It is yet better to perceive a hidden good than a hidden evil.'

'But,' began Curdie.

'I am not going to answer any more questions this evening,' interrupted the princess. 'You have not half got to the bottom of the answers I have already given you. That paw in your hand now might almost teach you the whole science of natural history—the heavenly sort, I mean.'

'I will think,' said Curdie. 'But oh! please! one word more: may I tell my father and mother all about it?'

'Certainly—though perhaps now it may be their turn to find it a little difficult to believe that things went just as you must tell them.'

'They shall see that I believe it all this time,' said Curdie.

'Tell them that tomorrow morning you must set out for the court—not like a great man, but just as poor as you are. They had better not speak about it. Tell them also that it will be a long time before they hear of you again, but they must not lose heart. And tell your father to lay that stone I gave him at night in a safe place—not because of the greatness of its price, although it is such an emerald as no prince has in his crown, but because it will be a news-bearer between you and him. As often as he gets at all anxious about you, he must take it and lay it in the fire, and leave it there when he goes to bed. In the morning he must find it in the ashes, and if it be as green as ever, then all goes well with you; if it have lost colour, things go ill with you; but if it be very pale indeed, then you are in great danger, and he must come to me.'

'Yes, ma'am,' said Curdie. 'Please, am I to go now?'

'Yes,' answered the princess, and held out her hand to him.

Curdie took it, trembling with joy. It was a very beautiful hand—not small, very smooth, but not very soft—and just the same to his fire-taught touch that it was to his eyes. He would have stood there all night holding it if she had not gently withdrawn it.

'I will provide you a servant,' she said, 'for your journey and to wait upon you afterward.'

'But where am I to go, ma'am, and what am I to do? You have given me no message to carry, neither have you said what I am wanted for. I go without a notion whether I am to walk this way or that, or what I am to do when I get I don't know where.'

'Curdie!' said the princess, and there was a tone of reminder in his own name as she spoke it, 'did I not tell you to tell your father and mother that you were to set out for the court? And you know that lies to the north. You must learn to use far less direct directions than that. You must not be like a dull servant that needs to be told again and again before he will understand. You have orders enough to start with, and you will find, as you go on, and as you need to know, what you have to do. But I warn you that perhaps it will not look the least like what you may have been fancying I should require of you. I have one idea of you and your work, and you have another. I do not blame you for that—you cannot help it yet; but you must be ready to let my idea, which sets you working, set your idea right. Be true and honest and fearless, and all shall go well with you and your work, and all with whom your work lies, and so with your parents—and me too, Curdie,' she added after a little pause.

The young miner bowed his head low, patted the strange head that lay at the princess's feet, and turned away. As soon as he passed the spinning wheel, which looked, in the midst of the glorious room, just like any wheel you might find in a country cottage—old and worn and dingy and dusty—the splendour of the place vanished, and he saw but the big bare room he seemed at first to have entered, with the moon—the princess's moon no doubt—shining in at one of the windows upon the spinning wheel.

9

Hands

Curdie went home, pondering much, and told everything to his father and mother. As the old princess had said, it was now their turn to find what they heard hard to believe. If they had not been able to trust Curdie himself, they would have refused to believe more than the half of what he reported, then they would have refused that half too, and at last would most likely for a time have disbelieved in the very existence of the princess, what evidence their own senses had given them notwithstanding.

For he had nothing conclusive to show in proof of what he told them. When he held out his hands to them, his mother said they looked as if he had been washing them with soft soap, only they did smell of something nicer than that, and she must allow it was more like roses than anything else she knew. His father could not see any difference upon his hands, but then it was night, he said, and their poor little lamp was not enough for his old eyes. As to the feel of them, each of his own hands, he said, was hard and horny enough for two, and it must be the fault of the dullness of his own thick skin that he felt no change on Curdie's palms.

'Here, Curdie,' said his mother, 'try my hand, and see what beast's paw lies inside it.'

'No, Mother,' answered Curdie, half beseeching, half indignant, 'I will not insult my new gift by making pretence to try it. That would be mockery. There is no hand within yours but the hand of a true woman, my mother.'

'I should like you just to take hold of my hand though,' said his mother. 'You are my son, and may know all the bad there is in me.'

Then at once Curdie took her hand in his. And when he had it, he kept it, stroking it gently with his other hand.

'Mother,' he said at length, 'your hand feels just like that of the princess.'

'What! My horny, cracked, rheumatic old hand, with its big joints, and its short nails all worn down to the quick with hard work—like the hand of the beautiful princess! Why, my child, you will make me fancy your fingers have grown very dull indeed, instead of sharp and delicate, if you talk such nonsense.