She agreed that it would be well to go at once to the rue de la Chaise, but met his proposal that they should drive by the declaration that it was a "waste" not to walk in Paris; so they set off on foot through the cheerful tumult of the streets.

 

      The walk was long enough for him to learn many things about her. The storm of the previous night had cleared the air, and Paris shone in morning beauty under a sky that was all broad wet washes of white and blue; but Darrow again noticed that her visual sensitiveness was less keen than her feeling for what he was sure the good Farlows--whom he already seemed to know--would have called "the human interest." She seemed hardly conscious of sensations of form and colour, or of any imaginative suggestion, and the spectacle before them--always, in its scenic splendour, so moving to her companion--broke up, under her scrutiny, into a thousand minor points: the things in the shops, the types of character and manner of occupation shown in the passing faces, the street signs, the names of the hotels they passed, the motley brightness of the flower-carts, the identity of the churches and public buildings that caught her eye. But what she liked best, he divined, was the mere fact of being free to walk abroad in the bright air, her tongue rattling on as it pleased, while her feet kept time to the mighty orchestration of the city's sounds. Her delight in the fresh air, in the freedom, light and sparkle of the morning, gave him a sudden insight into her stifled past; nor was it indifferent to him to perceive how much his presence evidently added to her enjoyment. If only as a sympathetic ear, he guessed what he must be worth to her. The girl had been dying for some one to talk to, some one before whom she could unfold and shake out to the light her poor little shut-away emotions. Years of repression were revealed in her sudden burst of confidence; and the pity she inspired made Darrow long to fill her few free hours to the brim.

 

      She had the gift of rapid definition, and his questions as to the life she had led with the Farlows, during the interregnum between the Hoke and Murrett eras, called up before him a queer little corner of Parisian existence. The Farlows themselves--he a painter, she a "magazine writer"-- rose before him in all their incorruptible simplicity: an elderly New England couple, with vague yearnings for enfranchisement, who lived in Paris as if it were a Massachusetts suburb, and dwelt hopefully on the "higher side" of the Gallic nature. With equal vividness she set before him the component figures of the circle from which Mrs. Farlow drew the "Inner Glimpses of French Life" appearing over her name in a leading New England journal: the Roumanian lady who had sent them tickets for her tragedy, an elderly French gentleman who, on the strength of a week's stay at Folkestone, translated English fiction for the provincial press, a lady from Wichita, Kansas, who advocated free love and the abolition of the corset, a clergyman's widow from Torquay who had written an "English Ladies' Guide to Foreign Galleries" and a Russian sculptor who lived on nuts and was "almost certainly" an anarchist. It was this nucleus, and its outer ring of musical, architectural and other American students, which posed successively to Mrs. Farlow's versatile fancy as a centre of "University Life", a "Salon of the Faubourg St. Germain", a group of Parisian "Intellectuals" or a "Cross-section of Montmartre"; but even her faculty for extracting from it the most varied literary effects had not sufficed to create a permanent demand for the "Inner Glimpses", and there were days when--Mr. Farlow's landscapes being equally unmarketable--a temporary withdrawal to the country (subsequently utilized as "Peeps into Chateau Life") became necessary to the courageous couple.

 

      Five years of Mrs. Murrett's world, while increasing Sophy's tenderness for the Farlows, had left her with few illusions as to their power of advancing her fortunes; and she did not conceal from Darrow that her theatrical projects were of the vaguest. They hung mainly on the problematical good-will of an ancient comedienne, with whom Mrs. Farlow had a slight acquaintance (extensively utilized in "Stars of the French Footlights" and "Behind the Scenes at the Francais"), and who had once, with signs of approval, heard Miss Viner recite the Nuit de Mai.

 

      "But of course I know how much that's worth," the girl broke off, with one of her flashes of shrewdness. "And besides, it isn't likely that a poor old fossil like Mme. Dolle could get anybody to listen to her now, even if she really thought I had talent. But she might introduce me to people; or at least give me a few tips. If I could manage to earn enough to pay for lessons I'd go straight to some of the big people and work with them. I'm rather hoping the Farlows may find me a chance of that kind--an engagement with some American family in Paris who would want to be 'gone round' with like the Hokes, and who'd leave me time enough to study."

 

      In the rue de la Chaise they learned little except the exact address of the Farlows, and the fact that they had sub-let their flat before leaving. This information obtained, Darrow proposed to Miss Viner that they should stroll along the quays to a little restaurant looking out on the Seine, and there, over the plat du jour, consider the next step to be taken. The long walk had given her cheeks a glow indicative of wholesome hunger, and she made no difficulty about satisfying it in Darrow's company. Regaining the river they walked on in the direction of Notre Dame, delayed now and again by the young man's irresistible tendency to linger over the bookstalls, and by his ever-fresh response to the shifting beauties of the scene. For two years his eyes had been subdued to the atmospheric effects of London, to the mysterious fusion of darkly-piled city and low-lying bituminous sky; and the transparency of the French air, which left the green gardens and silvery stones so classically clear yet so softly harmonized, struck him as having a kind of conscious intelligence.