I sensed but could not decipher the mystery of that smiling gaze which she addressed to her friends, in the azure brilliance with which it glowed while she surrendered her hand to them one after another, a gaze which, could I have broken up its prism, analysed its crystallisations, might perhaps have revealed to me the essence of the unknown life which was apparent in it at that moment. The Duc de Guermantes followed his wife, the gay flash of his monocle, the gleam of his teeth, the whiteness of his carnation or of his pleated shirt-front relegating, to make room for their light, the darkness of his eyebrows, lips and coat; with a wave of his outstretched hand which he let fall on to their shoulders, vertically, without moving his head, he commanded the inferior monsters who were making way for him to resume their seats, and made a deep bow to the fair young man. It was as though the Duchess had guessed that her cousin, of whom, it was rumoured, she was inclined to make fun for what she called her “exaggerations” (a noun which, from her point of view, so wittily French and restrained, was instantly applicable to the poetry and enthusiasm of the Teuton), would be wearing this evening one of those costumes in which the Duchess considered her “dressed up,” and that she had decided to give her a lesson in good taste. Instead of the wonderful downy plumage which descended from the crown of the Princess’s head to her throat, instead of her net of shells and pearls, the Duchess wore in her hair only a simple aigrette which, surmounting her arched nose and prominent eyes, reminded one of the crest on the head of a bird. Her neck and shoulders emerged from a drift of snow-white chiffon, against which fluttered a swansdown fan, but below this her gown, the bodice of which had for its sole ornament innumerable spangles (either little sticks and beads of metal, or brilliants), moulded her figure with a precision that was positively British. But different as their two costumes were, after the Princess had given her cousin the chair in which she herself had previously been sitting, they could be seen turning to gaze at one another in mutual appreciation.

Perhaps Mme de Guermantes would smile next day when she referred to the headdress, a little too complicated, which the Princess had worn, but certainly she would declare that the latter had been none the less quite lovely and marvellously got up; and the Princess, whose own tastes found something a little cold, a little austere, a little “tailor-made” in her cousin’s way of dressing, would discover in this strict sobriety an exquisite refinement. Moreover, the harmony that existed between them, the universal and pre-established gravitational pull of their upbringing, neutralised the contrasts not only in their apparel but in their attitude. At those invisible magnetic longitudes which the refinement of their manners traced between them, the natural expansiveness of the Princess died away, while towards them the formal correctness of the Duchess allowed itself to be attracted and loosened, turned to sweetness and charm. As, in the play which was now being performed, to realise how much personal poetry Berma extracted from it one had only to entrust the part which she was playing, which she alone could play, to any other actress, so the spectator who raised his eyes to the balcony would have seen in two smaller boxes there how an “arrangement” intended to suggest that of the Princesse de Guermantes simply made the Baronne de Morienval appear eccentric, pretentious and ill-bred, while an effort as painstaking as it must have been costly to imitate the clothes and style of the Duchesse de Guermantes only made Mme de Cambremer look like some provincial schoolgirl, mounted on wires, rigid, erect, desiccated, angular, with a plume of raven’s feathers stuck vertically in her hair. Perhaps this lady was out of place in a theatre in which it was only with the brightest stars of the season that the boxes (even those in the highest tier, which from below seemed like great hampers studded with human flowers and attached to the ceiling of the auditorium by the red cords of their plush-covered partitions) composed an ephemeral panorama which deaths, scandals, illnesses, quarrels would soon alter, but which this evening was held motionless by attentiveness, heat, dizziness, dust, elegance and boredom, in the sort of eternal tragic instant of unconscious expectancy and calm torpor which, in retrospect, seems always to have preceded the explosion of a bomb or the first flicker of a fire.

