The White Guard

Annotation

   Translated from the Russian by MICHAEL GLENNY

   with an epilogue by Viktor Nekrasov

   Copyright © 1971 by McGraw-Hill Book Company.

   Library of Congress Catalogue Card Number: 70-140252 08844

   Printed in Great Britain

MIKHAIL BULGAKOV THE WHITE GUARD


   To Lyubov Yevgenievna Belozerskaya


   A light snow was falling, which suddenly changed to thick, heavy flakes. The wind began to howl; it was a snowstorm. Within a moment the dark sky had merged with the ocean of snow. Everything disappeared.

   'Looks bad, sir,' shouted the coachman. 'A blizzard!'

   Pushkin The Captain's Daughter


   ... and the dead were judged out of those things which were written in the books according to their works ....

   Revelation, XX, 12.


 

One

   Great and terrible was the year of Our Lord 1918, of the Revolution the second. Its summer abundant with warmth and sun, its winter with snow, highest in its heaven stood two stars: the shepherds' star, eventide Venus; and Mars - quivering, red.

   But in days of blood as in days of peace the years fly like an arrow and the thick frost of a hoary white December, season of Christmas trees, Santa Claus, joy and glittering snow, overtook the young Turbins unawares. For the reigning head of the family, their adored mother, was no longer with them.

   A year after her daughter Elena Turbin had married Captain Sergei Talberg, and in the week in which her eldest son Alexei Turbin returned from years of grim and disastrous campaigning to the Ukraine, to the City of Kiev and home, the white coffin with the body of their mother was carried away down the slope of St Alexei's Hill towards the Embankment, to the little church of the St Nicholas the Good.

   Their mother's funeral had been in May, the cherry and acacia blossom brushing against the narrow lancet windows of the church. His cope glittering and flashing in the golden sunlight, their parish priest Father Alexander had stumbled from grief and embarrassment while the deacon, his face and neck mauve, vested in beaten gold down to the tips of his squeaky boots, gloomily intoned the words of the funeral service for the mother who was leaving her children.

   Alexei, Elena, Talberg, Anyuta the maid who had grown up in the Turbins' house, and young Nikolka, stunned by the death, a lock of hair falling over his right eyebrow, stood at the foot of the ancient brown ikon of St Nicholas. Set deep on either side of his long bird-like nose, Nikolka's blue eyes had a wounded, defeated look. Occasionally he raised them towards the ikon screen, to the vaulted apse above the altar where that glum and enigmatic old man, God, towered above them and winked. Why had he inflicted such a wrong on them? Wasn't it unjust? Why did their mother have to be taken away, just when they had all been reunited, just when life seemed to be growing more tolerable?

   As he flew away through the crack that had opened up in the sky, God vouchsafed no answer, leaving Nikolka in doubt whether the things that happened in life were always necessary and always for the best.

   The service over, they walked out on to the ringing flagstones of the porch and escorted their mother across the vast City to the cemetery, to where their father had long lain under a black marble cross. And there they buried their mother . . .

   #

   For many years before her death, in the house at No. 13 St Alexei's Hill, little Elena, Alexei the eldest and baby Nikolka had grown up in the warmth of the tiled stove that burned in the dining-room. How often they had followed the story of Peter the Great in Holland, 'The Shipwright of Saardam', portrayed on its glowing hot Dutch tiles; how often the clock had played its gavotte; and always towards the end of December there had been a smell of pine-needles and candles burning on evergreen branches. In answer to the gavotte played by the bronze clock in their mother's bedroom - now Elena's - the black clock on the wall had struck its steeple chimes. Their father had bought both clocks long ago, in the days when women had worn funny leg-of-mutton sleeves. Those sleeves had gone, time had slipped by like a flash, their father the professor had died, and they had all grown, but the clock remained the same and went on chiming. They had all grown used to the idea that if by some miracle that clock ever fell off the wall, it would be as sad as if a beloved voice had died and nothing could ever be hung there in its place. But clocks are fortunately quite immortal, as immortal as the Shipwright of Saardam, and however bad the times might be, the tiled Dutch stove, like a rock of wisdom, was always there to radiate life and warmth.

   The stove; the furniture covered in old red velvet; the beds with their shiny brass knobs; the worn carpets and tapestries, some plain red, some patterned, one with a picture of Tsar Alexei Mikhailovich, another showing Louis XIV reclining beside a silken lake in paradise; the Turkish carpets with their gorgeous oriental curlicues which had danced in front of little Nikolka's eyes when he was once delirious from scarlet fever; the bronze lamp and its shade; the finest bookshelves in the world full of books that smelled mysteriously of old chocolate with their Natasha Rostovs and their Captain's Daughters, gilded cups, silver, portraits, drapes: all seven of those crammed, dusty rooms in which the young Turbins had been raised; all this, at a time of great hardship, was bequeathed to the children by their mother who as she lay gasping, her strength failing, had clutched the hand of the weeping Elena and said:

   'Go on living . . . and be kind to one another . . .'

   #

   Hut how, how were they to go on living? Alexei Turbin, the eldest and a doctor, was twenty-eight, Elena twenty-four. Her husband Captain Talberg was thirty-one, and Nikolka seventeen and a half. Their life had been darkened at its very dawning.