The American press discussed his life and work in
numerous and lengthy reviews. At the same time, there always has
been a steady sale of his books in England, and some of them never
have been out of print in that country since the publication of
'Typee.' One result of this friendship between the two authors was
the dedication of new volumes to each other in highly complimentary
terms—Mr. Melville's 'John Marr and Other Sailors,' of which
twenty-five copies only were printed, on the one hand, and Mr.
Russell's 'An Ocean Tragedy,' on the other, of which many thousand
have been printed, not to mention unnumbered pirated copies.
Beside Hawthorne, Mr. Richard Henry Stoddard, of American
writers, specially knew and appreciated Herman Melville. Mr.
Stoddard was connected with the New York dock department at the
time of Mr. Melville's appointment to a custom-house position, and
they at once became acquainted. For a good many years, during the
period in which our author remained in seclusion, much that
appeared in print in America concerning Melville came from the pen
of Mr. Stoddard. Nevertheless, the sailor author's presence in New
York was well known to the literary guild. He was invited to join
in all new movements, but as often felt obliged to excuse himself
from doing so. The present writer lived for some time within a
short distance of his house, but found no opportunity to meet him
until it became necessary to obtain his portrait for an anthology
in course of publication. The interview was brief, and the
interviewer could not help feeling although treated with pleasant
courtesy, that more important matters were in hand than the
perpetuation of a romancer's countenance to future generations; but
a friendly family acquaintance grew up from the incident, and will
remain an abiding memory.
Mr. Melville died at his home in New York City early on the
morning of September 28, 1891. His serious illness had lasted a
number of months, so that the end came as a release. True to his
ruling passion, philosophy had claimed him to the last, a set of
Schopenhauer's works receiving his attention when able to study;
but this was varied with readings in the 'Mermaid Series' of old
plays, in which he took much pleasure. His library, in addition to
numerous works on philosophy and the fine arts, was composed of
standard books of all classes, including, of course, a proportion
of nautical literature. Especially interesting are fifteen or
twenty first editions of Hawthorne's books inscribed to Mr. and
Mrs. Melville by the author and his wife.
The immediate acceptance of 'Typee' by John Murray was followed
by an arrangement with the London agent of an American publisher,
for its simultaneous publication in the United States. I understand
that Murray did not then publish fiction. At any rate, the book was
accepted by him on the assurance of Gansevoort Melville that it
contained nothing not actually experienced by his brother. Murray
brought it out early in 1846, in his Colonial and Home Library, as
'A Narrative of a Four Months' Residence among the Natives of a
Valley of the Marquesas Islands; or, a Peep at Polynesian Life,'
or, more briefly, 'Melville's Marquesas Islands.' It was issued in
America with the author's own title, 'Typee,' and in the outward
shape of a work of fiction. Mr. Melville found himself famous at
once. Many discussions were carried on as to the genuineness of the
author's name and the reality of the events portrayed, but English
and American critics alike recognised the book's importance as a
contribution to literature.
Melville, in a letter to Hawthorne, speaks of himself as having
no development at all until his twenty-fifth year, the time of his
return from the Pacific; but surely the process of development must
have been well advanced to permit of so virile and artistic a
creation as 'Typee.' While the narrative does not always run
smoothly, yet the style for the most part is graceful and alluring,
so that we pass from one scene of Pacific enchantment to another
quite oblivious of the vast amount of descriptive detail which is
being poured out upon us. It is the varying fortune of the hero
which engrosses our attention. We follow his adventures with
breathless interest, or luxuriate with him in the leafy bowers of
the 'Happy Valley,' surrounded by joyous children of nature. When
all is ended, we then for the first time realise that we know these
people and their ways as if we too had dwelt among them.
I do not believe that 'Typee' will ever lose its position as a
classic of American Literature. The pioneer in South Sea
romance—for the mechanical descriptions of earlier voyagers are not
worthy of comparison—this book has as yet met with no superior,
even in French literature; nor has it met with a rival in any other
language than the French. The character of 'Fayaway,' and, no less,
William S.
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