He could just hear the sound of their slow
footfalls, and the murmur of their voices floated up to him through the
gaps between the trees. The figures looked like shadows as he caught
glimpses of their quiet movements far below.
He sat there for some time pondering, bathed in the
waves of murmurs and half-lost echoes that rose to his ears, muffled by
the leaves of the plane trees. The whole town, and the little hill out
of which it grew as naturally as an ancient wood, seemed to him like a
being lying there half asleep on the plain and crooning to itself as it
dozed.
And, presently, as he sat lazily melting into its
dream, a sound of horns and strings and wood instruments rose to his
ears, and the town band began to play at the far end of the crowded
terrace below to the accompaniment of a very soft, deep-throated drum.
Vezin was very sensitive to music, knew about it intelligently, and had
even ventured, unknown to his friends, upon the composition of quiet
melodies with low-running chords which he played to himself with the
soft pedal when no one was about. And this music floating up through
the trees from an invisible and doubtless very picturesque band of the
townspeople wholly charmed him. He recognised nothing that they played,
and it sounded as though they were simply improvising without a
conductor. No definitely marked time ran through the pieces, which
ended and began oddly after the fashion of wind through an AEolian
harp. It was part of the place and scene, just as the dying sunlight
and faintly breathing wind were part of the scene and hour, and the
mellow notes of old-fashioned plaintive horns, pierced here and there
by the sharper strings, all half smothered by the continuous booming of
the deep drum, touched his soul with a curiously potent spell that was
almost too engrossing to be quite pleasant.
There was a certain queer sense of bewitchment in it
all. The music seemed to him oddly unartificial. It made him think of
trees swept by the wind, of night breezes singing among wires and
chimney-stacks, or in the rigging of invisible ships; or—and the
simile leaped up in his thoughts with a sudden sharpness of
suggestion—a chorus of animals, of wild creatures, somewhere in
desolate places of the world, crying and singing as animals will, to
the moon. He could fancy he heard the wailing, half-human cries of cats
upon the tiles at night, rising and falling with weird intervals of
sound, and this music, muffled by distance and the trees, made him
think of a queer company of these creatures on some roof far away in
the sky, uttering their solemn music to one another and the moon in
chorus.
It was, he felt at the time, a singular image to
occur to him, yet it expressed his sensation pictorially better than
anything else. The instruments played such impossibly odd intervals,
and the crescendos and diminuendos were so very suggestive of cat-land
on the tiles at night, rising swiftly, dropping without warning to deep
notes again, and all in such strange confusion of discords and accords.
But, at the same time a plaintive sweetness resulted on the whole, and
the discords of these half-broken instruments were so singular that
they did not distress his musical soul like fiddles out of tune.
He listened a long time, wholly surrendering himself
as his character was, and then strolled homewards in the dusk as the
air grew chilly.
“There was nothing to alarm?” put in Dr. Silence briefly.
“Absolutely nothing,” said Vezin; “but you know it
was all so fantastical and charming that my imagination was profoundly
impressed. Perhaps, too,” he continued, gently explanatory, “it was
this stirring of my imagination that caused other impressions; for, as
I walked back, the spell of the place began to steal over me in a dozen
ways, though all intelligible ways. But there were other things I could
not account for in the least, even then.”
“Incidents, you mean?”
“Hardly incidents, I think. A lot of vivid
sensations crowded themselves upon my mind and I could trace them to no
causes. It was just after sunset and the tumbled old buildings traced
magical outlines against an opalescent sky of gold and red. The dusk
was running down the twisted streets. All round the hill the plain
pressed in like a dim sea, its level rising with the darkness. The
spell of this kind of scene, you know, can be very moving, and it was
so that night. Yet I felt that what came to me had nothing directly to
do with the mystery and wonder of the scene.”
“Not merely the subtle transformations of the spirit
that come with beauty,” put in the doctor, noticing his hesitation.
“Exactly,” Vezin went on, duly encouraged and no
longer so fearful of our smiles at his expense. “The impressions came
from somewhere else. For instance, down the busy main street where men
and women were bustling home from work, shopping at stalls and barrows,
idly gossiping in groups, and all the rest of it, I saw that I aroused
no interest and that no one turned to stare at me as a foreigner and
stranger. I was utterly ignored, and my presence among them excited no
special interest or attention.
“And then, quite suddenly, it dawned upon me with
conviction that all the time this indifference and inattention were
merely feigned. Everybody as a matter of fact was watching me closely.
Every movement I made was known and observed. Ignoring me was all a
pretence—an elaborate pretence.”
He paused a moment and looked at us to see if we were smiling, and
then continued, reassured—
“It is useless to ask me how I noticed this, because I simply cannot
explain it. But the discovery gave me something of a shock. Before I
got back to the inn, however, another curious thing rose up strongly in
my mind and forced my recognition of it as true.
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