Though I believe one reason of their depravity is the badness of the actors. If a man writes like an angel, sir, those fellows know not how to give a sentiment utterance."--"Not so fast," says the player: "the modern actors are as good at least as their authors, nay, they come nearer their illustrious predecessors; and I expect a Booth on the stage again, sooner than a Shakespear or an Otway; and indeed I may turn your observation against you, and with truth say, that the reason no authors are encouraged is because we have no good new plays."--"I have not affirmed the contrary," said the poet; "but I am surprized you grow so warm; you cannot imagine yourself interested in this dispute; I hope you have a better opinion of my taste than to apprehend I squinted at yourself. No, sir, if we had six such actors as you, we should soon rival the Bettertons and Sandfords of former times; for, without a compliment to you, I think it impossible for any one to have excelled you in most of your parts. Nay, it is solemn truth, and I have heard many, and all great judges, express as much; and, you will pardon me if I tell you, I think every time I have seen you lately you have constantly acquired some new excellence, like a snowball. You have deceived me in my estimation of perfection, and have outdone what I thought inimitable."--"You are as little interested," answered the player, "in what I have said of other poets; for d--n me if there are not many strokes, ay, whole scenes, in your last tragedy, which at least equal Shakespear. There is a delicacy of sentiment, a dignity of expression in it, which I will own many of our gentlemen did not do adequate justice to. To confess the truth, they are bad enough, and I pity an author who is present at the murder of his works."--"Nay, it is but seldom that it can happen," returned the poet; "the works of most modern authors, like dead-born children, cannot be murdered. It is such wretched half-begotten, half-writ, lifeless, spiritless, low, grovelling stuff, that I almost pity the actor who is obliged to get it by heart, which must be almost as difficult to remember as words in a language you don't understand."--"I am sure," said the player, "if the sentences have little meaning when they are writ, when they are spoken they have less. I know scarce one who ever lays an emphasis right, and much less adapts his action to his character. I have seen a tender lover in an attitude of fighting with his mistress, and a brave hero suing to his enemy with his sword in his hand. I don't care to abuse my profession, but rot me if in my heart I am not inclined to the poet's side."--"It is rather generous in you than just," said the poet; "and, though I hate to speak ill of any person's production--nay, I never do it, nor will--but yet, to do justice to the actors, what could Booth or Betterton have made of such horrible stuff as Fenton's Mariamne, Frowd's Philotas, or Mallet's Eurydice; or those low, dirty, last-dying-speeches, which a fellow in the city of Wapping, your Dillo or Lillo, what was his name, called tragedies?"--"Very well," says the player; "and pray what do you think of such fellows as Quin and Delane, or that face-making puppy young Cibber, that ill-looked dog Macklin, or that saucy slut Mrs Clive? What work would they make with your Shakespears, Otways, and Lees? How would those harmonious lines of the last come from their tongues?--

"'--No more; for I disdain All pomp when thou art by: far be the noise Of kings and crowns from us, whose gentle souls Our kinder fates have steer'd another way. Free as the forest birds we'll pair together, Without rememb'ring who our fathers were: Fly to the arbors, grots, and flow'ry meads; There in soft murmurs interchange our souls; Together drink the crystal of the stream, Or taste the yellow fruit which autumn yields, And, when the golden evening calls us home, Wing to our downy nests, and sleep till morn.'

"Or how would this disdain of Otway--

"'Who'd be that foolish sordid thing call'd man?'"

"Hold! hold! hold!" said the poet: "Do repeat that tender speech in the third act of my play which you made such a figure in."--"I would willingly," said the player, "but I have forgot it."--"Ay, you was not quite perfect in it when you played it," cries the poet, "or you would have had such an applause as was never given on the stage; an applause I was extremely concerned for your losing."--"Sure," says the player, "if I remember, that was hissed more than any passage in the whole play."--"Ay, your speaking it was hissed," said the poet.--"My speaking it!" said the player.--"I mean your not speaking it," said the poet. "You was out, and then they hissed."--"They hissed, and then I was out, if I remember," answered the player; "and I must say this for myself, that the whole audience allowed I did your part justice; so don't lay the damnation of your play to my account."--"I don't know what you mean by damnation," replied the poet.--"Why, you know it was acted but one night," cried the player.--"No," said the poet, "you and the whole town were enemies; the pit were all my enemies, fellows that would cut my throat, if the fear of hanging did not restrain them. All taylors, sir, all taylors."--"Why should the taylors be so angry with you?" cries the player. "I suppose you don't employ so many in making your clothes."--"I admit your jest," answered the poet; "but you remember the affair as well as myself; you know there was a party in the pit and upper gallery that would not suffer it to be given out again; though much, ay infinitely, the majority, all the boxes in particular, were desirous of it; nay, most of the ladies swore they never would come to the house till it was acted again. Indeed, I must own their policy was good in not letting it be given out a second time: for the rascals knew if it had gone a second night it would have run fifty; for if ever there was distress in a tragedy--I am not fond of my own performance; but if I should tell you what the best judges said of it--Nor was it entirely owing to my enemies neither that it did not succeed on the stage as well as it hath since among the polite readers; for you can't say it had justice done it by the performers."--"I think," answered the player, "the performers did the distress of it justice; for I am sure we were in distress enough, who were pelted with oranges all the last act: we all imagined it would have been the last act of our lives."

