He has edited Penguin Classics editions of H. P. Lovecraft’s The Call of Cthulhu and Other Weird Stories and The Thing on the Doorstep and Other Weird Stories, as well as Algernon Blackwood’s Ancient Sorceries and Other Strange Stories, Arthur Machen’s The White People and Other Weird Stories, and American Supernatural Tales. He has also written critical studies on Lord Dunsany and H. P. Lovecraft; edited works by Ambrose Bierce, Clark Ashton Smith, and H. L. Mencken; and completed a two-volume history of supernatural fiction entitled Unutterable Horror.
THE
RAVEN
Tales and Poems

Edgar Allan Poe
PENGUIN HORROR
Series Editor Guillermo del Toro
Introduction by S. T. Joshi

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This selection first published in Penguin Books 2013
Introduction copyright © S. T. Joshi, 2013
Series introduction copyright © Necropia, Inc., 2013
Selection copyright © Penguin Group (USA) LLC, 2013
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LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Poe, Edgar Allan, 1809–1849.
[Works. Selections]
The Raven : tales and poems / Edgar Allan Poe.
Pages cm.— (Penguin Horror)
“Series editor Guillermo del Toro, Introduction by S. T. Joshi.”
ISBN: 9781101662762
I. Toro, Guillermo del, 1964– II. Joshi, S. T., 1958– III. Title.
PS2602 2013
818’.309—dc23
2013022354
Version_2
CONTENTS
Haunted Castles, Dark Mirrors: On the Penguin Horror Series
by GUILLERMO DEL TORO
Introduction by S. T. JOSHI
A Note on Texts

THE RAVEN
TALES
Metzengerstein (1832)
MS. Found in a Bottle (1832)
Shadow—A Parable (1833)
Silence—A Fable (1833)
Berenicë (1835)
Morella (1835)
Ligeia (1838)
The Fall of the House of Usher (1839)
William Wilson (1839)
The Conversation of Eiros and Charmion (1839)
The Man of the Crowd (1840)
A Descent into the Maelström (1841)
The Colloquy of Monos and Una (1841)
Eleonora (1841)
The Oval Portrait (1842)
The Masque of the Red Death (1842)
The Pit and the Pendulum (1842)
The Tell-Tale Heart (1842)
The Black Cat (1842)
The Premature Burial (1844)
Some Words with a Mummy (1844)
The Imp of the Perverse (1845)
The Facts in the Case of M. Valdemar (1845)
The Cask of Amontillado (1846)
Hop-Frog (1849)
POEMS
Dreams (1827)
Spirits of the Dead (1827/1829)
A Dream (1827)
Sonnet—To Science (1829)
Fairy-Land (1829)
[Alone] (1829)
Fairy Land [II] (1831)
The Valley of Unrest (1831/1845)
The City in the Sea (1831/1845)
Sonnet—Silence (1839)
Lenore (1843/1844)
Dream-Land (1844)
The Raven (1844)
Ulalume—A Ballad (1847)
The Bells (1848/1849)
A Dream within a Dream (1849)
For Annie (1849)
Eldorado (1849)
Annabel Lee (1849)
HAUNTED CASTLES, DARK MIRRORS
ON THE PENGUIN HORROR SERIES
There is no god but this mirror that thou seest, for this is the Mirror of Wisdom. And it reflecteth all things that are in heaven and on earth, save only the face of him who looketh into it. This it reflecteth not, so that he who looketh into it may be wise.
—Oscar Wilde, “The Fisherman and His Soul”
To learn what we fear is to learn who we are. Horror defines our boundaries and illuminates our souls. In that, it is no different, or less controversial, than humor, and no less intimate than sex.
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