Her fear, he judged, was simply due to those years in India, when for weeks at a time his calling took him away from her into the jungle forests, while she remained at home dreading all manner of evils that might befall him. This, of course, explained her instinctive opposition to the passion for woods that still influenced and clung to him. It was a natural survival of those anxious days of waiting in solitude for his safe return.

For Mrs. Bittacy, daughter of an evangelical clergyman, was a self-sacrificing woman, who in most things found a happy duty in sharing her husband’s joys and sorrows to the point of self-obliteration. Only in this matter of the trees she was less successful than in others. It remained a problem difficult of compromise.

He knew, for instance, that what she objected to in this portrait of the cedar on their lawn was really not the price he had given for it, but the unpleasant way in which the transaction emphasised this breach between their common interests—the only one they had, but deep.

Sanderson, the artist, earned little enough money by his strange talent; such cheques were few and far between. The owners of fine or interesting trees who cared to have them painted singly were rare indeed, and the “studies” that he made for his own delight he also kept for his own delight. Even were there buyers, he would not sell them. Only a few, and these peculiarly intimate friends, might even see them, for he disliked to hear the undiscerning criticisms of those who did not understand. Not that he minded laughter at his craftmanship—he admitted it with scorn—but that remarks about the personality of the tree itself could easily wound or anger him. He resented slighting observations concerning them, as though insults offered to personal friends who could not answer for themselves. He was instantly up in arms.

“It really is extraordinary,” said a Woman who Understood, “that you can make that cypress seem an individual, when in reality all cypresses are so exactly alike.”

And though the bit of calculated flattery had come so near to saying the right, true, thing, Sanderson flushed as though she had slighted a friend beneath his very nose. Abruptly he passe din front of her and turned the picture to the wall.

“Almost as queer,” he answered rudely, copying her silly emphasis, “as that you should have imagined individuality in your husband, Madame, when in reality all men are so exactly alike!”

Since the only thing that differentiated her husband from the mob was the money for which she had married him, Sanderson’s relations with that particular family terminated on the spot, chance of prospective orders with it. His sensitiveness, perhaps, was morbid. At any rate the way to reach his heart lay through his trees. He might be said to love trees. He certainly drew a splendid inspiration from them, and the source of a man’s inspiration, be it music, religion, or a woman, is never a safe thing to criticise.

“I do think, perhaps, it was just a little extravagant, dear,” said Mrs. Bittacy, referring to the cedar cheque, “when we want a lawnmower so badly too. But, as it gives you such pleasure–-”

“It reminds me of a certain day, Sophia,” replied the old gentleman, looking first proudly at herself, then fondly at the picture, “now long gone by. It reminds me of another tree—that Kentish lawn in the spring, birds singing in the lilacs, and some one in a muslin frock waiting patiently beneath a certain cedar—not the one in the picture, I know, but–-”

“I was not waiting,” she said indignantly, “I was picking fir-cones for the schoolroom fire–-”

“Fir-cones, my dear, do not grow on cedars, and schoolroom fires were not made in June in my young days.”

“And anyhow it isn’t the same cedar.”

“It has made me fond of all cedars for its sake,” he answered, “and it reminds me that you are the same young girl still–-”

She crossed the room to his side, and together they looked out of the window where, upon the lawn of their Hampshire cottage, a ragged Lebanon stood in a solitary state.

“You’re as full of dreams as ever,” she said gently, “and I don’t regret the cheque a bit—really. Only it would have been more real if it had been the original tree, wouldn’t it?”

“That was blown down years ago. I passed the place last year, and there’s not a sign of it left,” he replied tenderly. And presently, when he released her from his side, she went up to the wall and carefully dusted the picture Sanderson had made of the cedar on their present lawn.