He has friends, he says, in nearby Wixom, and we agree that I’ll be ready to roll by noon. I remember, briefly, a boy I knew in college from Wixom, Eddy Loukinen, and I enjoy a fond wonder as to where Eddy might be—running a car dealership in his hometown, or down in Royal Oak with his own construction firm. Possibly an insulated window frame outlet in the UP—trading cars every year, checking his market shares, quitting smoking, flying to the islands, slipping around on his wife. These were the futures we all had looking at us in 1967. Good choices. We were not all radicals and wild-eyes. And most of my bunch would tell you they’re glad to have a good thirty years left to see what surprises life brings. The possibility of a happy ending. It is not unique to me.
It takes two gas station stops to find Herb’s. Both owners claim to know him and to work on his cars exclusively. And both give me a suspicious, bill-collector look, as if I might be looking for big Herb to do him harm or steal his fame. And in each instance Mr. Smallwood and I drive off feeling that phone calls are being made, a protective community rising to a misconstrued threat against its fallen hero. All of which makes me realize just how often I am with people I don’t know and who don’t know me, and who come to know me—Frank Bascombe—only as a sportswriter. It is possibly not the best way to go into the world, as I explained to Walter two nights ago; with no confidants, with no real allies except ex-allies; no lovers except a Vicki Arcenault or her ilk. Though maybe this is the best for me, given my character and past, which at most are inconclusive. I could have things much worse. At least as a stranger to almost everyone and a sportswriter to boot, I have a clean slate almost every day of my life, a chance not to be negative, to give someone unknown a pat on the back, to recognize courage and improvement, to take the battle with cynicism head-on and win.
Out front of Herb’s house, I’m greeted from around the side by a loud “Hey now!” before I can even see who’s talking. Mr. Smallwood stares out his closed cab window. He has heard of Herb, he’s said, though he has the story of Herb’s life wrong and thinks Herb is a Negro. In any case he wants to see him before he cuts out for Wixom.
Herb’s house is on curvey little Glacier Way, a hundred yards from Walled Lake itself and not far from the amusement park that operates summers only. I came here long ago, when I was in college, to a dense, festering old barrely dancehall called the Walled Lake Casino. It was at the time when line dances were popular in Michigan, and my two friends and I drove over from Ann Arbor with the thought of picking up some women, though of course we knew no one for forty miles and ended up standing against the firred, scarred old walls being wry and sarcastic about everyone and drinking Cokes spiked with whiskey. Since then, Mr. Smallwood has informed me, the Casino has burned down.
Herb’s house is like the other houses around it—a little white Cape showing a lot of dormered roof and with a small picture window on one side of the front door. The kind of house a tool-and-dye maker would own—a sober Fifties structure with a small yard, a two-car garage in back and a van in the drive with HERB’S on its blue Michigan plates.
Herb wheels into view from around the corner of the house, making tire tracks in the melting snow.
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