To all our persuasions and our entreaties, he answered in fragments of his interior monologue, which nothing from the outside could disturb. Constantly absorbed, morbidly excited, with flushes on his dry cheeks he did not notice us or even hear us any more.
We became used to his harmless presence, to his soft babbling, and that childlike self-absorbed twittering, which sounded as if they came from the margin of our own time. During that period he used to disappear for many days into some distant corner of the house and it was difficult to locate him.
Gradually these disappearances ceased to make any impression on us, we became used to them and when, after many days, Father reappeared a few inches shorter and much thinner, we did not stop to think about it. We did not count him as one of us any more, so very remote had he become from everything that was human and real. Knot by knot, he loosened himself from us; point by point, he gave up the ties joining him to the human community.
What still remained of him—the small shroud of his body and the handful of nonsensical oddities—would finally disappear one day, as unremarked as the gray heap of rubbish swept into a corner, waiting to be taken by Adela to the rubbish dump.
Birds
Came the yellow days of winter, filled with boredom. The rust-colored earth was covered with a threadbare, meager tablecloth of snow full of holes. There was not enough of it for some of the roofs and so they stood there, black and brown, shingle and thatch, arks containing the sooty expanses of attics—coal-black cathedrals, bristling with ribs of rafters, beams, and spars—the dark lungs of winter winds. Each dawn revealed new chimney stacks and chimney pots which had emerged during the hours of darkness, blown up by the night winds: the black pipes of a devil's organ. The chimney sweeps could not get rid of the crows which in the evening covered the branches of the trees around the church with living black leaves, then took off, fluttering, and came back, each clinging to its own place on its own branch, only to fly away at dawn in large flocks, like gusts of soot, flakes of dirt, undulating and fantastic, blackening with their insistent crowing the musty-yellow streaks of light. The days hardened with cold and boredom like last year's loaves of bread. One began to cut them with blunt knives without appetite, with a lazy indifference.
Father had stopped going out. He banked up the stoves, studied the ever-elusive essence of fire, experienced the salty, metallic taste and the smoky smell of wintry flames, the cool caresses of salamanders that licked the shiny soot in the throat of the chimney. He applied himself lovingly at that time to all manner of small repairs in the upper regions of the rooms. At all hours of the day one could see him crouched on top of a ladder, working at something under the ceiling, at the cornices over the tall windows, at the counterweights and chains of the hanging lamps. Following the custom of house painters, he used a pair of steps as enormous stilts and he felt perfectly happy in that bird's eye perspective close to the sky, leaves and birds painted on the ceiling. He grew more and more remote from practical affairs. When my mother, worried and unhappy about his condition, tried to draw him into a conversation about business, about the payments due at the end of the month, he listened to her absent-mindedly, anxiety showing in his abstracted look. Sometimes he stopped her with a warning gesture of the hand in order to run to a corner of the room, put his ear to a crack in the floor and, by lifting the index fingers of both hands, emphasize the gravity of the investigation, and begin to listen intently. At that time we did not yet understand the sad origin of these eccentricities, the deplorable complex which had been maturing in him.
Mother had no influence over him, but he gave a lot of respectful attention to Adela. The cleaning of his room was to him a great and important ceremony, of which he always arranged to be a witness, watching all Adela's movements with a mixture of apprehension and pleasurable excitement. He ascribed to all her functions a deeper, symbolic meaning. When, with young firm gestures, the girl pushed a long-handled broom along the floor, Father could hardly bear it. Tears would stream from his eyes, silent laughter transformed his face, and his body was shaken by spasms of delight. He was ticklish to the point of madness. It was enough for Adela to waggle her fingers at him to imitate tickling, for him to rush through all the rooms in a wild panic, banging the doors after him, to fall at last flat on the bed in the farthest room and wriggle in convulsions of laughter, imagining the tickling which he found irresistible. Because of this, Adela's power over Father was almost limitless.
At that time we noticed for the first time Father's passionate interest in animals. To begin with, it was the passion of the huntsman and the artist rolled into one. It was also perhaps a deeper, biological sympathy of one creature for kindred, yet different, forms of life, a kind of experimenting in the unexplored regions of existence. Only at a later stage did matters take that uncanny, complicated, essentially sinful and unnatural turn, which it is better not to bring into the light of day.
But it all began with the hatching out of birds' eggs.
With a great outlay of effort and money, Father imported from Hamburg, or Holland, or from zoological stations in Africa, birds' eggs on which he set enormous brood hens from Belgium. It was a process which fascinated me as well—this hatching out of the chicks, which were real anomalies of shape and color.
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