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“Spiridion” (1839), composed under the influence of Lamennais, deals with questions of free thought in religion. But the novels of the first period of her literary activity, which came to a close in 1840, are mainly occupied with a lyrical individualism, and are inspired by the wrongs and disillusions of the author’s personal adventures.
The years 1833 and 1834 were marked by her too-celebrated relations with Alfred de Musset, with whom she lived in Paris and at Venice, and with whom she quarrelled at last in circumstances deplorably infelicitous. Neither of these great creatures had the reticence to exclude the world from a narrative of their misfortunes and adventures; of the two it was certainly the woman who came the less injured out of the furnace. In “Elle et Lui” {1859) she gave long afterward her version of the unhappy and undignified story. Her stay in Venice appears to have impressed her genius more deeply than any other secti
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