Time, woman’s enemy, had been halted in
its track; the rolling hours, the creeping weeks, the murderously slow and boring
months, had been only a bad dream. Their mirrors lied no more. Once again, they
revealed the true images of youth. And with victorious steps, on feet more joyously
winged than those of youth — for their feet were revived and had awakened to a
second youth — the ladies entered their carriages and headed toward the palace amid
cheers from the thronging, waiting crowds.
They waited in the gardens before the palace, clamoring at the
gates. In every arriving minister and general they saw another of the Emperor’s
emissaries. Besides these exalted persons, there came also the lesser staff of the
Emperor — the old cooks and coachmen and bakers and laundresses, grooms and
riding-masters, tailors and cobblers, masons and upholsterers, lackeys and maids.
And they began to prepare the palace for the Emperor so he would find it just as he
had left it, with no reminders of the King who had fled. The exalted ladies and
gentlemen joined the lowly servants in this work. In fact, the ladies of the
Imperial court worked even more zealously than the servants. Disregarding their
dignity and the damage to their delicate clothing or their carefully cultivated
fingernails, they scratched, clawed, and peeled from the walls the tapestries and
the white lilies of the King with vindictiveness, fury, impatience, and enthusiasm.
Under the King’s tapestries were the old and familiar symbols of the Emperor —
countless golden bees with widespread, glassy, and delicately veined little wings
and black-striped hind ends, Imperial insects, industrious manufacturers of
sweetness. Soldiers carried in the Imperial eagles of shiny, golden brass and placed
them in every corner, so that at the very moment of his arrival, the Emperor would
know that his soldiers were awaiting him — even those who had not been able to be at
his side upon his entrance.
In the meantime, night was falling, and the Emperor had still not
arrived. The lanterns in front of the palace were lit. Streetlamps at every corner
flared. They battled against fog, dampness, and the wind.
The people waited and waited. Finally, they heard the orderly trot
of military horses’ hooves. They knew it was the Thirteenth Dragoons. At the head of
the squadron rode the Colonel, sabre shining a narrow flash in the gloom of the
night. The Colonel cried: “Make way for the Emperor!” As he sat high upon his
chestnut steed, which was barely visible in the darkness, his wide, pale face with
its great black mustache over the heads of the thronging crowd, unsheathed weapon in
his raised hand, repeating from time to time his cry “Make way for the Emperor!” and
occasionally lit by the yellowish glint of the flickering streetlamps, he reminded
the crowd of the militant and supposedly cruel guardian angel that was alleged to
personally accompany the Emperor, for it seemed to the people that the Emperor, at
this hour, was issuing orders even to his own guardian angel . . .
Soon his dragoon-escorted coach came into view, the rumble of its
hurried wheels inaudible over the trampling of the horses’ hooves.
It stopped at the palace.
As the Emperor left the carriage, many pale, open hands reached
for him. At that moment, entranced by the imploring hands, he lost his will and
consciousness. These loving white hands that stretched toward him seemed to him more
terrible than if they had belonged to armed enemies. Each hand was like a loving,
yearning pale face. The love that streamed toward the Emperor from these bright,
outstretched hands was like an intense and dangerous plea. What were the hands
demanding? What did they want from him? These hands were praying, demanding, and
compelling all at once; hands raised as if to the gods.
He shut his eyes and could feel the hands lifting him and carrying him
along on unsteady shoulders up the palace steps. He heard the familiar voice of his
friend General Lavalette: “It is you! It’s you! It’s you — my Emperor!” From the
voice and the breath on his face he realized that his friend was in front of him,
climbing the steps backward. The Emperor opened his eyes — and saw the open arms of
his friend Lavalette and the white silhouette of his face.
This startled him, so he closed his eyes again. As if sleeping or
unconscious, he was carried, led and supported along to his old room. Both
frightened and happy, he seated himself at his writing table with a fearful joy in
his heart.
He saw some of his old friends in the room as if through a fog.
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