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Among the numerous textual parallels adduced to support this contention, especially in the second part of the poem, are Fenice’s relationships with her husband (Alis) and sweetheart (Cligés) and her expressed views on love and marriage, the nurse Thessala’s similarity to Brangien, John’s hideaway and the Hall of Images, the love potion, and lover’s lament. However, the poem is even more interesting to us for its use of irony, its balanced structure and its psychological penetration into the hearts of the two lovers. Here, as elsewhere, Chrétien shows the influence of Ovid, the most popular Classical writer throughout the twelfth century. And again Chrétien shows his ability to exploit popular material in a highly original manner.
It is now generally agreed that Cligés dates from about 1176. Although the subject matter is wholly fictional, scholars have found intriguing analogies in several of its situations to cont
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