The government was clerical, but everyday life was liberal. All citizens were equal before the law, but not everyone was a citizen. There was a Parliament, which asserted its freedom so forcefully that it was usually kept shut; there was also an Emergency Powers Act that enabled the government to get along without Parliament, but then, when everyone had happily settled for absolutism, the Crown decreed that it was time to go back to parliamentary rule. The country was full of such goings-on, among them the sort of nationalist movements that rightly attracted so much attention in Europe and are so thoroughly misunderstood today. They were so violent that they jammed the machinery of government and brought it to a dead stop several times a year, but in the intervals and during the deadlocks people got along perfectly well and acted as if nothing had happened. And in fact, nothing really had happened. It was only that everyone’s natural resentment of everyone else’s efforts to get ahead, a resentment we all feel nowadays, had crystallized earlier in Kakania, where it can be said to have assumed the form of a sublimated ceremonial rite, which could have had a great future had its development not been cut prematurely short by a catastrophe.

For it was not only the resentment of one’s fellow citizens that had become intensified there into a strong sense of community; even the lack of faith in oneself and one’s own fate took on the character of a deep self-certainty. In this country one acted—sometimes to the highest degree of passion and its consequences—differently from the way one thought, or one thought differently from the way one acted. Uninitiated observers have mistaken this for charm, or even for a weakness of what they thought to be the Austrian character. But they were wrong; it is always wrong to explain what happens in a country by the character of its inhabitants. For the inhabitant of a country has at least nine characters: a professional, a national, a civic, a class, a geographic, a sexual, a conscious, an unconscious, and possibly even a private character to boot. He unites them in himself, but they dissolve him, so that he is really nothing more than a small basin hollowed out by these many streamlets that trickle into it and drain out of it again, to join other such rills in filling some other basin. Which is why every inhabitant of the earth also has a tenth character that is nothing else than the passive fantasy of spaces yet unfilled. This permits a person all but one thing: to take seriously what his at least nine other characters do and what happens to them; in other words, it prevents precisely what should be his true fulfillment. This interior space—admittedly hard to describe—is of a different shade and shape in Italy from what it is in England, because everything that stands out in relief against it is of a different shade and shape; and yet it is in both places the same: an empty, invisible space, with reality standing inside it like a child’s toy town deserted by the imagination.

Insofar as this can become visible to all eyes it had happened in Kakania, making Kakania, unbeknownst to the world, the most progressive state of all; a state just barely able to go along with itself. One enjoyed a negative freedom there, always with the sense of insufficient grounds for one’s own existence, and lapped around by the great fantasy of all that had not happened or at least not yet happened irrevocably as by the breath of those oceans from which mankind had once emerged.

Events that might be regarded as momentous elsewhere were here introduced with a casual “Es ist passiert. . .”—a peculiar form of “it happened” unknown elsewhere in German or any other language, whose breath could transform facts and blows of fate into something as light as thistledown or thought. Perhaps, despite so much that can be said against it, Kakania was, after all, a country for geniuses; which is probably what brought it to its ruin.

9

THE FIRST OF THREE ATTEMPTS TO BECOME A GREAT MAN

This man who had returned could not remember any time in his life when he had not been fired with the will to become a great man; it was a desire Ulrich seemed to have been born with. Such a dream may of course betray vanity and stupidity, but it is no less true that it is a fine and proper ambition without which there probably would not be very many great men in the world.

The trouble was that he knew neither how to become one nor what a great man is. In his school days his model had been Napoleon, partly because of a boy’s natural admiration for the criminal and partly because his teachers had made a point of calling this tyrant, who had tried to turn Europe upside down, the greatest evildoer in history. This led directly to Ulrich’s joining the cavalry as an ensign as soon as he was able to escape from school. The chances are that even then, had anyone asked him why he chose this profession, he would no longer have replied: “In order to become a tyrant.” But such wishes are Jesuits: Napoleon’s genius began to develop only after he became a general. But how could Ulrich, as an ensign, have convinced his colonel that becoming a general was the necessary next step for him? Even at squadron drill it seemed often enough that he and the colonel did not see eye-to-eye. Even so, Ulrich would not have cursed the parade ground—that peaceful common on which pretensions are indistinguishable from vocations—had he not been so ambitious. Pacifist euphemisms such as “educating the people to bear arms” meant nothing to him in those days; instead, he surrendered himself to an impassioned nostalgia for heroic conditions of lordliness, power, and pride. He rode in steeplechases, fought duels, and recognized only three kinds of people: officers, women, and civilians, the last-named a physically underdeveloped and spiritually contemptible class of humanity whose wives and daughters were the legitimate prey of army officers. He indulged in a splendid pessimism: it seemed to him that because the soldier’s profession was a sharp, white-hot instrument, this instrument must be used to sear and cut the world for its salvation.

As luck would have it he came to no harm, but one day he made a discovery. At a social gathering he had a slight misunderstanding with a noted financier, which Ulrich was going to clear up in his usual dashing style; but it turned out that there are men in civilian clothes also who know how to protect their women. The financier had a word with the War Minister, whom he knew personally, and soon thereafter Ulrich had a lengthy interview with his colonel, in which the difference between an archduke and a simple army officer was made clear to him. From then on the profession of warrior lost its charm for him. He had expected to find himself on a stage of world-shaking adventures with himself as hero, but now saw nothing but a drunken young man shouting on a wide, empty square, answered only by the paving stones.