The explanation for Mme de Cambremer’s presence on this occasion was that the Princesse de Parme, devoid of snobbishness as are most truly royal personages, and by contrast eaten up with a pride in and passion for charity which rivalled her taste for what she believed to be the Arts, had bestowed a few boxes here and there upon women like Mme de Cambremer who were not numbered among the highest aristocratic society but with whom she was in communication with regard to charitable undertakings. Mme de Cambremer never took her eyes off the Duchesse and Princesse de Guermantes, which was all the easier for her since, not being actually acquainted with either, she could not be suspected of angling for a sign of recognition. Inclusion in the visiting lists of these two great ladies was nevertheless the goal towards which she had been striving for the last ten years with untiring patience. She had calculated that she might possibly reach it in five years more. But having been smitten by a fatal disease, the inexorable character of which—for she prided herself upon her medical knowledge—she thought she knew, she was afraid that she might not live so long. This evening she was happy at least in the thought that all these women whom she scarcely knew would see in her company a man who was one of their own set, the young Marquis de Beausergent, Mme d’Argencourt’s brother, who moved impartially in both worlds and whom the women of the second were very keen to parade before the eyes of those of the first. He was seated behind Mme de Cambremer on a chair placed at an angle, so that he might be able to scan the other boxes. He knew everyone in them and to bow to his friends, with the exquisite elegance of his delicately arched figure, his fine features and fair hair, he half-raised his upright torso, a smile brightening his blue eyes, with a blend of deference and detachment, a picture etched with precision in the rectangle of the oblique plane in which he was placed, like one of those old prints which portray a great nobleman in his courtly pride. He often accepted these invitations to go to the theatre with Mme de Cambremer. In the auditorium, and, on the way out, in the lobby, he stood gallantly by her side amid the throng of more brilliant friends whom he saw about him, and to whom he refrained from speaking, to avoid any awkwardness, just as though he had been in doubtful company. If at such moments the Princesse de Guermantes swept by, lightfoot and fair as Diana, trailing behind her the folds of an incomparable cloak, making every head turn round and followed by all eyes (and, most of all, by Mme de Cambremer’s), M. de Beausergent would become engrossed in conversation with his companion, acknowledging the friendly and dazzling smile of the Princess only with constraint, and with the well-bred reserve, the considerate coldness of a person whose friendliness might have become momentarily embarrassing.

Had not Mme de Cambremer known already that the box belonged to the Princess, she could still have told that the Duchesse de Guermantes was the guest from the air of greater interest with which she was surveying the spectacle of stage and auditorium, out of politeness to her hostess. But simultaneously with this centrifugal force, an equal and opposite force generated by the same desire to be sociable drew her attention back to her own attire, her plume, her necklace, her bodice and also to that of the Princess herself, whose subject, whose slave her cousin seemed to proclaim herself, come there solely to see her, ready to follow her elsewhere should the titular holder of the box have taken it into her head to get up and go, and regarding the rest of the house as composed merely of strangers, worth looking at simply as curiosities, though she numbered among them many friends to whose boxes she regularly repaired on other evenings and with regard to whom she never failed on those occasions to demonstrate a similar loyalty, exclusive, relativistic and weekly. Mme de Cambremer was surprised to see her there that evening. She knew that the Duchess stayed on very late at Guermantes, and had supposed her to be there still. But she had been told that sometimes, when there was some special function in Paris which she considered it worth her while to attend, Mme de Guermantes would order one of her carriages to be brought round as soon as she had taken tea with the guns, and, as the sun was setting, drive off at a spanking pace through the gathering darkness of the forest, then along the high road, to join the train at Combray and so be in Paris the same evening. “Perhaps she has come up from Guermantes especially to see Berma,” thought Mme de Cambremer, and marvelled at the thought. And she remembered having heard Swann say in that ambiguous jargon which he shared with M. de Charlus: “The Duchess is one of the noblest souls in Paris, the cream of the most refined, the choicest society.” For myself, who derived from the names Guermantes, Bavaria and Condé what I imagined to be the lives and the thoughts of the two cousins (I could no longer do so from their faces, having seen them), I would rather have had their opinion of Phèdre than that of the greatest critic in the world. For in his I should have found merely intelligence, an intelligence superior to my own but similar in kind. But what the Duchesse and Princesse de Guermantes might think, an opinion which would have furnished me with an invaluable clue to the nature of these two poetic creatures, I imagined with the aid of their names, I endowed with an irrational charm, and, with the thirst and the longing of a fever-stricken patient, what I demanded that their opinion of Phèdre should yield to me was the charm of the summer afternoons that I had spent wandering along the Guermantes way.

Mme de Cambremer was trying to make out how exactly the two cousins were dressed.