"We don't happen to be talking
about you and Aggie," she said.
"Oh, well; I was merely using myself as an example. But there are
plenty of others to choose from."
Her voice broke into anger. "I don't imagine you're comparing your
married life to Jim's?"
"Lord, no. God forbid!" He burst into a dry laugh. "When I think
of Aggie's life and Lita's—!"
"Never mind about Lita's life. What do you know about it, anyhow?
Oh, Stan, why are we quarrelling again?" She felt the tears in her
throat. "What you wanted was only to tell me about poor Arthur.
And I'd guessed that myself—I know something ought to be done.
But WHAT? How on earth can I tell? I'm always being asked by
everybody what ought to be done … and sometimes I feel too
young to be always the one to judge, to decide…"
Heuston stood watching her in silence. Suddenly he took her hand
and drew it through his arm. She did not resist, and thus linked
they walked on slowly and without further speech through the cold
deserted streets. As they approached more populous regions she
freed her arm from his, and signalled to a taxi.
"May I come?"
"No. I'm going to meet Lita at the Cubist Cabaret. I promised to
be there by four."
"Oh, all right." He looked at her irresolutely as the taxi drew
up. "I wish to God I could always be on hand to help you when
you're bothered!"
She shook her head.
"Never?"
"Not while Aggie—"
"That means never."
"Then never." She held out her hand, but he had turned and was
already striding off in the opposite direction. She threw the
address to the chauffeur and got in.
"Yes; I suppose it IS never," she said to herself. After all,
instead of helping her with the Wyant problem, Stan had only
brought her another: his own—and hers. As long as Aggie Heuston,
a sort of lay nun, absorbed in High Church practices and the
exercise of a bleak but efficient philanthropy, continued to set
her face against divorce, Nona would not admit that Heuston had any
right to force it upon her. "It's her way of loving him," the girl
said to herself for the hundredth time. "She wants to keep him for
herself too—though she doesn't know it; but she does above all
want to save him. And she thinks that's the way to do it. I
rather admire her for thinking that there IS a way to save
people…" She pushed that problem once more into the back of
her mind, and turned her thoughts toward the other and far more
pressing one: that of poor Arthur Wyant's growing infirmity.
Stanley was probably right in not wanting to speak to Jim about it
at that particular moment—though how did Stanley know about Jim's
troubles, and what did he know?—and she herself, after all, was
perhaps the only person to deal with Arthur Wyant. Another interval
of anxious consideration made her decide that the best way would be
to seek her father's advice. After an hour's dancing she would feel
better, more alive and competent, and there would still be time to
dash down to Manford's office, the only place—as she knew by
experience—where Manford was ever likely to have time for her.
V
The door of his private office clicked on a withdrawing client, and
Dexter Manford, giving his vigorous shoulders a shake, rose from
his desk and stood irresolute.
"I must get out to Cedarledge for some golf on Saturday," he
thought. He lived among people who regarded golf as a universal
panacea, and in a world which believed in panaceas.
As he stood there, his glance lit on the looking–glass above the
mantel and he mustered his image impatiently. Queer thing, for a
man of his age to gape at himself in a looking–glass like a dago
dancing–master! He saw a swarthy straight–nosed face, dark
crinkling hair with a dash of gray on the temples, dark eyes under
brows that were beginning to beetle across a deep vertical cleft.
Complexion turning from ruddy to sallow; eyes heavy—would he put
his tongue out next? The matter with him was…
He dropped back into his desk–chair and unhooked the telephone
receiver.
"Mrs. James Wyant? Yes… Oh—OUT? You're sure? And you don't
know when she'll be back? Who? Yes; Mr. Manford. I had a message
for Mrs. Wyant. No matter."
He hung up and leaned back, stretching his legs under the table and
staring moodily at the heap of letters and legal papers in the
morocco–lined baskets set out before him.
"I look ten years older than my age," he thought. Yet that last
new type–writer, Miss Vollard, or whatever her name was, really
behaved as if … was always looking at him when she thought he
wasn't looking… "Oh, what rot!" he exclaimed.
His day had been as all his days were now: a starting in with a
great sense of pressure, importance and authority—and a drop at
the close into staleness and futility.
The evening before, he had stopped to see his doctor and been told
that he was over–working, and needed a nerve–tonic and a change of
scene.
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