But it was only the freshly lighted fire beginning to burn. It could not keep quiet; it kept shifting its logs about, and very clumsily. As I entered the room, it let one roll into the fender and set another smoking. And even when it was not moving, like an ill-bred person it made noises all the time, which, from the moment I saw the flames rising, revealed themselves to me as noises made by a fire, although if I had been on the other side of a wall I should have thought that they came from someone who was blowing his nose and walking about. I sat down in the room and waited. Liberty hangings and old German stuffs of the eighteenth century preserved it from the smell exuded by the rest of the building, a coarse, stale, mouldy smell like that of wholemeal bread. It was here, in this charming room, that I could have dined and slept with a calm and happy mind. Saint-Loup seemed almost to be present in it by reason of the text-books which littered his table, between his photographs, among which I recognised my own and that of the Duchesse de Guermantes, by reason of the fire which had at length grown accustomed to the grate, and, like an animal crouching in an ardent, noiseless, faithful watchfulness, merely let fall now and then a smouldering log which crumbled into sparks, or licked with a tongue of flame the sides of the chimney. I heard the tick of Saint-Loup’s watch, which could not be far away. This tick changed place every moment, for I could not see the watch; it seemed to come from behind, from in front of me, from my right, from my left, sometimes to die away as though it were a long way off. Suddenly I caught sight of the watch on the table. Then I heard the tick in a fixed place from which it did not move again. That is to say, I thought I heard it at this place; I did not hear it there, I saw it there, for sounds have no position in space. At least we associate them with movements, and in that way they serve the purpose of warning us of those movements, of appearing to make them necessary and natural. True, it sometimes happens that a sick man whose ears have been stopped with cotton-wool ceases to hear the noise of a fire such as was crackling at that moment in Saint-Loup’s fireplace, labouring at the formation of brands and cinders, which it then dropped into the fender, nor would he hear the passage of the tram-cars whose music rose at regular intervals over the main square of Doncières. Then, if the sick man reads, the pages will turn silently as though fingered by a god. The ponderous rumble of a bath being filled becomes thin, faint and distant, like a celestial twittering. The withdrawal of sound, its dilution, rob it of all its aggressive power; alarmed a moment ago by hammer-blows which seemed to be shattering the ceiling above our head, we take pleasure now in receiving them, light, caressing, distant, like the murmur of leaves playing by the roadside with the passing breeze. We play games of patience with cards which we do not hear, so much so that we imagine that we have not touched them, that they are moving of their own accord, and, anticipating our desire to play with them, have begun to play with us. And in this connexion we may wonder whether, in the case of love (to which we may even add the love of life and the love of fame, since there are, it appears, persons who are acquainted with these latter sentiments), we shouldn’t act like those who, when a noise disturbs them, instead of praying that it may cease, stop their ears; and, in emulation of them, bring our attention, our defences, to bear on ourselves, give them as an object to subdue not the external being whom we love, but our capacity for suffering through that being.

To return to the problem of sound, we have only to thicken the wads which close the aural passages, and they confine to a pianissimo the girl who has been playing a boisterous tune overhead; if we go further, and steep one of these wads in grease, at once the whole household must obey its despotic rule; its laws extend even beyond our portals. Pianissimo is no longer enough; the wad instantly closes the piano and the music lesson is abruptly ended; the gentleman who was walking up and down in the room above breaks off in the middle of his beat; the movement of carriages and trams is interrupted as though a sovereign were expected to pass. And indeed this attenuation of sounds sometimes disturbs our sleep instead of protecting it. Only yesterday the incessant noise in our ears, by describing to us in a continuous narrative all that was happening in the street and in the house, succeeded at length in sending us to sleep like a boring book; today, on the surface of silence spread over our sleep, a shock louder than the rest manages to make itself heard, gentle as a sigh, unrelated to any other sound, mysterious; and the demand for an explanation which it exhales is sufficient to awaken us. On the other hand, take away for a moment from the sick man the cotton-wool that has been stopping his ears and in a flash the broad daylight, the dazzling sun of sound dawns afresh, blinding him, is born again in the universe; the multitude of exiled sounds comes hastening back; we are present, as though it were the chanting of choirs of angels, at the resurrection of the voice. The empty streets are filled for a moment with the whirr of the swift and recurrent wings of the singing tram-cars. In the bedroom itself the sick man has created, not, like Prometheus, fire, but the sound of fire. And when we increase or reduce the wads of cotton-wool, it is as though we were pressing alternately one and then the other of the two pedals which we have added to the sonority of the outer world.

Only there are also suppressions of sound which are not temporary. The man who has become completely deaf cannot even heat a pan of milk by his bedside without having to keep an eye open to watch, on the tilted lid, for the white hyperborean reflexion, like that of a coming snowstorm, which is the premonitory sign it is wise to obey by cutting off (as the Lord stilled the waves) the electric current; for already the fitfully swelling egg of the boiling milk is reaching its climax in a series of sidelong undulations, puffs out and fills a few drooping sails that had been puckered by the cream, sending a nacreous spinnaker bellying out in the hurricane, until the cutting off of the current, if the electric storm is exorcised in time, will make them all twirl round on themselves and scatter like magnolia petals. But should the sick man not have been quick enough in taking the necessary precautions, presently, his drowned books and watch scarcely emerging from the milky tidal wave, he will be obliged to call the old nurse, who, for all that he is an eminent statesman or a famous writer, will tell him that he has no more sense than a child of five. At other times in the magic chamber, standing inside the closed door, a person who was not there a moment ago will have made his appearance; it is a visitor who has entered unheard, and who merely gesticulates, like a figure in one of those little puppet theatres, so restful for those who have taken a dislike to the spoken tongue.