And I shal go on talking, in a low voice while the sea sounds in the distance and overhead the great black flood of wind polishes the bright stars. From time to time we shal get up and go to the door and look out at the great moon and say: "Why, it is nearly as bright as in Provence!" And then we shal come back to the fireside, with just the touch of a sigh because we are not in that Provence where even the saddest stories are gay. Consider the lamentable history of Peire Vidal. Two years ago Florence and I motored from Biarritz to Las Tours, which is in the Black Mountains. In the middle of a tortuous val ey there rises up an immense pinnacle and on the pinnacle are four castles--Las Tours, the Towers. And the immense mistral blew down that val ey which was the way from France into Provence so that the silver grey olive leaves appeared like hair flying in the wind, and the tufts of rosemary crept into the iron rocks that they might not be torn up by the roots.

It was, of course, poor dear Florence who wanted to go to Las Tours. You are to imagine that, however much her bright personality came from Stamford, Connecticut, she was yet a graduate of Poughkeepsie. I never could imagine how she did it--the queer, chattery person that she was. With the far-away look in her eyes--which wasn't, however, in the least romantic--I mean that she didn't look as if she were seeing poetic dreams, or looking through you, for she hardly ever did look at you!--holding up one hand as if she wished to silence any objection--or any comment for the matter of that--she would talk. She would talk about Wil iam I

9

the Silent, about Gustave the Loquacious, about Paris frocks, about how the poor dressed in 1337, about Fantin-Latour, about the Paris-Lyons-Mediterranée train-deluxe, about whether it would be worth while to get off at Tarascon and go across the windswept suspension-bridge, over the Rhone to take another look at Beaucaire. We never did take another look at Beaucaire, of course--beautiful Beaucaire, with the high, triangular white tower, that looked as thin as a needle and as tal as the Flatiron, between Fifth and Broadway--Beaucaire with the grey wal s on the top of the pinnacle surrounding an acre and a half of blue irises, beneath the tal ness of the stone pines, What a beautiful thing the stone pine is! . . .

No, we never did go back anywhere. Not to Heidelberg, not to Hamelin, not to Verona, not to Mont Majour--not so much as to Carcassonne itself. We talked of it, of course, but I guess Florence got al she wanted out of one look at a place. She had the seeing eye. I haven't, unfortunately, so that the world is ful of places to which I want to return--towns with the blinding white sun upon them; stone pines against the blue of the sky; corners of gables, al carved and painted with stags and scarlet flowers and crowstepped gables with the little saint at the top; and grey and pink palazzi and wal ed towns a mile or so back from the sea, on the Mediterranean, between Leghorn and Naples. Not one of them did we see more than once, so that the whole world for me is like spots of colour in an immense canvas. Perhaps if it weren't so I should have something to catch hold of now. Is al this digression or isn't it digression? Again I don't know. You, the listener, sit opposite me. But you are so silent. You don't tel me anything. I am, at any rate, trying to get you to see what sort of life it was I led with Florence and what Florence was like. Wel , she was bright; and she danced. She seemed to dance over the floors of castles and over seas and over and over and over the salons of modistes and over the plages of the Riviera--like a gay tremulous beam, reflected from water upon a ceiling. And my function in life was to keep that bright thing in existence. And it was almost as difficult as trying to catch with your hand that dancing reflection.