"She's ten years older than he if
she's a day."
"I think he's done pretty well, if you ask me,"
said Helen, annoyed. "Good heavens, mama! You talk
as if he's some sort of prize. Every one in town knows what
Steve is." She laughed ironically and angrily. "No,
indeed! He got the best of the bargain. Margaret's a
decent girl."
"Well," said Eliza hopefully, "maybe
he's going to brace up now and make a new start. He's promised
that he'd try."
"Well, I should hope so," said Helen
scathingly. "I should hope so. It's about time."
Her dislike for him was innate. She had placed
him among the tribe of the Pentlands. But he was really more
like Gant than any one else. He was like Gant in all his
weakness, with none of his cleanliness, his lean fibre, his remorse.
In her heart she knew this and it increased her dislike for him.
She shared in the fierce antagonism Gant felt toward his son.
But her feeling was broken, as was all her feeling, by moments of
friendliness, charity, tolerance.
"What are you going to do, Steve?" she
asked. "You've got a family now, you know."
"Little Stevie doesn't have to worry any
longer," he said, smiling easily. "He lets the others
do the worrying." He lifted his yellow fingers to his
mouth, drawing deeply at a cigarette.
"Good heavens, Steve," she burst out
angrily. "Pull yourself together and try to be a man for
once. Margaret's a woman. You surely don't expect her to
keep you up, do you?"
"What business is that of yours, for Christ's
sake?" he said in a high ugly voice. "Nobody's asked
your advice, have they? All of you are against me. None
of you had a good word for me when I was down and out, and now it
gets your goat to see me make good." He had believed for
years that he was persecuted--his failure at home he attributed to
the malice, envy, and disloyalty of his family, his failure abroad to
the malice and envy of an opposing force that he called "the
world."
"No," he said, taking another long puff at
the moist cigarette, "don't worry about Stevie. He doesn't
need anything from any of you, and you don't hear him asking for
anything. You see that, don't you?" he said, pulling a
roll of banknotes from his pocket and peeling off a few twenties.
"Well, there's lots more where that came from. And I'll
tell you something else: Little Stevie will be right up there among
the Big Boys soon. He's got a couple of deals coming off
that'll show the pikers in this town where to get off. You get
that, don't you?" he said.
Ben, who had been sitting on the piano stool all this
time, scowling savagely at the keys, and humming a little recurrent
tune to himself while he picked it out with one finger, turned now to
Helen, with a sharp flicker of his mouth, and jerked his head
sideways.
"I hear Mr. Vanderbilt's getting jealous,"
he said.
Helen laughed ironically, huskily.
"You think you're a pretty wise guy, don't you?"
said Steve heavily. "But I don't notice it's getting you
anywhere."
Ben turned his scowling eyes upon him, and sniffed
sharply, unconsciously.
"Now, I hope you're not going to forget your old
friends, Mr. Rockefeller," he said in his subdued, caressing
ominous voice. "I'd like to be vice-president if the job's still
open." He turned back to the keyboard--and searched with a
hooked finger.
"All right, all right," said Steve.
"Go ahead and laugh, both of you, if you think it's funny.
But you notice that Little Stevie isn't a fifteen-dollar clerk in a
newspaper office, don't you? And he doesn't have to sing in
moving-picture shows, either," he added.
Helen's big-boned face reddened angrily. She
had begun to sing in public with the saddlemaker's daughter.
"You'd better not talk, Steve, until you get a
job and quit bumming around," she said. "You're a
fine one to talk, hanging around pool-rooms and drug-stores all day
on your wife's money. Why, it's absurd!" she said
furiously.
"Oh for God's sake!" Ben cried irritably,
wheeling around. "What do you want to listen to him for?
Can't you see he's crazy?"
As the summer lengthened, Steve began to drink
heavily again. His decayed teeth, neglected for years, began to
ache simultaneously: he was wild with pain and cheap whisky. He
felt that Eliza and Margaret were in some way responsible for his
woe--he sought them out day after day when they were alone, and
screamed at them. He called them foul names and said they had
poisoned his system.
