But Jim—Jim and Nona to forsake her! What a ridiculous position it had put her in—but no, she mustn't think of that now, or those nasty little wrinkles would creep back about her eyes. The masseuse had warned her… Gracious! At what time was the masseuse due? She stretched out her hand, turned on the light by the bed (for the windows were still closely darkened), and reached for what Maisie Bruss called the night–list: an upright porcelain tablet on which the secretary recorded, for nocturnal study, the principal "fixtures" of the coming day.

Today they were so numerous that Miss Bruss's tight script had hardly contrived to squeeze them in. Foremost, of course, poor Exhibit A, moved on from yesterday; then a mysterious appointment with Amalasuntha, just before lunch: something urgent, she had hinted. Today of all days! Amalasuntha was so tactless at times. And then that Mahatma business: since Dexter was inflexible, his wife had made up her mind to appeal to the Lindons. It would be awkward, undoubtedly—and she did so hate things that were awkward. Any form of untidiness, moral or material, was unpleasant to her; but something must be done, and at once. She herself hardly knew why she felt so apprehensive, so determined that the matter should have no sequel; except that, if anything DID go wrong, it would upset all her plans for a rest–cure, for new exercises, for all sorts of promised ways of prolonging youth, activity and slenderness, and would oblige her to find a new Messiah who would tell her she was psychic.

But the most pressing item on her list was her address that very afternoon to the National Mothers' Day Association—or, no; wasn't it the Birth Control League? Nonsense! That was her speech at the banquet next week: a big affair at the St. Regis for a group of International Birth–controllers. Wakeful as she felt, she must be half asleep to have muddled up her engagements like that! She extinguished the lamp and sank hopefully to her pillow—perhaps now sleep would really come. But her bed–lamp seemed to have a double switch, and putting it out in the room only turned it on in her head.

Well, she would try reciting scraps of her Mothers' Day address: she seldom spoke in public, but when she did she took the affair seriously, and tried to be at once winning and impressive. She and Maisie had gone carefully over the typed copy; and she was sure it was all right; but she liked getting the more effective passages by heart—it brought her nearer to her audience to lean forward and speak intimately, without having to revert every few minutes to the text.

"Was there ever a hearth or a heart—a mother's heart—that wasn't big enough for all the babies God wants it to hold? Of course there are days when the mother is so fagged out that she thinks she'd give the world if there were nothing at all to do in the nursery, and she could just sit still with folded hands. But the only time when there's nothing at all for a mother to do in the nursery is when there's a little coffin there. It's all quiet enough THEN … as some of us here know…" (Pause, and a few tears in the audience.) "Not that we want the modern mother to wear herself out: no indeed! The babies themselves haven't any use for worn–out mothers! And the first thing to be considered is what the babies want, isn't it?" (Pause—smiles in the audience)…

What on earth was Amalasuntha coming to bother her about? More money, of course—but she really couldn't pay all that wretched Michelangelo's debts. There would soon be debts nearer home if Lita went on dressing so extravagantly, and perpetually having her jewellery reset. It cost almost as much nowadays to reset jewels as to buy new ones, and those emeralds…

At that hour of the morning things did tend to look ash–coloured; and she felt that her optimism had never been so sorely strained since the year when she had had to read Proust, learn a new dance– step, master Oriental philosophy, and decide whether she should really bob her hair, or only do it to look so. She had come victoriously through those ordeals; but what if worse lay ahead?

Amalasuntha, in one of Mrs. Manford's least successfully made–over dresses, came in looking shabby and humble—always a bad sign. And of course it was Michelangelo's debts. Racing, baccara, and a woman … a Russian princess; oh, my dear, AUTHENTIC, quite! Wouldn't Pauline like to see her picture from the "Prattler"? She and Michelangelo had been snapped together in bathing tights at the Lido.

No—Pauline wouldn't. She turned from the proffered effigy with a disgust evidently surprising to the Marchesa, whose own prejudices were different, and who could grasp other people's only piece–meal, one at a time, like a lesson in mnemonics.

"Oh, my boy doesn't do things by halves," the Marchesa averred, still feeling that the occasion was one for boasting.

Pauline leaned back wearily. "I'm as sorry for you as I can be, Amalasuntha; but Michelangelo is not a baby, and if he can't be made to understand that a poor man who wants to spend money must first earn it—"

"Oh, but he does, darling! Venturino and I have always dinned it into him. And last year he tried his best to marry that one–eyed Miss Oxbaum from Oregon, he really did."

"I said EARN," Pauline interposed. "We don't consider that marrying for money is earning it—"

"Oh, mercy—don't you? Not sometimes?" breathed the Marchesa.

"What I mean by earning is going into an office—is—"

"Ah, just so! It was what I said to Dexter last night. It is what Venturino and I most long for: that Dexter should take Michelangelo into his office. That would solve every difficulty. And once Michelangelo is here I'm sure he will succeed. No one is more clever, you know: only, in Rome, young men are in greater danger— there are more temptations—"

Pauline pursed her lips. "I suppose there are." But, since temptations are the privilege of metropolises, she thought it rather impertinent of Amalasuntha to suggest that there were more in a one–horse little place like Rome than in New York; though in a different mood she would have been the first to pronounce the Italian capital a sink of iniquity, and New York the model and prototype of the pure American city. All these contradictions, which usually sat lightly on her, made her head ache today, and she continued, nervously: "Take Michelangelo into his office! But what preparations has he had, what training? Has he ever studied for the law?"

"No; I don't think he has, darling; but he WOULD; I can promise you he would," the Marchesa declared, in the tone of one saying: "In such straits, he would become a street–cleaner."

Pauline smiled faintly. "I don't think you understand. The law is a profession." (Dexter had told her that.) "It requires years of training, of preparation.