To Borrow all roads lead to Rome.

But, my word, what English the fellow could write! What an organ-roll he could get into his sentences! How nervous and vital and vivid it all is!

There is music in every line of it if you have been blessed with an ear for the music of prose. Take the chapter in "Lavengro" of how the screaming horror came upon his spirit when he was encamped in the Dingle. The man who wrote that has caught the true mantle of Bunyan and Defoe. And, observe the art of it, under all the simplicity--notice, for example, the curious weird effect produced by the studied repetition of the word "dingle" coming ever round and round like the master-note in a chime. Or take the passage about Britain towards the end of "The Bible in Spain." I hate quoting from these masterpieces, if only for the very selfish reason that my poor setting cannot afford to show up brilliants. None the less, cost what it may, let me transcribe that one noble piece of impassioned prose--

"O England! long, long may it be ere the sun of thy glory sink beneath the wave of darkness! Though gloomy and portentous clouds are now gathering rapidly around thee, still, still may it please the Almighty to disperse them, and to grant thee a futurity longer in duration and still brighter in renown than thy past! Or, if thy doom be at hand, may that doom be a noble one, and worthy of her who has been styled the Old Queen of the waters! May thou sink, if thou dost sink, amidst blood and flame, with a mighty noise, causing more than one nation to participate in thy downfall! Of all fates, may it please the Lord to preserve thee from a disgraceful and a slow decay; becoming, ere extinct, a scorn and a mockery for those self-same foes who now, though they envy and abhor thee, still fear thee, nay even against their will, honour and respect thee.... Remove from thee the false prophets, who have seen vanity and divined lies; who have daubed thy wall with untempered mortar, that it may fall; who see visions of peace where there is no peace; who have strengthened the hands of the wicked, and made the heart of the righteous sad. Oh, do this, and fear not the result, for either shall thy end be a majestic and an enviable one; or God shall perpetuate thy reign upon the waters, thou Old Queen!"

Or take the fight with the Flaming Tinman. It's too long for quotation--but read it, read every word of it. Where in the language can you find a stronger, more condensed and more restrained narrative? I have seen with my own eyes many a noble fight, more than one international battle, where the best of two great countries have been pitted against each other--yet the second-hand impression of Borrow's description leaves a more vivid remembrance upon my mind than any of them. This is the real witchcraft of letters.

He was a great fighter himself. He has left a secure reputation in other than literary circles--circles which would have been amazed to learn that he was a writer of books. With his natural advantages, his six foot three of height and his staglike agility, he could hardly fail to be formidable. But he was a scientific sparrer as well, though he had, I have been told, a curious sprawling fashion of his own. And how his heart was in it--how he loved the fighting men! You remember his thumb-nail sketches of his heroes. If you don't I must quote one, and if you do you will be glad to read it again--

"There's Cribb, the Champion of England, and perhaps the best man in England; there he is, with his huge, massive figure, and face wonderfully like that of a lion. There is Belcher, the younger, not the mighty one, who is gone to his place, but the Teucer Belcher, the most scientific pugilist that ever entered a ring, only wanting strength to be I won't say what. He appears to walk before me now, as he did that evening, with his white hat, white great coat, thin genteel figure, springy step, and keen determined eye. Crosses him, what a contrast! Grim, savage Shelton, who has a civil word for nobody, and a hard blow for anybody. Hard! One blow given with the proper play of his athletic arm will unsense a giant. Yonder individual, who strolls about with his hands behind him, supporting his brown coat lappets, undersized, and who looks anything but what he is, is the king of the light-weights, so-called--Randall! The terrible Randall, who has Irish blood in his veins; not the better for that, nor the worse; and not far from him is his last antagonist, Ned Turner, who, though beaten by him, still thinks himself as good a man, in which he is, perhaps, right, for it was a near thing. But how shall I name them all? They were there by dozens, and all tremendous in their way. There was Bulldog Hudson, and fearless Scroggins, who beat the conqueror of Sam the Jew. There was Black Richmond--no, he was not there, but I knew him well; he was the most dangerous of blacks, even with a broken thigh. There was Purcell, who could never conquer until all seemed over with him. There was--what! shall I name thee last? Ay, why not? I believe that thou art the last of all that strong family still above the sod, where mayst thou long continue--true piece of English stuff--Tom of Bedford. Hail to thee, Tom of Bedford, or by whatever name it may please thee to be called, Spring or Winter! Hail to thee, six-foot Englishman of the brown eye, worthy to have carried a six-foot bow at Flodden, where England's yeomen triumphed over Scotland's King, his clans and chivalry. Hail to thee, last of English bruisers, after all the many victories which thou hast achieved--true English victories, unbought by yellow gold."

Those are words from the heart. Long may it be before we lose the fighting blood which has come to us from of old! In a world of peace we shall at last be able to root it from our natures. In a world which is armed to the teeth it is the last and only guarantee of our future.