In the early hours of morning, at two or three
o'clock, he would waken, and walk through the house weeping and
entreating release. Eliza would send him to Spaugh at the hotel or to
McGuire, at his residence, in Eugene's charge. The doctors,
surly and half-awake, peeled back his shirtsleeve and drove a needle
with morphine deep in his upper arm. After that, he found
relief and sleep again.
One night, at the supper hour, he returned to
Dixieland, holding his tortured jaws between his hands. He
found Eliza bending over the spitting grease of the red-hot stove.
He cursed her for bearing him, he cursed her for allowing him to have
teeth, he cursed her for lack of sympathy, motherly love, human
kindliness.
Her white face worked silently above the heat.
"Get out of here," she said. "You
don't know what you're talking about. It's that accursed licker
that makes you so mean." She began to weep, brushing at
her broad red nose with her hand.
"I never thought I'd live to hear such talk from
a son of mine," she said. She held out her forefinger with
the old powerful gesture.
"Now, I want to tell you," she said, "I'm
not going to put up with you any longer. If you don't get out
of here at once I'm going to call 38 and let them take you."
This was the police station. It awoke unpleasant memories.
He had spent the day in jail on two similar occasions. He
became more violent than before, screamed a vile name at her, and
made a motion to strike her. At this moment, Luke entered; he
was on his way to Gant's.
The antagonism between the boy and his older brother
was deep and deadly. It had lasted for years. Now,
trembling with anger, Luke came to his mother's defense.
"You m-m-m-miserable d-d-degenerate," he
stuttered, unconsciously falling into the swing of the Gantian
rhetoric. "You ought to b-b-b-be horsewhipped."
He was a well grown and muscular young fellow of
nineteen years, but too sensitive to all the taboos of brotherhood to
be prepared for the attack Steve made on him. Steve drove at
him viciously, smashing drunkenly at his face with both hands.
He was driven gasping and blinded across the kitchen.
Wrong forever on the throne.
Somewhere, through fear and fury, Eugene heard Ben's
voice humming unconcernedly, and the slow picked tune on the piano.
"Ben!" he screamed, dancing about and
grasping a hammer.
Ben entered like a cat. Luke was bleeding
warmly from the nose.
"Come on, come on, you big bastard," said
Steve, exalted by his success, throwing himself into a fancy boxing
posture. "I'll take you on now. You haven't got a
chance, Ben," he continued, with elaborate pity. "You
haven't got a chance, boy. I'll tear your head off with what I
know."
Ben scowled quietly at him for a moment while he
pranced softly about, proposing his fists in Police Gazette
attitudes. Then, exploding suddenly in maniacal anger, the
quiet one sprang upon the amateur pugilist with one bound, and
flattened him with a single blow of his fist. Steve's head
bounced upon the floor in a most comforting fashion. Eugene
gave a loud shriek of ecstasy and danced about, insane with joy,
while Ben, making little snarling noises in his throat, leaped on his
brother's prostrate body and thumped his bruised skull upon the
boards. There was a beautiful thoroughness about his wakened
anger--it never made inquiries till later.
"Good old Ben," screamed Eugene, howling
with insane laughter. "Good old Ben."
Eliza, who had been calling out loudly for help, the
police, and the interference of the general public, now succeeded,
with Luke's assistance, in checking Ben's assault, and pulling him up
from his dazed victim. She wept bitterly, her heart laden with
pain and sadness, while Luke, forgetful of his bloody nose, sorrowful
and full of shame only because brother had struck brother, assisted
Steve to his feet and brushed him off.
A terrible shame started up in each of them--they
were unable to meet one another's gaze. Ben's thin face was
very white; he trembled violently and, catching sight of Steve's
bleared eyes for a moment, he made a retching noise in his throat,
went over to the sink, and drank a glass of cold water.
"A house divided against itself cannot stand,"
Eliza wept.
Helen came in from town with a bag of warm bread and
cakes.
"What's the matter?" she said, noting at
once all that had happened.
"I don't know," said Eliza, her face
working, shaking her head for several moments before she spoke.
