Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this etext under the "PROJECT BookishMall.com" trademark.
Please do not use the "PROJECT BookishMall.com" trademark to market any commercial products without permission.
To create these etexts, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's etexts and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other etext medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below, [1] Michael Hart and the Foundation (and any other party you may receive this etext from as a PROJECT BookishMall.com-tm etext) disclaims all liability to you for damages, costs and expenses, including legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this etext within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically.
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.
INDEMNITY
You will indemnify and hold Michael Hart, the Foundation, and its trustees and agents, and any volunteers associated with the production and distribution of Project BookishMall.com-tm texts harmless, from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT BookishMall.com-tm"
You may distribute copies of this etext electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project BookishMall.com, or:
[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word processing or hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Foundation of 20% of the gross profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project BookishMall.com Literary Archive Foundation" the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return. Please contact us beforehand to let us know your plans and to work out the details.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project BookishMall.com is dedicated to increasing the number of public domain and licensed works that can be freely distributed in machine readable form.
The Project gratefully accepts contributions of money, time, public domain materials, or royalty free copyright licenses. Money should be paid to the: "Project BookishMall.com Literary Archive Foundation."
If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: [email protected]
*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.06/12/01*END* [Portions of this header are copyright (C) 2001 by Michael S. Hart and may be reprinted only when these Etexts are free of all fees.] [Project BookishMall.com is a TradeMark and may not be used in any sales of Project BookishMall.com Etexts or other materials be they hardware or software or any other related product without express permission.]
Etext by James Rusk, [email protected]. Italics are indicated by the underscore charcter, _.
THE GUILTY RIVER
by Wilkie Collins
CONTENTS
Chapter I
On the Way to the River
Chapter II
The River Introduces Us
Chapter III
He Shows Himself
Chapter IV
He Explains Himself Chapter
Chapter V
He Betrays Himself
Chapter VI
The Return of the Portfolio
Chapter VII
The Best Society
Chapter VIII
The Deaf Lodger
Chapter IX
Mrs. Roylake's Game: First Move
Chapter X
Warned!
Chapter XI
Warned Again!
Chapter XII
Warned for the Last Time!
Chapter XIII
The Claret Jug
Chapter XIV
Gloody Settles the Account
Chapter XV
The Miller's Hospitality
Chapter XVI
Bribery and Corruption
Chapter XVII
Utter Failure
Chapter XVIII
The Mistress of Trimley Deen
CHAPTER I
ON THE WAY TO THE RIVER
FOR reasons of my own, I excused myself from accompanying my stepmother to a dinner-party given in our neighborhood. In my present humor, I preferred being alone--and, as a means of getting through my idle time, I was quite content to be occupied in catching insects.
Provided with a brush and a mixture of rum and treacle, I went into Fordwitch Wood to set the snare, familiar to hunters of moths, which we call sugaring the trees.
The summer evening was hot and still; the time was between dusk and dark. After ten years of absence in foreign parts, I perceived changes in the outskirts of the wood, which warned me not to enter it too confidently when I might find a difficulty in seeing my way. Remaining among the outermost trees, I painted the trunks with my treacherous mixture--which allured the insects of the night, and stupefied them when they settled on its rank surface. The snare being set, I waited to see the intoxication of the moths.
A time passed, dull and dreary. The mysterious assemblage of trees was blacker than the blackening sky. Of millions of leaves over my head, none pleased my ear, in the airless calm, with their rustling summer song.
The first flying creatures, dimly visible by moments under the gloomy sky, were enemies whom I well knew by experience. Many a fine insect specimen have I lost, when the bats were near me in search of their evening meal.
What had happened before, in other woods, happened now. The first moth that I had snared was a large one, and a specimen well worth securing. As I stretched out my hand to take it, the apparition of a flying shadow passed, swift and noiseless, between me and the tree. In less than an instant the insect was snatched away, when my fingers were within an inch of it. The bat had begun his supper, and the man and the mixture had provided it for him.
Out of five moths caught, I became the victim of clever theft in the case of three. The other two, of no great value as specimens, I was just quick enough to secure. Under other circumstances, my patience as a collector would still have been a match for the dexterity of the bats. But on that evening--a memorable evening when I look back at it now--my spirits were depressed, and I was easily discouraged.
1 comment