It stood at the far end of the magnificent rose garden, a bald, sore place, where the black earth showed uglily in winter, almost like a piece of dangerous bog, and in summer baked and cracked with fissures where green lizards shot their fire in passing. In contrast to the rich luxuriance of death amid life, a center of disease that cried for healing lest it spread. But it never did spread. Behind it stood the thick wood of silver birches and, glimmering beyond, the orchard meadow, where the lambs played.

The gardeners had a very simple explanation of its barrenness—that the water all drained off it owing to the lie of the slopes immediately about it, holding no remnant to keep the soil alive. I cannot say. It was Jamie—Jamie who felt its spell and haunted it, who spent whole hours there, even while afraid, and for whom it was finally labelled “strictly out of bounds” because it stimulated his already big imagination, not wisely but too darkly—it was Jamie who buried ogres there and heard it crying in an earthy voice, swore that it shook its surface sometimes while he watched it, and secretly gave it food in the form of birds or mice or rabbits he found dead upon his wanderings. And it was Jamie who put so extraordinarily into words the feeling that the horrid spot had given me from the moment I first saw it.

“It’s bad, Miss Gould,” he told me.

“But, Jamie, nothing in Nature is bad—exactly; only different from the rest sometimes.”

“Miss Gould, if you please, then it’s empty. It’s not fed. It’s dying because it can’t get the food it wants.”

And when I stared into the little pale face where the eyes shone so dark and wonderful, seeking within myself for the right thing to say to him, he added, with an emphasis and conviction that made me suddenly turn cold: “Miss Gould”—he always used my name like this in all his sentences—”it’s hungry, don’t you see? But I know what would make it feel all right.”

Only the conviction of an earnest child, perhaps, could have made so outrageous a suggestion worth listening to for an instant; but for me, who felt that things an imaginative child believed were important, it came with a vast disquieting shock of reality. Jamie, in this exaggerated way, had caught at the edge of a shocking fact—a hint of dark, undiscovered truth had leaped into that sensitive imagination. Why there lay horror in the words I cannot say, but I think some power of darkness trooped across the suggestion of that sentence at the end, “I know what would make it feel all right.” I remember that I shrank from asking explanation. Small groups of other words, veiled fortunately by his silence, gave life to an unspeakable possibility that hitherto had lain at the back of my own consciousness. The way it sprang to life proves, I think, that my mind already contained it. The blood rushed from my heart as I listened. I remember that my knees shook. Jamie’s idea was—had been all along—my own as well.

And now, as I lay down on my bed and thought about it all, I understood why the coming of his uncle involved somehow an experience that wrapped terror at its heart. With a sense of nightmare certainty that left me too weak to resist the preposterous idea, too shocked, indeed, to argue or reason it away, this certainty came with its full, black blast of conviction; and the only way I can put it into words, since nightmare horror really is not properly tellable at all, seems this: that there was something missing in that dying patch of garden; something lacking that it ever searched for; something, once found and taken, that would turn it rich and living as the rest; more—that there was some living person who could do this for it. Mr. Frene, senior, in a word, “Uncle Frank,” was this person who out of his abundant life could supply the lack—unwittingly.

For this connection between the dying, empty patch and the person of this vigorous, wealthy, and successful man had already lodged itself in my subconsciousness before I was aware of it. Clearly it must have lain there all along, though hidden. Jamie’s words, his sudden pallor, his vibrating emotion of fearful anticipation had developed the plate, but it was his weeping alone there in the Forbidden Corner that had printed it. The photograph shone framed before me in the air. I hid my eyes. But for the redness—the charm of my face goes to pieces unless my eyes are clear—I could have cried. Jamie’s words that morning about the “‘normous face” came back upon me like a battering-ram.