"It seems that the judgment of God is against us. There's
been nothing but misery all my life. All I want is a little peace."
She wept softly, wiping her weak bleared eyes with the back of her
hand.
"Well, forget about it," said Helen
quietly. Her voice was casual, weary, sad. "How do
you feel, Steve?" she asked.
"I wouldn't make any trouble for any one,
Helen," he said, with a maudlin whimper. "No!
No!" he continued in a brooding voice. "They've never given
Steve a chance. They're all down on him. They jumped on me,
Helen. My own brothers jumped on me, sick as I am, and beat me
up. It's all right. I'm going away somewhere and try to
forget. Stevie doesn't hold any grudge against any one. He's
not built that way. Give me your hand, buddy," he said,
turning to Ben with nauseous sentimentality and extending his yellow
fingers, "I'm willing to shake your hand. You hit me
to-night, but Steve's willing to forget."
"Oh my God," said Ben, grasping his
stomach. He leaned weakly across the sink and drank another
glass of water.
"No. No." Steve began again.
"Stevie isn't built--"
He would have continued indefinitely in this strain,
but Helen checked him with weary finality.
"Well, forget about it," she said, "all
of you. Life's too short."
Life was. At these moments, after battle, after
all the confusion, antagonism, and disorder of their lives had
exploded in a moment of strife, they gained an hour of repose in
which they saw themselves with sad tranquillity. They were like
men who, driving forward desperately at some mirage, turn, for a
moment, to see their footprints stretching interminably away across
the waste land of the desert; or I should say, they were like those
who have been mad, and who will be mad again, but who see themselves
for a moment quietly, sanely, at morning, looking with sad untroubled
eyes into a mirror.
Their faces were sad. There was great age in
them. They felt suddenly the distance they had come and the
amount they had lived. They had a moment of cohesion, a moment of
tragic affection and union, which drew them together like small jets
of flame against all the senseless nihilism of life.
Margaret came in fearfully. Her eyes were red,
her broad German face white and tearful. A group of excited
boarders whispered in the hall.
"I'll lose them all now," Eliza fretted.
"The last time three left. Over twenty dollars a week and
money so hard to get. I don't know what's to become of us
all." She wept again.
"Oh, for heaven's sake," said Helen
impatiently. "Forget about the boarders once in a while."
Steve sank stupidly into a chair by the long table.
From time to time he muttered sentimentally to himself. Luke,
his face sensitive, hurt, ashamed around his mouth, stood by him
attentively, spoke gently to him, and brought him a glass of water.
"Give him a cup of coffee, mama," Helen
cried irritably. "For heaven's sake, you might do a little
for him."
"Why here, here," said Eliza, rushing
awkwardly to the gas range and lighting a burner. "I never
thought--I'll have some in a minute."
Margaret sat in a chair on the other side of the
disorderly table, leaning her face in her hand and weeping. Her
tears dredged little gulches through the thick compost of rouge and
powder with which she coated her rough skin.
"Cheer up, honey," said Helen, beginning to
laugh. "Christmas is coming." She patted the
broad German back comfortingly.
Ben opened the torn screen door and stepped out on
the back porch. It was a cool night in the rich month of August; the
sky was deeply pricked with great stars. He lighted a
cigarette, holding the match with white trembling fingers.
There were faint sounds from summer porches, the laughter of women, a
distant throb of music at a dance. Eugene went and stood beside
him: he looked up at him with wonder, exultancy, and with sadness.
He prodded him half with fear, half with joy.
Ben snarled softly at him, made a sudden motion to
strike him, but stopped. A swift light flickered across his
mouth. He smoked.
Steve went away with the German woman to Indiana,
where, at first, came news of opulence, fatness, ease, and furs (with
photographs), later of brawls with her honest brothers, and
talk of divorce, reunion and renascence. He gravitated between
the two poles of his support, Margaret and Eliza, returning to
Altamont every summer for a period of drugs and drunkenness that
ended in a family fight, jail, and a hospital cure.
