Behove this sound of Irish sense. Really? Here English might be seen. Royally? One sovereign punned to petery pence. Regally? The silence speaks the scene. Fake!

So This Is Dyoublong?

Hush! Caution! Echoland!

How charmingly exquisite! It reminds you of the outwashed engravure that we used to be blurring on the blotchwall of his innkempt house. Used they? (I am sure that tiring chabelshoveller with the mujikal chocolot box, Miry Mitchel, is listening.) I say, the remains of the outworn gravemure where used to be blurried the Ptollmens of the Incabus. Used we? (He is only pretendant to be stugging at the jubalee harp from a second existed lishener, Fiery Farrelly.) It is well known. Look for himself and see the old butte new. Dbln. W.K.O.O. Hear? By the mausolime wall. Fimfim fimfim. With a grand funferall. Fumfum fumfum. ’Tis optophone which ontophanes. List! Wheatstone’s magic lyer! They will be tuggling foriver. They will be lichening for allof. They will be pretumbling forover. The harps-dischord shall be theirs for ollaves.

Four things therefore, saith our herodotary Mammon Lujius in his grand old historiorum, wrote near Boriorum, bluest book in baile’s annals, f.t. in Dyfflinarsky ne’er sall fail til heathersmoke and cloudweed Eire’s ile sall pall. And here now they are, the fear of um. Notities! Unum. (Adar.) A bulbenboss surmounted upon an elderman. Ay, ay! Duum. (Nizam.) A shoe on a puir owld wobban. Ah, ho! Triom. (Tamuz.) An auburn mayde, o’brine a’bride, to be desarted. Adear, adear! Quodlibus. (Marchessvan.) A penn no weightier nor a polepost. And so.