The 'for England' was a typical Whitmore touch. Other men might speak on the place of the Earthworm in Nature, and no one cared two hoots either about Nature or earthworms. But Walter pinned his worm on to a Shakespearean hook and angled gently with it, so that his listeners saw the seething legions of blind purpose turning the grey rock in the western sea into the green Paradise that was England. There would be fifty-seven letters tomorrow morning by the first available post from north of the Border, of course, to point out that Scotland too had her earthworms. But this was just so much additional evidence of Walter's drawing-power.
It was Walter's secret habit to speak to one particular person when broadcasting; a trick which helped him to achieve that unselfconscious friendliness which was his trade-mark. It was never a real person; nor did he ever visualise his imaginary hearer in detail. He merely decided that today he would talk to 'an old lady in Leeds', or 'a little girl in hospital in Bridgwater', or 'a lighthouse-keeper in Scotland'. Today for the first time he thought of speaking to Liz. Liz always listened to his broadcast, and he took it for granted that she would listen, but his imaginary listener was so much a part of his act that it had never occurred to him before to use Liz as the person he talked to. Now, today, some obscure need to bind Liz closely to him, to make sure that she was there, blotted out his 'pretence' listener, and he talked to Liz.
But it was not the success it should have been. The mere recollection of Liz wooed his mind from the script, so that he remembered last night by the river, and the darkening willows, and the single golden star in the side of the Mill House. A daffodil-pale light, 'the way Liz liked them'. And his attention wandered from the worms and from England and he stumbled over the words, so that the illusion of spontaneity was lost.
Puzzled and a little annoyed, but still not greatly disturbed, he signed the autograph books that had been sent to the studio for that purpose, decided what was to be done in the case of (a) a request for his presence at a christening, (b) a request for one of his ties, (c) nineteen requests to appear on his programme, and (d) seven requests for financial loans; and turned his face homewards. As an afterthought he turned back and bought a pound boot of chocolate dragees for Liz. As he tucked it into the glove compartment it occurred to him that it must be some time since he took Liz something on his way home. It was a pleasant habit; he must do it more often.
It was only when the traffic dropped behind him, and the Roman directness of the arterial highway stretched uneventful in front of him that his mind went past Liz to the thing her image was hiding: Searle. Searle. Poor Serge's 'middle-west Lucifer'. Why Lucifer, he wondered? Lucifer, Prince of the Morning. He had always pictured Lucifer as a magnificent, burning figure six-and-a-half feet tall. Not at all like Searle. What in Searle had suggested Lucifer to Ratoff's accusing mind?
Lucifer. A fallen glory. A beauty turned evil.
He saw in his mind a picture of the Searle who walked round the farm with him; his hatless blond hair blown into untidy ends by the wind, his hands pushed deep into very English flannels. Lucifer. He nearly laughed aloud.
But there was, of course, a strangeness in Searle's good looks. A-what was it? — an unplaceable quality. Something not quite of the world of men.
Perhaps that was what had suggested fallen angels to Serge's fertile mind.
Anyhow, Searle seemed a good chap, and they were going to do a book together; and Searle knew that he was engaged to marry Liz, so that he would not —
He did not finish the thought, even to himself. Nor did it occur to him to wonder how a beauty that made one think of fallen angels was likely to affect a young woman engaged to a B.B.C. commentator.
He drove home at a better speed than normally, put away the car, took Liz's favourite sweets out of their place in the glove compartment, and went in to present them and be kissed for his forethought.
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