Until then every little note she had sent him had just been one more excuse for delay: ‘… it is impossible now’, or ‘Not yet, we have to wait, wait, wait!’ That was what she had written, and then he had not understood the dreadful dilemma in which she had been placed, fearing to make any move that might push her sick husband into insanity, that insanity that had come all the same and forever destroyed their hopes.

He wondered if Adrienne was still sitting in Countess Gyalakuthy’s box at the opera or whether she too had left the theatre devastated, as he had been, by the cruel chance that had brought them physically so close after so long apart. Had she too been shattered by that cruel game the Fates seemed to be playing with them?

Somehow, he thought, he must arrange that this should never happen again. He would leave Kolozsvar the next day, indeed if it had not been for that stupid supper party, he would have gone that very night.

In the morning he would go back to Denestornya, to his mother and to that old home which was the only place in the world where he could find peace. My home, he thought, with its age-old beauty and magic, where, though always enveloped in a veil of sadness, there were only the two of them to wander in that enormous house: he and his old mother. And now there always would only be the two of them. There was no one else, there never would be anyone else. There was no future and no young life to follow.

Had he proposed to Lili at Jablanka then at least he might have had that hope. What madness had prevented him?

It had been quite clear that the Szent-Gyorgyis, in their typically unobtrusive way, had made sure that there would have been no obstacles in the path of such a marriage. They had even thought about the difference of religion and, with a tactfulness that amounted almost to an art, had taken pains to let him know that his being a Protestant would create no difficulties

The memory came back to him with sudden clarity, perhaps because it had all been so surprising.

On the afternoon of the second day of the shooting party Balint had just changed and was on his way to join the others in the drawing-room when he met Pfaffulus in the passage. He had the impression that the priest had been waiting for him.

‘I was just on my way to the chapel,’ said Canon Czibulka in his slight Slovakian accent. ‘If you’ve never seen it perhaps you’d like to come with me? It’s really very fine, well worth seeing.’

They walked together to that part of the former monastery that formed the rear part of the cloister-court and faced the main entrance over which was the refectory now transformed into the main drawing-room. In the centre of the first floor gallery which encircled the court was a massive stone doorway, whose carved and ornamented architraves framed the door-posts which bordered a pair of huge doors inlaid with many different kinds of precious woods in the full opulence of ecclesiastical baroque.

Pfaffulus pushed open the doors which swung back noiselessly. They went in.

The chapel was the size of a church and the semi-circle of windows behind the altar must, Balint had realized, have projected out towards the mountainside. Although darkness had nearly fallen there was enough evening light to cast a soft mystical radiance in front of which the lines of the baldaquin over the altar stood out as if etched in black on grey. Then Pfaffulus had switched on the electric chandeliers and the chapel blazed with light. It was indeed beautiful.

Along each side wall stood the carved wooden stalls where the monks had sat for worship, the panelling divided by columns which supported a carved rococo veil that seemed to swirl with an almost musical rhythm towards the altar. All along its border were placed winged angels’ heads and surmounting all this splendour was the monastic order’s symbolic bird, a raven carrying bread in its beak, huge and gilded, like an emphatic exclamation mark floating above the mellow brown woodwork of the canopy itself. Over the tabernacle the baldaquin, fringed with golden tassels and supported by twisted columns, supported a picture of the Virgin surrounded by a golden sun-burst. On each side angels dressed identically in blue and gold, with gilded wings, knelt in the exaggerated attitudes so beloved in the baroque era.

A thick floral carpet covered the stone flags on the floor.

‘It is beautiful, isn’t it?’ Pfaffulus had said; and he took Balint round showing him the carvings on the stalls and explaining the reliefs, all of which commemorated some miracle or incident in the life of the holy Saint Paul the Hermit, founder of the order.

Then he crossed in front of the altar, genuflecting swiftly as he did so, to show Balint the Abbot’s stall and a series of holy pictures by well-known artists. They had almost returned to the chapel doors when the priest stopped and sat down, a thoughtful look on his fine expressive face. It was as if he had just remembered something.

After nodding appreciation at Balint’s words of thanks he looked up at the younger man and, seemingly unable to keep to himself what had come so strongly to his mind, grasped Balint’s arm and pulled him down to sit beside him. As he did so he said:

‘Do you know what this chapel means to me? I love it as if it were a living human being, not only because of its beauty but also because of so many things that have happened to me within its walls.’

He explained that it was at Jablanka that he had started his professional career, as tutor to Count Antal Szent-Gyorgyi. Later, after several years spent in Rome, he had returned as the castle’s resident priest; though he had never accepted any parish of his own even though the Count was patron of several rich livings and pressed him to take the best of them. He told Balint that he had preferred to remain quietly where he was and continue his studies in canon law.

Then he gave an especially sweet smile and went on:

‘I have another very dear memory. It was in this church that I officiated at the wedding of Count Antal’s other sister, the Countess Charlotte who married a Swede, Count Olaf Loewenstierna.’ As he said these words Pfaffulus’s thin pointed nose seemed to grow even longer and he raised his eyebrows expressively. ‘It was very bold on my part, as the bridegroom, of course, was a Protestant and I should not really have performed the ceremony without the promise that the children should be brought up as Catholics. But what could I do? The old Count gave his orders and said that one could not ask such a thing of a Loewenstierna, who was descended from one of Gustavus Adolphus’s generals; and anyway he would despise the young man if he abandoned his family traditions. If he, as a good Catholic father, did not demand it, then I should not either. Naturally I did as he wished.’

Here the round little priest had leaned forward and spoken confidentially into Balint’s ear.

‘Of course I had committed a fault; even perhaps a sin, yes, a sin. And yet it was my sin, and mine alone, because in such circumstances only the priest can be at fault.