In the end, Kafka and his fiction are inextricable. The only way out is to metamorphose Kafka into something we can parse. We have to insinuate ourselves into his universe, his allegory. Only in this way can we see our own reality for the puzzle it is. As the disconnect between author and reader dissolves, Kafka’s language becomes a metaphor for the greater disconnection between ourselves and our environment. Though we lose in parable, perhaps in reading Kafka we can finish what he himself could not complete and, in so doing, nourish our own unknown hungers.

Jason Baker is a writer of short stories living in Brooklyn, New York.

A Message from the Emperora

THE EMPEROR, OR SO they say, has sent you—his single most contemptible subject, the minuscule shadow that has fled the farthest distance from the imperial sun—only to you has the Emperor sent a message from his deathbed. He has had the messenger kneel beside his bed and he has whispered the message to him; so important was this message that he has made him repeat it in his ear. He has confirmed the accuracy of the words with a nod of his head. And then, before all the spectators assembled to witness his death—every wall obstructing the view had been knocked down and on the free-standing, vaulted staircases, all the dignitaries of the empire were gathered in a circle—before them all, he has dispatched the messenger. The messenger sets off at once, a strong and tireless man; sometimes thrusting ahead with one arm, sometimes with the other, he beats a path through the crowd; where he meets resistance, he points to the sign of the sun on his breast, and he forges ahead with an ease that could be matched by no other. But the throng is so thick, there’s no end to their dwellings. If only there were an open field before him, how fast he would fly; soon you would surely hear the glorious rapping of his knock on your door. But instead, how vain his efforts are; he is still only forcing his way through the chambers of the innermost palace; he will never reach the end of them, and even if he did he’d be no closer; he would have to fight his way down the steps, and even if he did he’d be no closer; he would still have to cross the courtyards, and after the courtyards the second, outer palace, and still more stairs and courtyards, and still another palace, and so on for thousands of years, and even if he did finally burst through the outermost gate—but that could never, ever happen—the empire’s capital, the center of the world, flooded with the dregs of humanity, would still lie before him. There is no one who could force his way through here, least of all with a message from a dead man.—But you sit at your window and dream it up as evening falls.

The Metamorphosisb

I

AS GREGOR SAMSA AWOKE from unsettling dreams one morning, he found himself transformed in his bed into a monstrous vermin. 1 He lay on his hard armorlike back and when he raised his head a little he saw his vaulted brown belly divided into sections by stiff arches from whose height the coverlet had already slipped and was about to slide off completely. His many legs, which were pathetically thin compared to the rest of his bulk, flickered helplessly before his eyes.

“What has happened to me?” he thought. It was no dream. His room, a regular human bedroom, if a little small, lay quiet between the four familiar walls. Above the desk, on which a collection of fabric samples was unpacked and spread out—Samsa was a traveling salesman—hung the picture that he had recently cut out of an illustrated magazine and put in a pretty gilt frame. It showed a lady, sitting upright, dressed in a fur hat and fur boa; her entire forearm had vanished into a thick fur muff which she held out to the viewer.2

Gregor’s gaze then shifted to the window, and the dreary weather—raindrops could be heard beating against the metal ledge of the window—made him quite melancholy. “What if I went back to sleep for a while and forgot all this foolishness,” he thought. However, this was totally impracticable, as he habitually slept on his right side, a position he could not get into in his present state; no matter how forcefully he heaved himself to the right, he rocked onto his back again. He must have tried it a hundred times, closing his eyes so as not to see his twitching legs, and stopped only when he felt a faint, dull ache start in his side, a pain which he had never experienced before.

“Oh God,” he thought, “what a grueling profession I picked! Traveling day in, day out. It is much more aggravating work than the actual business done at the home office, and then with the strain of constant travel as well: the worry over train connections, the bad and irregular meals, the steady stream of faces who never become anything closer than acquaintances. The Devil take it all!” He felt a slight itching up on his belly and inched on his back closer to the bedpost to better lift his head. He located the itching spot, which was surrounded by many tiny white dots that were incomprehensible to him, and tried to probe the area with one of his legs but immediately drew it back, for the touch sent an icy shiver through him.

He slid back into his former position. “This getting up so early,” he thought, “makes you totally stupid. A man needs sleep. Other traveling salesmen live like harem women. For example, when I come back to the hotel late in the morning to write up the new orders, these men are still sitting at breakfast.