for his bridge.

“All serene! ’Gad, I never expected to see you again, Findlayson. You’re seven koss downstream. Yes; there’s not a stone shifted anywhere; but how are you? I borrowed the Rao Sahib’s launch, and he was good enough to come along. Jump in.”

“Ah, Finlinson, you are very well, eh? That was most unprecedented calamity last night, eh? My royal palace, too, it leaks like the devil, and the crops will also be short all about my country. Now you shall back her out, Hitchcock. I—I do not understand steam-engines. You are wet? You are cold, Finlinson? I have some things to eat here, and you will take a good drink.”

“I’m immensely grateful, Rao Sahib. I believe you’ve saved my life. How did Hitchcock——”

“Oho! His hair was upon end. He rode to me in the middle of the night and woke me up in the arms of Morpheus. I was most truly concerned, Finlinson, so I came too. My head-priest he is very angry just now. We will go quick, Mister Hitchcock. I am due to attend at twelve forty-five in the state temple, where we sanctify some new idol. If not so I would have asked you to spend the day with me. They are dam-bore, these religious ceremonies, Finlinson, eh?”

Peroo, well known to the crew, had possessed himself of the inlaid wheel, and was taking the launch craftily up-stream.