He is believed to have visited the university at Bologna, where he had been known since 1287. This visit probably occurred after the death in 1304 of his generous patron, Bartolommeo della Scala. It is generally thought that Dante traveled extensively in Italy, particularly in the north. He may have been in Padua in 1306. During that same year he appeared in Lunigiana with the Malaspina family, and it was probably then that he went to the mountains of Casentino, on the upper Arno. It is also thought that he went to Paris sometime between 1307 and 1309.
In 1310 Henry VII of Luxembourg, Holy Roman emperor from 1312 to 1313, entered Italy in an effort to reunite Church and state, restore order, and force various rebellious cities to submit to his authority. His coming caused a great deal of excitement and conflict. Florence generally opposed him, but Dante, who attributed the woes of Florence and all of Italy to the absence of imperial guidance, welcomed Henry as a savior. Dante’s state of great exaltation is documented in three letters that he wrote in 1310 and 1311. However, Henry’s invasion proved fruitless; he met opposition from all sides, including Pope Clement V, who had sent for him in the first place. Just as the situation for Henry and his supporters began to improve, the emperor died near Siena in 1313. With him went Dante’s every hope of restoring himself to an honorable position in his city. Thus in 1314 he took shelter with the Ghibelline captain Can Grande della Scala in Verona.
Dante did not totally abandon his quest to return to his native city. He wrote letters to individual members of the government, attempting to appease those who ruled. He even sent a canzone to the city of Florence, praising her love for justice and asking that she work with her citizens on his behalf. Dante strove to be acceptable to the Florentines, but for many reasons the public associated him with the Ghibellines; no matter how Dante tried to free himself of suspicion, he did not succeed. He also tried to appeal to them on the grounds of his poetic ability, and sought to show that if he had cultivated poetry in the vernacular it was not for lack of skill or study. He was compelled to display his love for learning and his great respect for philosophy and matters having to do with civic education. He therefore composed two treatises (both left incomplete), the De vulgari eloquentia (On Eloquence in the Vernacular) and the Convivio (Banquet), sometime between 1304 and 1307. In them can be seen his longing to reestablish himself in the good graces of his city and to find consolation for his wretchedness in the study of matters useful to man’s well-being and his art. Thus in the ten years or so between the Vita nuova and the Commedia (Divine Comedy), Dante’s studies were essentially of a philosophical and artistic nature. The Convivio is often acknowledged as the key to his philosophical researches, while the De vulgari eloquentia is viewed as the key to his artistic inquiries.
Though he desperately hoped to restore his reputation as a Florentine and resume his life in the city that had turned against him, Dante refused to compromise his principles and turned down more than one opportunity to return to Florence, because such opportunities involved answering the false charges made against him. Such unwillingness to dishonor himself brought him yet another sentence of death, this one extending to his sons as well.
The last years of the poet’s life were spent at Ravenna, where he was offered asylum by Guido Nevella da Polenta, the nephew of the famous Francesca da Rimini, the only woman sinner who actually speaks in the Inferno. These years seem to have been serene ones. In Ravenna he was greatly esteemed, and he enjoyed a very pleasant social life and an eager following of pupils, for he was already well known for his lyrics, and especially the Convivio, Inferno, and Purgatorio. Shortly before his death he was sent by Guido on a mission to Venice. Although Florence still rejected him, other cities very much valued his presence. Dante’s friendship with Can Grande della Scala remained intact, and Dante placed great store in him; it is to him that he dedicated the Paradiso. Ravenna was Dante’s home until his death on September 13 or 14, 1321.
WORKS
The Vita nuova, one of Dante’s earliest works, is a combination of prose and poetry (thirty-one poems accompanied by a prose text). It is one of the first important examples of Italian literary prose and probably the first work of fiction that has come down to us in which the prose serves the purpose not only of offering a continuous narrative but also of explaining the occasion for the composition of each of the poems included.
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