She saw wonders in a glass as she leaned
over the shadowed, mysterious pool, and smiled at the smiling nymph,
whose lips parted as if to whisper secrets.
As she went on her way, the thin blue smoke rose from a gap in the
trees, and she remembered her childish dread of "the gipsies." She
walked a little farther, and laid herself to rest on a smooth patch
of turf, and listened to the strange intonations that sounded from
the camp. "Those horrible people" she had heard the yellow folk
called, but she found now a pleasure in voices that sang and,
indistinctly heard, were almost chantmg, with a rise and fall of
notes and a wild wail, and the solemnity of unknown speech. It seemed
a fit music for the unknown woodland, in harmony with the drip of the
well, and the birds' sharp notes, and the rustle and hurry of the
wood creatures.
She rose again and went on till she could see the red fire between
the boughs; and the voices thrilled into an incantation. She longed
to summon up courage and talk to these strange-wood-folk, but she was
afraid to burst into the camp. So she sat down under a tree and
waited, hoping that one of them might happen to come her way.
There were six or seven men, as many women, and a swarm of
fantastic children, lolling and squatting about the fire, gabbling to
one another in their singsong speech. They were people of curious
aspect, short and squat, high-cheek-boned, with dingy yellow skin and
long almond eyes; only in one or two of the younger men there was a
suggestion of a wild, almost faun-like grace, as of creatures who
always moved between the red fire and the green leaf. Though
everybody called them gipsies, they were in reality Turanian
metal-workers, degenerated into wandering tinkers; their ancestors
had fashioned the bronze battle-axes, and they mended pots and
kettles. Mary waited under the tree, sure that she had nothing to
fear, and resolved not to run away if one of them appeared.
The sun sank into a mass of clouds and the air grew close and
heavy; a mist steamed up about the trees, a blue mist like the smoke
of a wood-fire. A strange smiling face peered out from between the
leaves, and the girl knew that her heart leapt as the young man
walked towards her.
The Turanians moved their camp that night. There was a red glint,
like fire, in the vast shaaowy west, and then a burning paten floated
up from a wild hill. A procession of weird bowed figures passed
across the crimson disk, one stumbling after another in long single
file, each bending down beneath his huge shapeless pack, and the
children crawled last, goblin-like, fantastic.
The girl was lying in her white room, caressing a small green
stone, a curious thing cut with strange devices, awful with age. She
held it close to the luminous ivory, and the gold poured upon it.
She laughed for joy, and murmured and whispered to herself, asking
herself questions in the bewilderment of her delight. She was afraid
to say anything to her mother.
The Rose Garden
And afterwards she went very softly, and opened the window and
looked out. Behind her the room was in a mystical semi-darkness;
chairs and tables were hovering, ill-defined shapes, there was but
the faintest illusory glitter from the talc moons in the rich Indian
curtain which she had drawn across the door. The yellow silk
draperies of the bed were but suggestions of colour, and the pillow
and the white sheets glimmered as a white cloud in a far sky at
twilight.
She turned from the dusky room, and with dewy tender eyes gazed
out across the garden towards the lake. She could not rest nor lay
herself down to sleep; though it was late, and half the night had
passed, she could not rest. A sickle moon was slowly drawing upwards
through certain filmy clouds that stretched in a long band from east
to west, and a pallid light began to flow from the dark water, as if
there also some vague star were rising. She looked with eyes
insatiable for wonder; and she found a strange Eastern effect in the
bordering of reeds, in their spear-like shapes, in the liquid ebony
that they shadowed, in the fine inlay of pearl and silver as the moon
shone free; a bright symbol in the steadfast calm of the sky.
There were faint stirring sounds heard from the fringe of reeds,
and now and then the drowsy broken cry of water-fowl, for they knew
that the dawn was not far off. In the centre of the lake was a carved
white pedestal, and on it shone a white boy holding the double flute
to his lips.
Beyond the lake the park began, and sloped gently to the verge of
the wood, now but a dark cloud beneath the sickle moon. And then
beyond and farther still, undiscovered hills, grey bands of cloud,
and the steep pale height of the heaven. She gazed on with her tender
eyes, bathing herself as it were in the deep rest of the night,
veiling her soul with the half-light and the half-shadow, stretching
out her delicate hands into the coolness of the misty silvered air,
wondering at her hands.
And then she turned from the window, and made herself a divan of
cushion on the Persian carpet, and half sat, half lay there, as
motionless, as ecstatic as a poet dreaming under roses, far in
Ispahan. She gazed out, after all, to assure herself that sight and
the eyes showed nothing but a glimmering veil, a gauze of curious
lights and figures, that in it there was no reality or substance. He
had always told her that there was only one existence, one science,
one religion, that the external world was but a variegated shadow,
which might either conceal or reveal the truth; and now she
believed.
He had shown her that bodily rapture might be the ritual and
expression of the ineffable mysteries, of the world beyond sense,
that must be entered by the way of sense; and now she believed. She
had never much doubted any of his words, from the moment of their
meeting a month before. She had looked up as she sat in the arbour,
and her father was walking down between the avenue of roses bringing
to her the stranger, thin and dark with a pointed beard and
melancholy eyes. He murmured something to himself as they shook
hands; she could hear the rich unknown words that sounded as the echo
of far music. Afterwards he had told her what the lines were:
How say ye that I was lost? I wandered among
roses.
Can he go astray who enters the rose garden?
The lover in the house of his Darling is not forlorn.
I wandered among roses. How say ye that I was lost?
His voice, murmuring the strange words, had persuaded her, and now
she had the rapture of the perfect knowledge. She had looked out into
the silvery uncertain night in order that she might experience the
sense that for her these things no longer existed. She was not any
more a part of the garden, or of the lake, or of the wood, or of the
life that she had led hitherto.
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