It is true, that not only the practice of some great authors in this department, but even the general course of human life itself, may be quoted in favour of this more obvious and less artificial practice of arranging a narrative. It is seldom that the same circle of personages who have surrounded an individual at his first outset in life, continue to have an interest in his career till his fate comes to a crisis. On the contrary, and more especially if the events of his life be of a varied character, and worth communicating to others, or to the world, the hero's later connexions are usually totally separated from those with whom he began the voyage, but whom the individual has outsailed, or who have drifted astray, or foundered on the passage. This hackneyed comparison holds good in another point. The numerous vessels of so many different sorts, and destined for such different purposes, which are launched in the same mighty ocean, although each endeavours to pursue its own course, are in every case more influenced by the winds and tides, which are common to the element which they all navigate, than by their own separate exertions. And it is thus in the world, that, when human prudence has done its best, some general, perhaps national, event, destroys the schemes of the individual, as the casual touch of a more powerful being sweeps away the web of the spider.

Many excellent romances have been composed in this view of human life, where the hero is conducted through a variety of detached scenes, in which various agents appear and disappear, without, perhaps, having any permanent influence on the progress of the story. Such is the structure of Gil Blas, Roderick Random, and the lives and adventures of many other heroes, who are described as running through different stations of life, and encountering various adventures, which are only connected with each other by having happened to be witnessed by the same individual, whose identity unites them together, as the string of a necklace links the beads, which are otherwise detached.

But though such an unconnected course of adventures is what most frequently occurs in nature, yet the province of the romance writer being artificial, there is more required from him than a mere compliance with the simplicity of reality,--just as we demand from the scientific gardener, that he shall arrange, in curious knots and artificial parterres, the flowers which "nature boon" distributes freely on hill and dale. Fielding, accordingly, in most of his novels, but especially in Tom Jones, his chef-d'oeuvre, has set the distinguished example of a story regularly built and consistent in all its parts, in which nothing occurs, and scarce a personage is introduced, that has not some share in tending to advance the catastrophe.

To demand equal correctness and felicity in those who may follow in the track of that illustrious novelist, would be to fetter too much the power of giving pleasure, by surrounding it with penal rules; since of this sort of light literature it may be especially said--tout genre est permis, hors le genre ennuyeux. Still, however, the more closely and happily the story is combined, and the more natural and felicitous the catastrophe, the nearer such a composition will approach the perfection of the novelist's art; nor can an author neglect this branch of his profession, without incurring proportional censure.

For such censure the Monastery gave but too much occasion. The intrigue of the Romance, neither very interesting in itself, nor very happily detailed, is at length finally disentangled by the breaking out of national hostilities between England and Scotland, and the as sudden renewal of the truce. Instances of this kind, it is true, cannot in reality have been uncommon, but the resorting to such, in order to accomplish the catastrophe, as by a tour de force, was objected to as inartificial, and not perfectly, intelligible to the general reader.

Still the Monastery, though exposed to severe and just criticism, did not fail, judging from the extent of its circulation, to have some interest for the public. And this, too, was according to the ordinary course of such matters; for it very seldom happens that literary reputation is gained by a single effort, and still more rarely is it lost by a solitary miscarriage.

The author, therefore, had his days of grace allowed him, and time, if he pleased, to comfort himself with the burden of the old Scots song,

"If it isna weel bobbit. We'll bob it again."

ABBOTSFORD, 1st November, 1830.

* * * * *

INTRODUCTORY EPISTLE

FROM CAPTAIN CLUTTERBUCK, LATE OF HIS MAJESTY'S ---- REGIMENT OF INFANTRY, TO THE AUTHOR OF WAVERLEY.

