We cannot judge either of the feelings or of the characters of men with perfect accuracy, from their actions or their appearance in public; it is from their careless conversations, their half-finished sentences, that we may hope with the greatest probability of success to discover their real characters. The life of a great or of a little man written by himself, the familiar letters, the diary of any individual published by his friends or by his enemies, after his decease, are esteemed important literary curiosities. We are surely justified, in this eager desire, to collect the most minute facts relative to the domestic lives, not only of the great and good, but even of the worthless and insignificant, since it is only by a comparison of their actual happiness or misery in the privacy of domestic life that we can form a just estimate of the real reward of virtue, or the real punishment of vice. That the great are not as happy as they seem, that the external circumstances of fortune and rank do not constitute felicity, is asserted by every moralist: the historian can seldom, consistently with his dignity, pause to illustrate this truth; it is therefore to the biographer we must have recourse. After we have beheld splendid characters playing their parts on the great theatre of the world, with all the advantages of stage effect and decoration, we anxiously beg to be admitted behind the scenes, that we may take a nearer view of the actors and actresses.

Some may perhaps imagine that the value of biography depends upon the judgment and taste of the biographer; but on the contrary it may be maintained, that the merits of a biographer are inversely as the extent of his intellectual powers and of his literary talents. A plain unvarnished tale is preferable to the most highly ornamented narrative. Where we see that a man has the power, we may naturally suspect that he has the will to deceive us; and those who are used to literary manufacture know how much is often sacrificed to the rounding of a period, or the pointing of an antithesis.

That the ignorant may have their prejudices as well as the learned cannot be disputed; but we see and despise vulgar errors: we never bow to the authority of him who has no great name to sanction his absurdities. The partiality which blinds a biographer to the defects of his hero, in proportion as it is gross, ceases to be dangerous; but if it be concealed by the appearance of candour, which men of great abilities best know how to assume, it endangers our judgment sometimes, and sometimes our morals. If her Grace the Duchess of Newcastle, instead of penning her lord's elaborate eulogium, had undertaken to write the life of Savage, we should not have been in any danger of mistaking an idle, ungrateful libertine for a man of genius and virtue. The talents of a biographer are often fatal to his reader. For these reasons the public often judiciously countenance those who, without sagacity to discriminate character, without elegance of style to relieve the tediousness of narrative, without enlargement of mind to draw any conclusions from the facts they relate, simply pour forth anecdotes, and retail conversations, with all the minute prolixity of a gossip in a country town.

The author of the following Memoirs has upon these grounds fair claims to the public favour and attention; he was an illiterate old steward, whose partiality to THE FAMILY, in which he was bred and born, must be obvious to the reader. He tells the history of the Rackrent family in his vernacular idiom, and in the full confidence that Sir Patrick, Sir Murtagh, Sir Kit, and Sir Condy Rackrent's affairs will be as interesting to all the world as they were to himself. Those who were acquainted with the manners of a certain class of the gentry of Ireland some years ago, will want no evidence of the truth of honest Thady's narrative; to those who are totally unacquainted with Ireland, the following Memoirs will perhaps be scarcely intelligible, or probably they may appear perfectly incredible. For the information of the IGNORANT English reader, a few notes have been subjoined by the editor, and he had it once in contemplation to translate the language of Thady into plain English; but Thady's idiom is incapable of translation, and, besides, the authenticity of his story would have been more exposed to doubt if it were not told in his own characteristic manner. Several years ago he related to the editor the history of the Rackrent family, and it was with some difficulty that he was persuaded to have it committed to writing; however, his feelings for 'THE HONOUR OF THE FAMILY,' as he expressed himself, prevailed over his habitual laziness, and he at length completed the narrative which is now laid before the public.

The editor hopes his readers will observe that these are 'tales of other times;' that the manners depicted in the following pages are not those of the present age; the race of the Rackrents has long since been extinct in Ireland; and the drunken Sir Patrick, the litigious Sir Murtagh, the fighting Sir Kit, and the slovenly Sir Condy, are characters which could no more be met with at present in Ireland, than Squire Western or Parson Trulliber in England. There is a time when individuals can bear to be rallied for their past follies and absurdities, after they have acquired new habits and a new consciousness. Nations, as well as individuals, gradually lose attachment to their identity, and the present generation is amused, rather than offended, by the ridicule that is thrown upon its ancestors.

Probably we shall soon have it in our power, in a hundred instances, to verify the truth of these observations.

