She seemed fixed there for a moment by the light. Then on the floor above she heard children's voices--Martin and Rose quarrelling.
"Don't then!" she heard Rose say. A door slammed. She paused. Then she drew in a deep breath of air, looked once more at the fiery sky, and tapped on the bedroom door.
The nurse rose quietly; put her finger to her lips, and left the room. Mrs Pargiter was asleep. Lying in a cleft of the pillows with one hand under her cheek, Mrs Pargiter moaned slightly as if she wandered in a world where even in sleep little obstacles lay across her path. Her face was pouched and heavy; the skin was stained with brown patches; the hair which had been red was now white, save that there were queer yellow patches in it, as if some locks had been dipped in the yolk of an egg. Bare of all rings save her wedding ring, her fingers alone seemed to indicate that she had entered the private world of illness. But she did not look as if she were dying; she looked as if she might go on existing in this borderland between life and death for ever. Delia could see no change in her. As she sat down, everything seemed to be at full tide in her. A long narrow glass by the bedside reflected a section of the sky; it was dazzled at the moment with red light. The dressing-table was illuminated. The light struck on silver bottles and on glass bottles, all set out in the perfect order of things that are not used. At this hour of the evening the sick-room had an unreal cleanliness, quiet and order. There by the bedside was a little table set with spectacles, prayer-book and a vase of lilies of the valley. The flowers, too, looked unreal. There was nothing to do but to look.
She stared at the yellow drawing of her grandfather with the high light on his nose; at the photograph of her Uncle Horace in his uniform; at the lean and twisted figure on the crucifix to the right.
"But you don't believe in it!" she said savagely, looking at her mother sunk in sleep. "You don't want to die."
She longed for her to die. There she was--soft, decayed but everlasting, lying in the cleft of the pillows, an obstacle, a prevention, an impediment to all life. She tried to whip up some feeling of affection, of pity. For instance, that summer, she told herself, at Sidmouth, when she called me up the garden steps. . . . But the scene melted as she tried to look at it. There was the other scene of course--the man in the frock-coat with the flower in his button-hole. But she had sworn not to think of that till bedtime. What then should she think of? Grandpapa with the white light on his nose? The prayer-book? The lilies of the valley? Or the looking-glass? The sun had gone in; the glass was dim and reflected now only a dun-coloured patch of sky.
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