Castruccio was an apt and sprightly boy, bold in action, careless of consequences, and governed only by his affection for his parents. Ruggieri encouraged his adventurous disposition; and although he often sympathized in the fears of his anxious wife, when Castruccio would venture out to sea on a windy day in a little fair-weather skiff, or when he saw him, without bridle or saddle, mount a horse, and, heading a band of his companions, ride off to the woods, yet he never permitted himself to express these fears, or check the daring of his son.

So Castruccio grew up active; light and graceful of limb, trusting that by his own powers he should always escape. Yet the boy was not without prudence; he seemed to perceive instinctively the limits of possibility, and would often repress the fool-hardiness of his companions, and shew his superior judgement and patience in surmounting the same difficulties by slower and safer means. Ruggieri disciplined him betimes in all the duties of a knight and a soldier; he wielded a lance adapted to his size, shot with bow and arrows, and the necessary studies to which he applied, became, on account of their active nature, the source of inexhaustible amusement to him. Accompanied by a troop of lads, they would feign some court surrounded by an old wall, or some ruined tower, to be Troy Town, or any other famous city of ancient days, and then with mimic balestri, and slings and arrows, and lances, they attacked, and defended, and practised those lessons in tactics which their preceptors inculcated at an early age.

During the first year of their banishment his mother died; her weak frame was destroyed by hardship and disappointment. She recommended her son to his father in terms of tender love; and then closed her eyes in peace. This circumstance for a considerable time unhinged the young mind of Castruccio, and interrupted his studies. His father, who loved her tenderly, and who had found in her a friend to whom he could confide those regrets which pride forbade him to impart to any other hearer, now lamented her with excessive grief.

He did not dare check the silent tear that started into the eye of Castruccio, when, returning from his exercises with his companions, he was no longer embraced by his mother; he felt that his own sentiments would refute the lesson he wished to impress.

Ruggieri was consoled for all his past misfortunes by the promising talents and disposition of his son, and parental tenderness, the strongest of all passions, but often the most unfortunate, was to him the sunbeam, solitary, but bright, which enlightened his years of exile and infirmity.

Yet at the moment that he most enjoyed this blessing, his security was suddenly disturbed. One morning Castruccio disappeared; and the following perplexing note addressed to his father, was the only trace that he left of his intentions:--

"Pardon me, dearest father; I will return in a very few days; I am quite safe, therefore do not disquiet yourself on my account. Do not be very angry with me; for, although I am indignant at my own weakness, I cannot resist! Be well assured that in less than a fortnight your unworthy son will be at your feet.

"Castruccio."

This was the year 1304, when Castruccio was fourteen years of age. Ruggieri hoped and trusted that he was safe, and that he would fulfil his promise and soon return; but he waited with inexpressible anxiety. The cause of Castruccio's flight was curious, shewing at once the manners of the age and country in which they lived, and the imagination and disposition of the boy.

CHAPTER II

A TRAVELLER had arrived at Ancona from Florence, and had diffused the intelligence that a strange and tremendous spectacle would be exhibited there on the first of May of that year. It had been proclaimed in the streets of the city, by a herald sent by the inhabitants of the quarter of San Frediano, that all who wished to have news from the other world, should repair on the first of May to the bridge of Carraia or to the quay of the Arno. And he added, that he believed that preparations were made to exhibit Hell, such as it had been described in a poem now writing by Dante Alighieri, a part of which had been read, and had given rise to the undertaking.

This account raised the curiosity, and fired the imagination of Castruccio. The idea darted into his head that he would see this wonderful exhibition; and no sooner had he conceived the possibility of doing so, than his determination was fixed. He dared not ask his father's permission, for he knew that he should be refused; and, like many others, he imagined that it was better to go, not having mentioned his design, than to break a positive command. He felt remorse at leaving his father; but curiosity was the stronger passion, and he was overcome: he left a billet for Ruggieri; and, during the silence of a moonlight night, he mounted his steed, and left Ancona. While proceeding through the streets of the town, he several times repented, and thought that he would return; but no sooner had he passed the walls, than he seemed to feel the joy of liberty descending on him; and he rode on with wild delight, while the mountains and their forests slept under the yellow moon, and the murmur of the placid ocean was the only sound that he heard, except the trampling of his own horse's hoofs.

Riding hard, and changing his horse on the road, he arrived in five days at Florence. He experienced a peculiar sensation of pleasure, as he descended from the mountains into Tuscany. Alone on the bare Apennines, over which the fierce wind swept, he felt free; there was no one near him to control his motions, to order him to stay or go; but his own will guided his progress, swift or slow, as the various thoughts that arose in his mind impelled him. He felt as if the air that quickly glided over him, was a part of his own nature, and bore his soul along with it; impulses of affection mingled with these inexplicable sensations; his thoughts wandered to his native town; he suffered his imagination to dwell upon the period when he might be recalled from exile, and to luxuriate in dreams of power and distinction.

At length he arrived at the fair city of Florence. It was the first of May, and he hastened from his inn to the scene of action. As he approached, he observed the streets almost blocked up by the multitudes that poured to the same spot; and, not being acquainted with the town, he found that he had better follow the multitude, than seek a way of his own. Driven along by the crowd, he at length came in sight of the Arno. It was covered by boats, on which scaffoldings were erected, hung with black cloth, whose accumulated drapery lent life to the flames, which the glare of day would otherwise have eclipsed. In the midst of these flames moved legions of ghastly and distorted shapes, some with horns of fire, and hoofs, and horrible wings; others the naked representatives of the souls in torment; mimic shrieks burst on the air, screams and demoniac laughter. The infernal drama was acted to the life; and the terrible effect of such a scene was enhanced, by the circumstance of its being no more than an actual representation of what then existed in the imagination of the spectators, endued with the vivid colours of a faith inconceivable in these lethargic days.

Castruccio felt a chill of horror run through his frame; the scene before him appeared for a moment as a reality, rather than a representation; the Arno seemed a yawning gulf, where the earth had opened to display the mysteries of the infernal world; when suddenly a tremendous crash stamped with tenfold horror the terrific mockery. The bridge of Carraia, on which a countless multitude stood, one above the other, looking on the river, fell. Castruccio saw its props loosening, and the curved arch shake, and with a sudden shriek he stretched out his arms, as if he could save those who stood on it. It fell in with a report that was reverberated from the houses that lined the Arno; and even, to the hills which close the valley, it rebellowed along the sky, accompanied by fearful screams, and voices that called on the names of those whom they were never more to behold. The confusion was beyond description terrible; some flying, others pressing towards the banks of the river to help the sufferers; all, as himself, seized with a superstitious dread, which rebuked them for having mimicked the dreadful mysteries of their religion, and which burst forth in clamorous exclamations and wild horror. The heroism of Castruccio failed; he seized with eagerness the opportunity of an opening in the crowd; and, getting into a by street, ran with what speed he could, while his knees still shook beneath him, from the spot he in the morning as eagerly sought.