It had not crossed his mind until now to consider them in relation to each other at all, since he was not in the least possessive about Liz. This unpossessiveness might have been accounted to him for virtue if it had not sprung directly from the fact that he took her for granted. If by some method of hypnotism the last dregs of Walter's subconscious could have been dragged to the surface, it would have been found that he thought that Liz was doing very well for herself. Even the shadow of such a thought would have shocked Walter's conscious mind, of course; but since he was entirely unself-analytical and largely unselfconscious (a quality that enabled him to perpetrate the broadcasts which so revolted Marta and endeared him to the British public), the farthest his conscious mind went was to hold it gratifying and proper that Liz should love him.
He had known Liz so long that she had no surprises for him. He took it for granted that he knew everything about Liz. But he had not known a simple little fact like her pleasure in lights in the daytime.
And Searle, the newcomer, had learned that.
And, what was more, remembered it.
A faint ripple stirred the flat waters of Walter's self-satisfaction.
'Have you met Marta Hallard? he asked.
'No.
'We must remedy that.
'I have seen her act, of course.
'In what?
'A play called Walk in Darkness.
'Oh, yes. She was good in that. One of her best parts, I think, Walter said, and dropped the subject. He did not want to talk about Walk in Darkness. Walk in Darkness might be a Hallard memory, but it was one that held also Marguerite Merriam.
'I suppose we couldn't drop in now? Searle said, looking up at the light.
'It's a little too near dinner time, I think. Marta isn't the kind of person you drop in on very easily. That, I suspect, is why she chose the isolated Mill House.
'Perhaps Liz could take me down and present me tomorrow.
Walter had nearly said: 'Why Liz? when he remembered that tomorrow was Friday, and that he would be away all day in town. Friday was broadcast day. Searle had remembered that he would not be here tomorrow although he himself had forgotten. Another ripple stirred.
'Yes. Or we might ask her up to dinner. She likes good food. Well, I suppose we had better be getting along.
But Searle did not move. He was looking up the avenue of willows that bordered the flat pewter surface of the darkening water.
'I've got it! he said.
'Got what?
'The theme. The connecting link. The motif.
'For the book, you mean?
'Yes. The river. The Rushmere. Why didn't we think of that before?
'The river! Yes! Why didn't we? I suppose because it isn't entirely an Orfordshire river. But of course it is the perfect solution. It has been done repeatedly for the Thames, and for the Severn. I don't see why it shouldn't work with the smaller Rushmere.
'Would it give us the variety we need for the book?
'Indubitably, said Walter. 'It couldn't be better. It rises in that hilly country, all sheep and stone walls and sharp outlines; then there's the pastoral bit with beautiful farm houses, and great barns, and English trees at their best, and village churches like cathedrals; and then Wickham, the essence of English market towns, where the villein that marched from the town cross to speak to King Richard in London is the same man that prods today's heifer on to the train on its way to the Argentine. Walter's hand stole up to the breast pocket where he kept his notebook, but fell away again.
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