The way it sprang to life proves, I think, that my mind already contained it. The blood rushed from my heart as I listened. I remember that my knees shook. Jamie’s idea was—had been all along—my own as well.

And now, as I lay down on my bed and thought about it all, I understood why the coming of his uncle involved somehow an experience that wrapped terror at its heart. With a sense of nightmare certainty that left me too weak to resist the preposterous idea, too shocked, indeed, to argue or reason it away, this certainty came with its full, black blast of conviction; and the only way I can put it into words, since nightmare horror really is not properly tellable at all, seems this: that there was something missing in that dying patch of garden; something lacking that it ever searched for; something, once found and taken, that would turn it rich and living as the rest; more—that there was some living person who could do this for it. Mr. Frene, senior, in a word, “Uncle Frank,” was this person who out of his abundant life could supply the lack—unwittingly.

For this connection between the dying, empty patch and the person of this vigorous, wealthy, and successful man had already lodged itself in my subconsciousness before I was aware of it. Clearly it must have lain there all along, though hidden. Jamie’s words, his sudden pallor, his vibrating emotion of fearful anticipation had developed the plate, but it was his weeping alone there in the Forbidden Corner that had printed it. The photograph shone framed before me in the air. I hid my eyes. But for the redness—the charm of my face goes to pieces unless my eyes are clear—I could have cried. Jamie’s words that morning about the “‘normous face” came back upon me like a battering-ram.

Mr. Frene, senior, had been so frequently the subject of conversation in the family since I came, I had so often heard him discussed, and had then read so much about him in the papers—his energy, his philanthropy, his success with everything he laid his hand to—that a picture of the man had grown complete within me. I knew him as he was—within; or, as my sister would have said—clairvoyantly. And the only time I saw him (when I took Gladys to a meeting where he was chairman, and later felt his atmosphere and presence while for a moment he patronizingly spoke with her) had justified the portrait I had drawn. The rest, you may say, was a woman’s wild imagining; but I think rather it was that kind of divining intuition which women share with children. If souls could be made visible, I would stake my life upon the truth and accuracy of my portrait.

For this Mr. Frene was a man who drooped alone, but grew vital in a crowd—because he used their vitality. He was a supreme, unconscious artist in the science of taking the fruits of others’ work and living—for his own advantage. He vampired, unknowingly no doubt, every one with whom he came in contact; left them exhausted, tired, listless. Others fed him, so that while in a full room he shone, alone by himself and with no life to draw upon he languished and declined. In the man’s immediate neighborhood you felt his presence draining you; he took your ideas, your strength, your very words, and later used them for his own benefit and aggrandizement. Not evilly, of course; the man was good enough; but you felt that he was dangerous owing to the facile way he absorbed into himself all loose vitality that was to be had. His eyes and voice and presence devitalized you. Life, it seemed, not highly organized enough to resist, must shrink from his too near approach and hide away for fear of being appropriated, for fear, that is, of—death.