“I’ll go fetch the porter.”
She thanked him, and as he went out, closing the door, she sat
down in considerable relief. It occurred to her that she should
have mentioned her brother’s name, Then she fell to wondering
what living with such uncouth cowboys had done to Alfred. He had
been wild enough in college, and she doubted that any cowboy
could have taught him much. She alone of her family bad ever
believed in any latent good in Alfred Hammond, and her faith had
scarcely survived the two years of silence.
Waiting there, she again found herself listening to the moan of
the wind through the wires. The horse outside began to pound
with heavy hoofs, and once he whinnied. Then Madeline heard a
rapid pattering, low at first and growing louder, which presently
she recognized as the galloping of horses. She went to the
window, thinking, hoping her brother had arrived. But as the
clatter in-creased to a roar, shadows sped by–lean horses,
flying manes and tails, sombreroed riders, all strange and wild
in her sight. Recalling what the conductor had said, she was at
some pains to quell her uneasiness. Dust-clouds shrouded the dim
lights in the windows. Then out of the gloom two figures
appeared, one tall, the other slight. The cowboy was returning
with a porter.
Heavy footsteps sounded without, and lighter ones dragging along,
and then suddenly the door rasped open, jarring the whole room.
The cowboy entered, pulling a disheveled figure–that of a
priest, a padre, whose mantle had manifestly been disarranged by
the rude grasp of his captor. Plain it was that the padre was
extremely terrified.
Madeline Hammond gazed in bewilderment at the little man, so pale
and shaken, and a protest trembled upon her lips; but it was
never uttered, for this half-drunken cowboy now appeared to be a
cool, grim-smiling devil; and stretching out a long arm, he
grasped her and swung her back to the bench.
“You stay there!” he ordered.
His voice, though neither brutal nor harsh nor cruel, had the
unaccountable effect of making her feel powerless to move. No
man had ever before addressed her in such a tone. It was the
woman in her that obeyed–not the personality of proud Madeline
Hammond.
The padre lifted his clasped hands as if supplicating for his
life, and began to speak hurriedly in Spanish. Madeline did not
understand the language. The cowboy pulled out a huge gun and
brandished it in the priest’s face. Then he lowered it,
apparently to point it at the priest’s feet. There was a red
flash, and then a thundering report that stunned Madeline. The
room filled with smoke and the smell of powder. Madeline did not
faint or even shut her eyes, but she felt as if she were fast in
a cold vise. When she could see distinctly through the smoke she
experienced a sensation of immeasurable relief that the cowboy
had not shot the padre. But he was still waving the gun, and now
appeared to be dragging his victim toward her. What possibly
could be the drunken fool’s intention? This must be, this surely
was a cowboy trick. She had a vague, swiftly flashing
recollection of Alfred’s first letters descriptive of the
extravagant fun of cowboys. Then she vividly remembered a moving
picture she had seen–cowboys playing a monstrous joke on a lone
school-teacher. Madeline no sooner thought of it than she made
certain her brother was introducing her to a little wild West
amusement. She could scarcely believe it, yet it must be true.
Alfred’s old love of teasing her might have extended even to this
outrage.
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