The Party at Jack's


THE PARTY AT JACK’S
• • •
THE PARTY AT JACK’S
• • •
THOMAS WOLFE

• • •
Edited and with an introduction by
SUZANNE STUTMAN & JOHN L. IDOL, JR.
The University of North Carolina Press
• • •
Chapel Hill & London
© 1995 The University of
North Carolina Press and Paul Gitlin, Administrator, C.T.A.,
Estate of Thomas Wolfe.
By permission of the Houghton Library, Harvard University
Introduction by Suzanne Stutman and John L. Idol, Jr.
© 1995 The University of North Carolina Press
All rights reserved
Manufactured in the United States of America
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources.
Title page illustration by Ed Lindlof
Library of Congress Cataloging-in-Publication Data
Wolfe, Thomas, 1900–1938.
The party at Jack’s / by Thomas Wolfe; edited and with an introduction by
Suzanne Stutman and John L. Idol, Jr.
p. cm.
ISBN 0-8078-2206-X
1. New York (N.Y.)—Social life and customs—20th century—Fiction.
2. Apartment houses—New York (N.Y.)—Fiction. 3. Entertaining—New York
(N.Y.)—Fiction. 4. Fires—New York (N.Y.)—Fiction. I. Stutman, Suzanne.
II. Idol, John L. III. Title.
PS3545.O337P37 1995
813′.52—dc2o
94-34179
CIP
99 98 97 96 95 5 4 3 2 1
THIS BOOK WAS DIGITALLY MANUFACTURED.
FOR LOUIS D. RUBIN, JR.,
keeper of the torch
and
FOR RICHARD S. KENNEDY,
who made it all possible
CONTENTS
• • •
Introduction
Editorial Policy and Text
Acknowledgments
THE PARTY AT JACK’S, by Thomas Wolfe
Morning
Morning: Jack Asleep
Morning: Jack Erect
Morning: Jack Afloat
Morning: Mrs. Jack Awake
Morning: Mrs. Jack and the Maid
Morning: Jack and His Wife
Morning: The World That Jack Built
The Great Building (April, 1930)
The Elevator Men
Before the Party
Piggy Logan
The Family
The Party Beginning
The Guests Arriving
The Lover
Mr. Hirsch Was Wounded Sorrowfully
Piggy Logan’s Circus
The Guests Departing: The Fire
The Fire: The Outpouring of the Honeycomb
The Fire: The Tunneled Rock
After the Fire: These Two Together
Love Is Enough?

INTRODUCTION
• • •
Background
At Oteen in the North Carolina mountains during the summer of 1937, where he was busily revising a piece for which he had made notebook entries in 1930, Thomas Wolfe started adding fresh material. Pleased with his efforts, despite numerous interruptions from kinfolk and literary lion hunters, Wolfe wrote to his literary agent, Elizabeth Nowell, to report how his work was going:
I have completely rewritten it and rewoven it. It is a very difficult piece of work, but I think it is now a single thing, as much a single thing as anything I’ve ever written. I am not through with it yet. There is a great deal more revision to be done, but I am sending it to you anyway to let you see what I have done, and I think you will be able to see what it may be like when I’m finished with it. (Nowell, ed., The Letters of Thomas Wolfe [New York: Scribner’s, 1956], 651)
The piece was The Party at Jack’s, portions of which have seen print through the efforts of Elizabeth Nowell and Edward Aswell, Wolfe’s editor at Harper’s, who included portions of it in You Can’t Go Home Again.
Just when he first wrote the parts he was now rewriting cannot be fixed precisely. Besides bits of dialogue done as early as 1930, the earliest definite outline of a chronological sequence for the events occurring on the day of the party appeared on a manila envelope dating to the fall of 1932. Here Wolfe scrawled
MORNING: THREE IN A CITY
I Jacobs-German background-Schoolboy scene
II Jacobs Awake
III Esther and the Maid
IV Jacobs and Esther.
Since Wolfe used such outlines both to show what he wanted to write and to list those pieces already done for some project he had in mind, it is impossible to claim that the present outline launched what he would in time call The Party at Jack’s.
Whatever came first, manuscript drafts of the story as he conceived it or the outline recounting what he had done, papers in the Wisdom Collection in the Houghton Library reveal that he set to work to create accounts of Frederick and Esther Jacobs and one of Esther’s maids, Katy Fogarty. Frederick (Fritz), a German Jew, dreams about his schoolboy days and his return to the Rhineland after becoming fabulously rich in America. He awakens to luxuriate in his princely Park Avenue apartment (bMS Am 1883 [932]).
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