Everyone knows Talleyrand’s famous observation: “No one who has not lived under the Ancien Régime can know the full sweetness of life.” Familiarity with that sweetness was of course confined to those of privileged birth, and they were rather few in number. Even so, for everyone else the France of Louis XVI can hardly have been hell, though at the height of its raging turmoil they came close enough to it.
At the end of the eighteenth century France was ‘in training’. Spengler uses this sporting term for those nations capable of shaping both their own history and that of the wider world. France was in training, limbering up for the great Rationalist miracle that no one saw coming—the Revolution. The purpose of this history is to explore the secret workings of that process of unconscious preparation.
Chapter Two
HAVING NOW INTRODUCED OUR SUBJECT, that is, our subject with a capital ‘S’—the fateful Nibelung Treasure—we should now, as in the old films, present the actors centre stage. These portraits, and the histories behind them, will claim a fair amount of space, but that is only natural insofar as our tragedy—or comedy—is one of character, as our school textbooks conceive of the form: if we placed such and such a person in a given situation on stage, each would be bound to behave in such and such a way, their fates following from their characters. By simply stating what sort of people we are dealing with we shall have told you half our story.
Our heroine, or rather, one of our heroines, the Comtesse de la Motte, began her career at a rather humble level. When she first appears on our stage, she is eight years old and a beggar. Prior to that, she had tended geese, but reluctantly.
The Marquise de Boulainvilliers, accompanied by her husband, was on her way by coach to their estate at Passy, which at that time was not a suburb of Paris but a separate little village, some way from the capital, where Parisians took their holidays. The carriage was going very slowly. A little girl, holding an even smaller child in her arms, ran towards the coach and began to beg, in the following remarkable terms:
“In God’s sacred name I implore you, spare a few coppers for two little orphans who carry the royal blood of Valois.”
Something about her appearance, it seems, lent a mysterious emphasis to her words. Despite her husband’s protests, the Marquise halted the chaise. The little girl had already launched into her strange tale. Her Ladyship heard her out, and declared that if what she was saying could be proved, she would give her a home and be a second mother to her.
She duly pursued the matter, making enquiries among the local people, especially the parish priest to whose flock the little mendicants belonged. In the entire story of the necklace, says Stefan Zweig, the strangest thing is that even its least credible details turn out to be rooted in fact. The priest confirmed, with incontrovertible evidence, that the little girl’s story was true. The royal blood of Valois did indeed run in their veins.
They were descended in a direct line on their father’s side from Henri II (the son of François I, The Great) who ruled from 1547 to 1559. Their great-great-grandfather, Henri de Saint-Rémy, was the offspring of Henri’s liaison with Nicole de Savigny; Henri acknowledged his son and declared him legitimate. In terms of blood, they stood perhaps even closer to the throne of St Louis than the ruling Bourbons. Their coat of arms consisted of two bundles of sticks on a field argent, beneath three lilies, the illustrious lilies of Valois. “The little beggar-girl was familiar with the crest, and indeed it was the only thing, in her terrible abandonment, that she did know,” declares Funck-Brentano. “And when she spoke in such astonishing detail about it, or about her ancestor the royal bastard born to Nicole de Savigny, her little body, bowed as it was with oppression, became erect, proud and defiant.”
And with good reason. The blood of Valois in one’s veins—what a fatal inheritance, and what a cursed Nibelung treasure! Perhaps the most fundamental and interesting scholarly debate of our century is whether a person’s character and fate are determined before or after birth: by inheritance or environment; by ‘genes’ or behaviourism; by those mysterious little bodies which are passed on from one’s ancestors to one’s descendants, or by the ‘conditioned reflexes’ acquired in childhood, instinctive modes of behaviour, which repeat themselves in response to certain conditions.
Probably both camps are right, or rather, neither is. Inheritance must play some role in shaping human character, as must habits learnt in childhood, and besides the question of personality is highly complicated, and too complex to explain with reference to either of those factors alone or even as the product of the two working together. So perhaps we should not give excessive credence to the notion that the little beggar girl Jeanne inherited much of her nature from the Valois kings. With so many intermarriages down the generations, a proportion of somewhat less-than-aristocratic blood would also have flowed in her veins. A perfectly sufficient explanation of the way her character was shaped lies, as we have seen, in her childhood and her social situation when she became aware of the fact that she was a descendant of the house of Valois: her ancestry did indeed exercise a decisive influence on her fate, not through the mysterious workings of heredity but simply through her consciousness of it.
Nonetheless we might allow ourselves to play with the idea for a moment. They say miraculous throwbacks do occur …
The house of Valois ruled France from 1328 to 1589, throughout the Hundred Years War, the Renaissance and the centuries of barbarism. It was on their account that Joan of Arc was burnt at Rouen; it was they who forged a unified kingdom from a France hitherto divided into feudal estates; their proud armies fought in the Italy of Leonardo and Michelangelo; and it was they who ordered the St Bartholomew’s Day massacre. They included lunatics like Charles VI, bloody tyrants like Louis XI, and fiery-spirited Bohemian grandees like François I.
1 comment