Toy's commodious arm.

"Dear Dexter? I saw him not five minutes ago, seeing off that wonderful Lita—"

"Lita? Lita gone too?" Nona watched the struggle between her mother's disciplined features and twitching nerves. "What impossible children I have!" A smile triumphed over her discomfiture. "I do hope there's nothing wrong with the baby? Nona, slip down and tell your father he must come up. Oh, Stanley, dear, all my men seem to have deserted me. Do find Mrs. Toy and take her in to supper…"

In the hall below there was no Dexter. Nona cast about a glance for Powder, the pale resigned butler, who had followed Mrs. Manford through all her vicissitudes and triumphs, seemingly concerned about nothing but the condition of his plate and the discipline of his footmen. Powder knew everything, and had an answer to everything; but he was engaged at the moment in the vast operation of making terrapin and champagne appear simultaneously on eighty– five small tables, and was not to be found in the hall. Nona ran her eye along the line of footmen behind the piled–up furs, found one who belonged to the house, and heard that Mr. Manford had left a few minutes earlier. His motor had been waiting for him, and was now gone. Mrs. James Wyant was with him, the man thought. "He's taken her to Ardwin's, of course. Poor father! After an evening of Mrs. Toy and Amalasuntha—who can wonder? If only mother would see how her big parties bore him!" But Nona's mother would never see that.

"It's just my indestructible faith in my own genius—nothing else," Ardwin was proclaiming in his jumpy falsetto as Nona entered the high–perched studio where he gathered his group of the enlightened. These privileged persons, in the absence of chairs, had disposed themselves on the cushions and mattresses scattered about a floor painted to imitate a cunning perspective of black and white marble. Tall lamps under black domes shed their light on bare shoulders, heads sleek or tousled, and a lavish show of flesh–coloured legs and sandalled feet. Ardwin, unbosoming himself to a devotee, held up a guttering church–candle to a canvas which simulated a window open on a geometrical representation of brick walls, fire escapes and back–yards. "Sham? Oh, of course. I had the real window blocked up. It looked out on that stupid old 'night–piece' of Brooklyn Bridge and the East River. Everybody who came here said: 'A Whistler nocturne!' and I got so bored. Besides, it was REALLY THERE: and I hate things that are really where you think they are. They're as tiresome as truthful people. Everything in art should be false. Everything in life should be art. Ergo, everything in life should be false: complexions, teeth, hair, wives … specially wives. Oh, Miss Manford, that you? Do come in. Mislaid Lita?"

"Isn't she here?"

"IS she?" He pivoted about on the company. When he was not dancing he looked, with his small snaky head and too square shoulders, like a cross between a Japanese waiter and a full–page advertisement for silk underwear. "IS Lita here? Any of you fellows got her dissembled about your persons? Now, then, out with her! Jossie Keiler, YOU'RE not Mrs.