And how did these abominations get there? Why, 'tis the daughters, to be sure, the young girls of the present day, who've been in service in the towns, and earned such finery that way. Wash them carefully, and not too often, and the things will last for just a month. And then there is a lovely naked feeling when the holes begin to spread.

But there is none of that sort of nonsense, now, about Gunhild's shoes, for instance. At suitable intervals, she goes round to one of the fishermen, her like in age and mind, and gets the uppers and the soles done in thoroughly with a powerful mess of stuff that leaves the water simply helpless. I've seen that dubbin boiling on the beach; there's tallow in it, and tar and resin as well.

Wandering idly along the beach yesterday, looking at driftwood and scales and stones, I came upon a tiny bit of plate glass. How it ever got there, is more than I can make out; but the thing seems a mistake, a very lie, to look at. Would any fisherman, now, have rowed out here with it and laid it down and rowed away again? I left it where it lay; it was thick and common and vulgar; perhaps a bit of a tramcar window. Once on a time glass was rare, and bottle-green. God's blessing on the old days, when something could be rare!

Smoke rising now from the fisher-huts on the southern point of the island. Evening time, and porridge cooking for supper. And when supper's done, decent folk go to their beds, to be up again with the dawn. Only young and foolish creatures still go trapesing round from house to house, putting off their bedtime, not knowing what is best for themselves.

II

A man landed here this morning--come to paint the house. But Old Gunhild, being very old indeed, and perishing with gout most times, gets him to cut up a few days' firewood for her cooking before he starts. I've offered many a time to cut that wood myself, but she thinks my clothes too fine, and would not let me have the ax on any account.

This painter, now, is a short, thick-set fellow with red hair and no beard. I watch him from behind a window as he works, to see how he handles the ax. Then, noticing that he is talking to himself, I steal out of the house to listen. If he makes a false stroke, he takes it patiently, and does not trouble himself; but whenever he knocks his knuckles, he turns irritable and says: "Fan! Fansmagt!" [Footnote: "The Devil! Power of the Devil!"]--and then looks round suddenly and starts humming a tune to cover his words.

Yes; I recognize that painter man. Only, he's not a painter at all, the rascal, but Grindhusen, one of the men I worked with when I was roadmaking at Skreia.

I go up to him, and ask if he remembers me, and we talk a bit.

Many, many years it is now since we were roadmenders together, Grindhusen and I; we were youngsters then, and danced along the roads in the sorriest of shoes, and ate what we could get as long as we had money enough for that. But when we'd money to spare, then there would be dancing with the girls all Saturday night, and a crowd of our fellow-workers would come along, and the old woman in the house sold us coffee till she must have made a little fortune. Then we worked on heart and soul another week through, looking forward to the Saturday again. But Grindhusen, he was as a red-headed wolf after the girls.

Did he remember the old days at Skreia?

He looks at me, taking stock of me, with something of reserve; it is quite a while before I can draw him out to remember it at all.

Yes, he remembers Skreia well enough.

"And Anders Fila and 'Spiralen' and Petra?"

"Which one?"

"Petra--the one that was your girl."

"Ay, I remember her. I got tied up with her at last." Grindhusen falls to chopping wood again.

"Got tied up with her, did you?"

"Ay, that was the end of it. Had to be, I suppose. What was I going to say, now? You've turned out something fine, by the look of things."

"Why? Is it these clothes you're thinking of? You've Sunday clothes yourself, now, haven't you?"

"What d'you give for those you've got on?"

"I can't remember, but it was nothing very much. Couldn't say exactly what it was."

Grindhusen looks at me in astonishment and bursts out laughing.

"What? Can't remember what you paid for them?"

Then he turns serious, shakes his head, and says: "No, I dare say you wouldn't. No. That's the way when you've money enough and beyond."

Old Gunhild comes out from the house, and seeing us standing there by the chopping-block wasting time in idle talk, she tells Grindhusen he'd better start on the painting.

"So you've turned painter now?" said I.

Grindhusen made no answer, and I saw I had said a thing that should not have been said in others' hearing.

III

Grindhusen works away a couple of hours with his putty and paint, and soon one side of the little house, the north side, facing the sea, is done all gaily in red. At the mid-day rest, I go out and join him, with something to drink, and we lie on the ground awhile, chatting and smoking.

"Painter? Not much of a one, and that's the truth," says he. "But if any one comes along and asks if I can paint a bit of a wall, why, of course I can. First-rate Brndevin this you've got."

His wife and two children lived some four miles off, and he went home to them every Saturday.