The poet, whose fury was now raised, had just attempted to answer when they were interrupted, and an end put to their discourse, by an accident, which if the reader is impatient to know, he must skip over the next chapter, which is a sort of counterpart to this, and contains some of the best and gravest matters in the whole book, being a discourse between parson Abraham Adams and Mr Joseph Andrews.

CHAPTER XI.

Containing the exhortations of parson Adams to his friend in affliction; calculated for the instruction and improvement of the reader.

Joseph no sooner came perfectly to himself than, perceiving his mistress gone, he bewailed her loss with groans which would have pierced any heart but those which are possessed by some people, and are made of a certain composition not unlike flint in its hardness and other properties; for you may strike fire from them, which will dart through the eyes, but they can never distil one drop of water the same way. His own, poor youth! was of a softer composition; and at those words, "O my dear Fanny! O my love! shall I never, never see thee more?" his eyes overflowed with tears, which would have become any but a hero. In a word, his despair was more easy to be conceived than related.

Mr Adams, after many groans, sitting with his back to Joseph, began thus in a sorrowful tone: "You cannot imagine, my good child, that I entirely blame these first agonies of your grief; for, when misfortunes attack us by surprize, it must require infinitely more learning than you are master of to resist them; but it is the business of a man and a Christian to summon Reason as quickly as he can to his aid; and she will presently teach him patience and submission. Be comforted, therefore, child; I say be comforted. It is true, you have lost the prettiest, kindest, loveliest, sweetest young woman, one with whom you might have expected to have lived in happiness, virtue, and innocence; by whom you might have promised yourself many little darlings, who would have been the delight of your youth and the comfort of your age. You have not only lost her, but have reason to fear the utmost violence which lust and power can inflict upon her. Now, indeed, you may easily raise ideas of horror, which might drive you to despair."--"O I shall run mad!" cries Joseph. "O that I could but command my hands to tear my eyes out and my flesh off!"--"If you would use them to such purposes, I am glad you can't," answered Adams. "I have stated your misfortune as strong as I possibly can; but, on the other side, you are to consider you are a Christian, that no accident happens to us without the Divine permission, and that it is the duty of a man, and a Christian, to submit. We did not make ourselves; but the same power which made us rules over us, and we are absolutely at his disposal; he may do with us what he pleases, nor have we any right to complain. A second reason against our complaint is our ignorance; for, as we know not future events, so neither can we tell to what purpose any accident tends; and that which at first threatens us with evil may in the end produce our good. I should indeed have said our ignorance is twofold (but I have not at present time to divide properly), for, as we know not to what purpose any event is ultimately directed, so neither can we affirm from what cause it originally sprung. You are a man, and consequently a sinner; and this may be a punishment to you for your sins: indeed in this sense it may be esteemed as a good, yea, as the greatest good, which satisfies the anger of Heaven, and averts that wrath which cannot continue without our destruction. Thirdly, our impotency of relieving ourselves demonstrates the folly and absurdity of our complaints: for whom do we resist, or against whom do we complain, but a power from whose shafts no armour can guard us, no speed can fly?--a power which leaves us no hope but in submission." "O sir!" cried Joseph, "all this is very true, and very fine, and I could hear you all day if I was not so grieved at heart as now I am."--"Would you take physic," says Adams, "when you are well, and refuse it when you are sick? Is not comfort to be administered to the afflicted, and not to those who rejoice or those who are at ease?" "O! you have not spoken one word of comfort to me yet!" returned Joseph. "No!" cries Adams; "what am I then doing? what can I say to comfort you?" "O tell me," cries Joseph, "that Fanny will escape back to my arms, that they shall again enclose that lovely creature, with all her sweetness, all her untainted innocence about her!" "Why, perhaps you may," cries Adams, "but I can't promise you what's to come. You must, with perfect resignation, wait the event: if she be restored to you again, it is your duty to be thankful, and so it is if she be not.