Sir,

Although I do not pretend to the pleasure of your personal acquaintance, like many whom I believe to be equally strangers to you, I am nevertheless interested in your publications, and desire their continuance;-not that I pretend to much taste in fictitious composition, or that I am apt to be interested in your grave scenes, or amused by those which are meant to be lively. I will not disguise from you, that I have yawned over the last interview of MacIvor and his sister, and fell fairly asleep while the schoolmaster was reading the humours of Dandie Dinmont. You see, sir, that I scorn to solicit your favour in a way to which you are no stranger. If the papers I enclose you are worth nothing, I will not endeavour to recommend them by personal flattery, as a bad cook pours rancid butter upon stale fish. No, sir! what I respect in you is the light you have occasionally thrown on national antiquities, a study which I have commenced rather late in life, but to which I am attached with the devotions of a first love, because it is the only study I ever cared a farthing for.

You shall have my history, sir, (it will not reach to three volumes,) before that of my manuscript; and as you usually throw out a few lines of verse (by way of skirmishers, I suppose) at the head of each division of prose, I have had the luck to light upon a stanza in the schoolmaster's copy of Burns which describes me exactly. I love it the better, because it was originally designed for Captain Grose, an excellent antiquary, though, like yourself, somewhat too apt to treat with levity his own pursuits:

'Tis said he was a soldier bred, And ane wad rather fa'en than fled; But now he's quit the spurtle blade, And dog-skin wallet, And ta'en the--antiquarian trade, I think, they call it.

I never could conceive what influenced me, when a boy, in the choice of a profession. Military zeal and ardour it was not, which made me stand out for a commission in the Scots Fusiliers, when my tutors and curators wished to bind me apprentice to old David Stiles, Clerk to his Majesty's Signet. I say, military zeal it was not; for I was no fighting boy in my own person, and cared not a penny to read the history of the heroes who turned the world upside down in former ages. As for courage, I had, as I have since discovered, just as much of it as serve'd my turn, and not one frain of surplus. I soon found out, indeed, that in action there was more anger in running away than in standing fast; and besides, I could not afford to lose my commission, which was my chief means of support. But, as for that overboiling valour, which I have heard many of ours talk of, though I seldom observed that it influenced them in the actual affair---that exuberant zeal, which courts Danger as a bride,--truly my courage was of a complexion much less ecstatical.

Again, the love of a red coat, which, in default of all other aptitudes to the profession, has made many a bad soldier and some good ones, was an utter stranger to my disposition. I cared not a "bodle" for the company of the misses: Nay, though there was a boarding-school in the village, and though we used to meet with its fair inmates at Simon Lightfoot's weekly Practising, I cannot recollect any strong emotions being excited on these occasions, excepting the infinite regret with which I went through the polite ceremonial of presenting my partner with an orange, thrust into my pocket by my aunt for this special purpose, but which, had I dared, I certainly would have secreted for my own personal use. As for vanity, or love of finery for itself, I was such a stranger to it, that the difficulty was great to make me brush my coat, and appear in proper trim upon parade. I shall never forget the rebuke of my old Colonel on a morning when the King reviewed a brigade of which ours made part. "I am no friend to extravagance, Ensign Clutterbuck," said he; "but, on the day when we are to pass before the Sovereign of the kingdom, in the name of God I would have at least shown him an inch of clean linen."

Thus, a stranger to the ordinary motives which lead young men to make the army their choice, and without the least desire to become either a hero or a dandy, I really do not know what determined my thoughts that way, unless it were the happy state of half-pay indolence enjoyed by Captain Doolittle, who had set up his staff of rest in my native village. Every other person had, or seemed to have, something to do, less or more. They did not, indeed, precisely go to school and learn tasks, that last of evils in my estimation; but it did not escape my boyish observation, that they were all bothered with something or other like duty or labour--all but the happy Captain Doolittle. The minister had his parish to visit, and his preaching to prepare, though perhaps he made more fuss than he needed about both. The laird had his farming and improving operations to superintend; and, besides, he had to attend trustee meetings, and lieutenancy meetings, and head-courts, and meetings of justices, and what not--was as early up, (that I detested,) and as much in the open air, wet and dry, as his own grieve.