Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this etext under the Project's "PROJECT BookishMall.com" trademark.

To create these etexts, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's etexts and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other etext medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES But for the "Right of Replacement or Refund" described below, [1] the Project (and any other party you may receive this etext from as a PROJECT BookishMall.com-tm etext) disclaims all liability to you for damages, costs and expenses, including legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this etext within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically.

THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.

INDEMNITY You will indemnify and hold the Project, its directors, officers, members and agents harmless from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect.

DISTRIBUTION UNDER "PROJECT BookishMall.com-tm" You may distribute copies of this etext electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project BookishMall.com, or:

[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word pro- cessing or hypertext software, but only so long as *EITHER*:

[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR

[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR

[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).

[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.

[3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project BookishMall.com Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project BookishMall.com Association / Carnegie-Mellon University".

*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*

This etext was prepared by Judy Boss, Omaha, Nebraska

WORKS of JULES VERNE

EDITED BY
CHARLES F. HORNE

INTRODUCTION

THE SURVIVORS OF THE CHANCELLOR was issued in 1875. Shipwrecks occur in other of Verne's tales; but this is his only story devoted wholly to such a disaster. In it the author has gathered all the tragedy, the mystery, and the suffering possible to the sea. All the vari- ous forms of disaster, all the possibilities of horror, the depths of shame and agony, are heaped upon these unhappy voyagers. The accumulation is mathematically complete and emotionally unforgettable. The tale has well been called the "imperishable epic of shipwreck."

The idea of the book is said to have originated in the cele- brated French painting by Gericault, "the Wreck of the Medusa," now in the Louvre gallery. The Medusa was a French frigate wrecked off the coast of Africa in 1816. Some of the survivors, escaping on a raft, were rescued by a passing ship after many days of torture. Verne, however, seems also to have drawn upon the terrifying experiences of the British ship Sarah Sands in 1857, her story being fresh in the public mind at the time he wrote. The Sarah Sands caught fire off the African coast while on a voyage to India carrying British troops. There was gunpowder aboard li- able to blow up at any moment. Some of it did indeed ex- plode, tearing a huge hole in the vessel's side. A storm added to the terror, and the waters entering the breach caused by the explosion, combated with the fire. After ten days of desperate struggle, the charred and sinking vessel reached a port.

The extreme length of life which Verne allows his people in their starving, thirsting condition is proven possible by medical science and recent "fasting"' experiments. The dramatic climax of the tale wherein the castaways find fresh water in the ocean is based upon a fact, one of those odd geographical facts of which the author made such frequent, skillful and instructive use.

"Michael Strogoff" which, through its use as a stage play, has become one of the best known books of all the world, was first published in 1876. Its vivid, powerful story has made it a favorite with every red-blooded reader. Its two well-drawn female characters, the courageous hero- ine, and the stern, endurant, yearning mother, show how well Verne could depict the tenderer sex when he so willed. Though usually the rapid movement and adventure of his stories leave women in subordinate parts.

As to the picture drawn in "Michael Strogoff" of Russia and Siberia, it is at once instructive and sympathetic. The horrors are not blinked at, yet neither is Russian patri- otism ignored. The loyalty of some of the Siberian exiles to their mother country is a side of life there which is too often ignored by writers who dwell only on the darker view.

The Czar, in our author's hands, becomes the hero figure to the erection of which French "hero worship" is ever prone. The sarcasms thrown occasionally at the British newspaper correspondent of the story, show the changing attitude of Verne toward England, and reflect the French spirit of his day.

The Survivors of the Chancellor

by Jules Verne

CHAPTER I THE CHANCELLOR

CHARLESTON, September 27, 1898. — It is high tide, and three o'clock in the afternoon when we leave the Battery quay; the ebb carries us off shore, and as Captain Huntly has hoisted both main and top sails, the north- erly breeze drives the Chancellor briskly across the bay.