When Ireland loses her identity by an union with Great Britain, she will look back, with a smile of good-humoured complacency, on the Sir Kits and Sir Condys of her former existence.

1800.





CASTLE RACKRENT





MONDAY MORNING

[See GLOSSARY 1].

Having, out of friendship for the family, upon whose estate, praised be Heaven! I and mine have lived rent-free time out of mind, voluntarily undertaken to publish the MEMOIRS OF THE RACKRENT FAMILY, I think it my duty to say a few words, in the first place, concerning myself. My real name is Thady Quirk, though in the family I have always been known by no other than 'Honest Thady,' afterward, in the time of Sir Murtagh, deceased, I remember to hear them calling me 'Old. Thady,' and now I've come to 'Poor Thady'; for I wear a long greatcoat winter and summer, which is very handy, as I never put my arms into the sleeves; they are as good as new, though come Holantide next I've had it these seven years: it holds on by a single button round my neck, cloak fashion.

[The cloak, or mantle, as described by Thady, is of high antiquity. Spenser, in his VIEW OF THE STATE OF IRELAND, proves that it is not, as some have imagined, peculiarly derived from the Scythians, but that 'most nations of the world anciently used the mantle; for the Jews used it, as you may read of Elias's mantle, etc.; the Chaldees also used it, as you may read in Diodorus; the Egyptians likewise used it, as you may read in Herodotus, and may be gathered by the description of Berenice in the Greek Commentary upon Callimachus; the Greeks also used it anciently, as appeared by Venus's mantle lined with stars, though afterward they changed the form thereof into their cloaks, called Pallai, as some of the Irish also use; and the ancient Latins and Romans used it, as you may read in Virgil, who was a great antiquary, that Evander, when AEneas came to him at his feast, did entertain and feast him sitting on the ground, and lying on mantles: insomuch that he useth the very word mantile for a mantle—

"Humi mantilia sternunt:"

so that it seemeth that the mantle was a general habit to most nations, and not proper to the Scythians only.

Spenser knew the convenience of the said mantle, as housing, bedding, and clothing: 'IREN. Because the commodity doth not countervail the discommodity; for the inconveniences which thereby do arise are much more many; for it is a fit house for an outlaw, a meet bed for a rebel, and an apt cloak for a thief. First, the outlaw being, for his many crimes and villanies, banished from the towns and houses of honest men, and wandering in waste places, far from danger of law, maketh his mantle his house, and under it covereth himself from the wrath of Heaven, from the offence of the earth, and from the sight of men. When it raineth, it is his penthouse; when it bloweth, it is his tent; when it freezeth, it is his tabernacle. In summer he can wear it loose; in winter he can wrap it close; at all times he can use it; never heavy, never cumbersome. Likewise for a rebel it is as serviceable; for in this war that he maketh (if at least it deserves the name of war), when he still flieth from his foe, and lurketh in the THICK WOODS (this should be BLACK BOGS) and straight passages, waiting for advantages, it is his bed, yea, and almost his household stuff.']

To look at me, you would hardly think 'Poor Thady' was the father of Attorney Quirk; he is a high gentleman, and never minds what poor Thady says, and having better than fifteen hundred a year, landed estate, looks down upon honest Thady; but I wash my hands of his doings, and as I have lived so will I die, true and loyal to the family. The family of the Rackrents is, I am proud to say, one of the most ancient in the kingdom. Everybody knows this is not the old family name, which was O'Shaughlin, related to the kings of Ireland—but that was before my time. My grandfather was driver to the great Sir Patrick O'Shaughlin, and I heard him, when I was a boy, telling how the Castle Rackrent estate came to Sir Patrick; Sir Tallyhoo Rackrent was cousin-german to him, and had a fine estate of his own, only never a gate upon it, it being his maxim that a car was the best gate. Poor gentleman! he lost a fine hunter and his life, at last, by it, all in one day's hunt. But I ought to bless that day, for the estate came straight into THE family, upon one condition, which Sir Patrick O'Shaughlin at the time took sadly to heart, they say, but thought better of it afterwards, seeing how large a stake depended upon it: that he should, by Act of Parliament, take and bear the surname and arms of Rackrent.

Now it was that the world was to see what was IN Sir Patrick. On coming into the estate he gave the finest entertainment ever was heard of in the country; not a man could stand after supper but Sir Patrick himself who could sit out the best man in Ireland, let alone the three kingdoms itself [See GLOSSARY 2].