What else does truth have to hold?

At twelve-forty-five I am awake. Vicki sleeps beside me, breathing lightly with a soft clicking in her throat. In the room there is the dense dimensionless feeling of going to sleep in the dark though waking up still in the dark and wondering about the hours till dawn: how many will there be still? Will I suffer some unexpected despair? How am I likely to pass the time? I am usually—as I’ve said—such a first-rate sleeper that I’m not bothered by these questions. Though I’m certain part of my trouble is the ordinary thrill of being here, with this woman, free to do anything I please—that familiar old school’s out we all look and hope for. Tonight would be a good time to take a solo walk in the dark city streets, turn my collar up, get some things thought out. But I have nothing to think out.

I turn on the television with the sound off, something I often do when I’m on the road alone, while I browse a player roster or sharpen up some notes. I love the television in other cities, the assurance of looking up from my chair in some strange room to see a familiar newscaster talking in his familiar Nebraska accents, clad in a familiarly unappealing suit before a featureless civic backdrop (I can never remember the actual news); or to see an anonymous but completely engrossing athletic event acted out in a characterless domed arena, under the same lemony light, to the tune of the same faint zizzing, many miles from anywhere my face would be known. These comprise a comfort I would not like to do without.

On television the station reruns a pro basketball game I am only too happy to watch. Detroit plays Seattle. (Reruns, inciden tally, are where you learn a game inside and out. They’re far superior to the actual game in the actual place it’s played, where things are usually pretty boring and you often forget altogether about what you’re there for and find yourself getting interested in other things.)

I go get Vicki’s Le Sac bag, open it up and take out one of her Merits, and light it. I have not smoked a cigarette in at least twenty years. Not since I was a freshman in college and attended a fraternity smoker where older boys gave me Chesterfields and I stood against a wall, hands in pockets, and tried to look like the boy everyone would want to ask to join: the silent, slender southern boy with eyes older than his years, something already jaded and over-experienced about him. Just the one we need.

While I’m at it, I push down through the bag. Here is a rosary (predictable). The United inflight magazine (swiped). A card of extra pearlescent buttons (useful). Car keys to the Dart on a big brass ring with a V insignia. An open tube of Velamints. Two movie ticket stubs from a theater where Vicki and I saw part of an old Charlton Heston movie (until I fell asleep). The flight-insurance policy. A paperback copy of a novel, Love’s Last Journey, by someone named Simone La Noire. And a fat, brown leather wallet with a tooled western-motif of a big horse head on shiny grain.

In it—right up front—is a picture of a man I’ve never seen before, a swank-looking greaseball character, wearing an open-collared white shirt and a white big-knit shepherd’s roll cardigan. The fellow has thick, black eyebrows, a complicated but strict system of dark hair waves, narrow eyeslits and a knifey smile set in the pouting, mocking angle of swarthy self-congratulation. Around his pencil-neck is a gold cross on a chain. It is Everett.

The carpet king from the other Big D is a leering, hip-sprung lounge lizard in a fourth-rate Vegas motel; the kind of fellow who wears his cigarettes under his shirt sleeve, possesses long, skinny arms and steely fingers, and as a policy drinks huge amounts of cheap beer at all hours of the day and night. I would recognize him anywhere. Lonesome Pines was full of such types, from the best possible homes, and all capable of the sorriest depravities.