"I think father knows about it—as much as he
need," she answered, her hand on the door.
"Ah, your father always knows everything," Pauline placidly
acquiesced.
The prospect of the talk with her daughter–in–law barely ruffled
her new–found peace. It was a pity Lita was restless; but nowadays
all the young people were restless. Perhaps it would be as well to
say a word to Kitty Landish; flighty and inconsequent as she was,
it might open her eyes to find that she was likely to have her
niece back on her hands. Mrs. Percy Landish's hands were always
full to overflowing with her own difficulties. A succession of
ingenious theories of life, and the relentless pursuit of
originality, had landed her in a state of chronic embarrassment,
pecuniary, social and sentimental. The announcement that Lita was
tired of Jim, and threatened to leave him, would fall like a
bombshell on that precarious roof which figured in the New York
Directory as somewhere in the East Hundreds, but was recorded in
the "Social Register" as No. 1 Viking Court. Mrs. Landish's last
fad had been to establish herself on the banks of the East River,
which she and a group of friends had adorned with a cluster of
reinforced–cement bungalows, first christened El Patio, but altered
to Viking Court after Mrs. Landish had read in an illustrated
weekly that the Vikings, who had discovered America ages before
Columbus, had not, as previously supposed, effected their first
landing at Vineyard Haven, but at a spot not far from the site of
her dwelling. Cement, at an early stage, is malleable, and the
Alhambra motifs had hastily given way to others from the prows of
Nordic ships, from silver torques and Runic inscriptions, the
latter easily contrived out of Arabic sourats from the Koran.
Before these new ornaments were dry, Mrs. Landish and her friends
were camping on the historic spot; and after four years of
occupancy they were camping still, in Mrs. Manford's sense of the
word.
A hurried telephone call had assured Pauline that she could see
Mrs. Landish directly after lunch; and at two o'clock her motor
drove up to Viking Court, which opened on a dilapidated river–front
and was cynically overlooked by tall tenement houses with an
underpinning of delicatessen stores.
Mrs. Landish was nowhere to be found. She had had to go out to
lunch, a melancholy maid–servant said, because the cook had just
given notice; but she would doubtless soon be back. With gingerly
steps Pauline entered the "living–room," so called (as visitors
were unfailingly reminded) because Mrs. Landish ate, painted,
modelled in clay, sculptured in wood, and received her friends
there. The Vikings, she added, had lived in that way. But today
all traces of these varied activities had disappeared, and the room
was austerely empty. Mrs. Landish's last hobby was for what she
called "purism," and her chief desire to make everything in her
surroundings conform to the habits and industries of a mythical
past. Ever since she had created Viking Court she had been trying
to obtain rushes for the floor: but as the Eastern States of
America did not produce the particular variety of rush which the
Vikings were said to have used she had at last decided to have rugs
woven on handlooms in Abyssinia, some one having assured her that
an inscription referring to trade–relations between the Vikings and
the kingdom of Prester John had been discovered in the ruins of
Petra.
The difficulty of having these rugs made according to designs of
the period caused the cement floor of Mrs. Landish's living–room to
remain permanently bare, and most of the furniture having now been
removed, the room had all the appearance of a garage, the more so
as Mrs. Landish's latest protégé, a young cabaret–artist who
performed on a motor–siren, had been suffered to stable his cycle
in one corner.
In addition to this vehicle, the room contained only a few
relentless–looking oak chairs, a long table bearing an hour–glass
(for clocks would have been an anachronism), and a scrap of dusty
velvet nailed on the cement wall, as to which Mrs. Landish
explained that it was a bit of a sixth century Coptic vestment, and
that the nuns of a Basilian convent in Thessaly were reproducing it
for eventual curtains and chair–cushions. "It may take fifty
years."
Mrs. Landish always added, "but I would rather go without it than
live with anything less perfect."
The void into which Pauline advanced gave prominence to the figure
of a man who stood with his back to her, looking through the window
at what was to be a garden when Viking horticulture was revived.
Meanwhile it was fully occupied by neighbouring cats and by swirls
of wind–borne rubbish.
The visitor, duskily blocked against a sullen March sky, was at
first not recognizable; but half way toward him Pauline exclaimed:
"Dexter!" He turned, and his surprise met hers.
"I never dreamed of its being you!" she said.
He faced her with a certain defiant jauntiness. "Why not?"
"Because I never saw you here before.
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