The horse was outlined in black against the line of dim lights. There was something wild and splendid in his flight.

Directly the cowboy appeared again in the doorway.

"Miss Hammond, I reckon we want to rustle out of here. Been bad goings-on. And there's a train due."

She hurried into the open air, not daring to look back or to either side. Her guide strode swiftly. She had almost to run to keep up with him. Many conflicting emotions confused her. She had a strange sense of this stalking giant beside her, silent except for his jangling spurs. She had a strange feeling of the cool, sweet wind and the white stars. Was it only her disordered fancy, or did these wonderful stars open and shut? She had a queer, disembodied thought that somewhere in ages back, in another life, she had seen these stars. The night seemed dark, yet there was a pale, luminous light — a light from the stars — and she fancied it would always haunt her.

Suddenly aware that she had been led beyond the line of houses, she spoke:

"Where are you taking me?"

"To Florence Kingsley," he replied.

"Who is she?"

"I reckon she's your brother's best friend out here." Madeline kept pace with the cowboy for a few moments longer, and then she stopped. It was as much from necessity to catch her breath as it was from recurring fear. All at once she realized what little use her training had been for such an experience as this. The cowboy, missing her, came back the few intervening steps. Then he waited, still silent, looming beside her.

"It's so dark, so lonely," she faltered. "How do I know ... what warrant can you give me that you — that no harm will befall me if I go farther?"

"None, Miss Hammond, except that I've seen your face."

 

CHAPTER II. A Secret Kept

 

Because of that singular reply Madeline found faith to go farther with the cowboy. But at the moment she really did not think about what he had said. Any answer to her would have served if it had been kind. His silence had augmented her nervousness, compelling her to voice her fear. Still, even if he had not replied at all she would have gone on with him. She shuddered at the idea of returning to the station, where she believed there had been murder; she could hardly have forced herself to go back to those dim lights in the street; she did not want to wander around alone in the dark.

And as she walked on into the windy darkness, much relieved that he had answered as he had, reflecting that he had yet to prove his words true, she began to grasp the deeper significance of them. There was a revival of pride that made her feel that she ought to scorn to think at all about such a man. But Madeline Hammond discovered that thought was involuntary, that there were feelings in her never dreamed of before this night.

Presently Madeline's guide turned off the walk and rapped at a door of a low-roofed house.

"Hullo — who's there?" a deep voice answered.

"Gene Stewart," said the cowboy. "Call Florence — quick!"

Thump of footsteps followed, a tap on a door, and voices. Madeline heard a woman exclaim: "Gene! here when there's a dance in town! Something wrong out on the range." A light flared up and shone bright through a window. In another moment there came a patter of soft steps, and the door opened to disclose a woman holding a lamp.

"Gene! Al's not—"

"Al is all right," interrupted the cowboy.

Madeline had two sensations then — one of wonder at the note of alarm and love in the woman's voice, and the other of unutterable relief to he safe with a friend of her brother's.

"It's Al's sister — came on to-night's train," the cowboy was saying. "I happened to be at the station, and I've fetched her up to you."

Madeline came forward out of the shadow.

"Not — not really Majesty Hammond!" exclaimed Florence Kingsley. She nearly dropped the lamp, and she looked and looked, astounded beyond belief.

"Yes, I am really she," replied Madeline.