Just forget what happened and think how fine a surprise you’re to
give your brother to-morrow.”
With that she slipped out and softly shut the door.
As Madeline laid her watch on the bureau she noticed that the
time was past two o’clock. It seemed long since she had gotten
off the train. When she had turned out the lamp and crept
wearily into bed she knew what it was to be utterly spent. She
was too tired to move a finger. But her brain whirled.
She had at first no control over it, and a thousand thronging
sensations came and went and recurred with little logical
relation. There were the roar of the train; the feeling of being
lost; the sound of pounding hoofs; a picture of her brother’s
face as she had last seen it five years before; a long, dim line
of lights; the jingle of silver spurs; night, wind, darkness,
stars. Then the gloomy station, the shadowy blanketed Mexican,
the empty room, the dim lights across the square, the tramp of
the dancers and vacant laughs and discordant music, the door
flung wide and the entrance of the cowboy. She did not recall
how he had looked or what he had done. And the next instant she
saw him cool, smiling, devilish–saw him in violence; the next
his bigness, his apparel, his physical being were vague as
outlines in a dream. The white face of the padre flashed along in
the train of thought, and it brought the same dull, half-blind,
indefinable state of mind subsequent to that last nerve-breaking
pistol-shot. That passed, and then clear and vivid rose memories
of the rest that had happened–strange voices betraying fury of
men, a deadened report, a moan of mortal pain, a woman’s poignant
cry. And Madeline saw the girl’s great tragic eyes and the wild
flight of the big horse into the blackness, and the dark,
stalking figure of the silent cowboy, and the white stars that
seemed to look down remorselessly.
This tide of memory rolled over Madeline again and again, and
gradually lost its power and faded. All distress left her, and
she felt herself drifting. How black the room was–as black with
her eyes open as it was when they were shut! And the silence–it
was like a cloak. There was absolutely no sound. She was in
another world from that which she knew. She thought of this
fair-haired Florence and of Alfred; and, wondering about them,
she dropped to sleep.
When she awakened the room was bright with sunlight. A cool wind
blowing across the bed caused her to put her hands under the
blanket. She was lazily and dreamily contemplating the mud walls
of this little room when she remembered where she was and how she
had come there.
How great a shock she had been subjected to was manifest in a
sensation of disgust that overwhelmed her. She even shut her
eyes to try and blot out the recollection. She felt that she had
been contaminated.
Presently Madeline Hammond again awoke to the fact she had
learned the preceding night–that there were emotions to which
she had heretofore been a stranger. She did not try to analyze
them, but she exercised her self-control to such good purpose
that by the time she had dressed she was outwardly her usual
self. She scarcely remembered when she had found it necessary to
control her emotions. There had been no trouble, no excitement,
no unpleasantness in her life. It had been ordered for her–
tranquil, luxurious, brilliant, varied, yet always the same.
She was not surprised to find the hour late, and was going to
make inquiry about her brother when a voice arrested her. She
recognized Miss Kingsley’s voice addressing some one outside, and
it had a sharpness she had not noted before.
“So you came back, did you? Well, you don’t look very proud of
yourself this mawnin’. Gene Stewart, you look like a coyote.”
“Say, Flo if I am a coyote I’m not going to sneak,” he said.
“What ‘d you come for?” she demanded.
“I said I was coming round to take my medicine.”
“Meaning you’ll not run from Al Hammond? Gene, your skull is as
thick as an old cow’s. Al will never know anything about what
you did to his sister unless you tell him. And if you do that
he’ll shoot you. She won’t give you away.
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