"Hell commences," howled Gant, "as
soon as he comes home. He's a curse and a care, the lowest of
the low, the vilest of the vile. Woman, you have given birth to a
monster who will not rest until he has done me to death, fearful,
cruel, and accursed reprobate that he is!"
But Eliza wrote her oldest son regularly, enclosed
sums of money from time to time, and revived her hopes incessantly,
against nature, against reason, against the structure of life.
She did not dare to come openly to his defense, to reveal frankly the
place he held in her heart's core, but she would produce each letter
in which he spoke boastfully of his successes, or announced his
monthly resurrection, and read them to an unmoved family. They
were florid, foolish letters, full of quotation marks and written in
a large fancy hand. She was proud and pleased at all their
extravagances; his flowery illiteracy was another proof to her of his
superior intelligence.
Dear Mama:
Yours of the 11th to hand and must say I was glad to
know you were in "the land of the living" again as I had
begun to feel it was a "long time between drinks"
since your last. ("I tell you what," said Eliza,
looking up and sniggering with pleasure, "he's no fool."
Helen, with a smile that was half ribald, half annoyed, about her big
mouth, made a face at Luke, and lifted her eyes patiently upward to
God as Eliza continued. Gant leaned forward tensely with his
head craned upward, listening carefully with a faint grin of
pleasure.) Well, mama, since I last wrote you things have been
coming my way and it now looks as if the "Prodigal Son"
will come home some day in his own private car. ("Hey,
what's that?" said Gant, and she read it again for him. He
wet his thumb and looked about with a pleased grin.
"Wh-wh-what's the matter?" asked Luke. "Has he
b-b-bought the railroad?" Helen laughed hoarsely.
"I'm from Missouri," she said.) It took me a long
time to get started, mama, but things were breaking against me and
all that little Stevie has ever asked from any one in this "vale
of tears" is a fair chance. (Helen laughed her ironical
husky falsetto. "All that little S-S-Stevie has ever
asked," said Luke, reddening with annoyance, "is the whole
g-g-g-goddam world with a few gold mines thrown in.") But
now that I'm on my feet at last, mama, I'm going to show the world
that I haven't forgotten those who stood by me in my "hour of
need," and that the best friend a man ever had is his mother.
("Where's the shovel?" said Ben, snickering quietly.)
'That boy writes a good letter," said Gant
appreciatively. "I'm damned if he's not the smartest one
of the lot when he wants to be."
"Yes," said Luke angrily, "he's so
smart that you'll b-b-believe any fairy tale he wants to tell you.
B-b-b-but the one who's stuck by you through thick and thin gets no
c-c-credit at all." He glanced meaningly at Helen.
"It's a d-d-damn shame."
"Forget about it," she said wearily.
"Well," said Eliza thoughtfully, holding
the letter in her folded hands and gazing away, "perhaps he's
going to turn over a new leaf now. You never know."
Lost in pleased revery she looked into vacancy, pursing her lips.
"I hope so!" said Helen wearily.
"You've got to show me."
Privately: "You see how it is, don't you?"
she said to Luke, mounting to hysteria. "Do I get any
credit? Do I? I can work my fingers to the bone for them,
but do I get so much as Go to Hell for my trouble? Do I?"
In these years Helen went off into the South with
Pearl Hines, the saddlemaker's daughter. They sang together at
moving-picture theatres in country towns. They were booked from
a theatrical office in Atlanta.
Pearl Hines was a heavily built girl with a meaty
face and negroid lips. She was jolly and vital. She sang
ragtime and nigger songs with a natural passion, swinging her hips
and shaking her breasts erotically.
"Here comes my
da-dad-dy now
O
pop, O pop, O-o pop."
They earned as much as $100 a week sometimes.
They played in towns like Waycross, Georgia; Greenville, South
Carolina; Hattiesburg, Mississippi, and Baton Rouge, Louisiana.
They brought with them the great armor of innocency.
They were eager and decent girls. Occasionally the village men
made cautious explorative insults, relying on the superstition that
lives in small towns concerning "show girls." But
generally they were well treated.
For them, these ventures into new lands were eager
with promise. The vacant idiot laughter, the ribald enthusiasm with
which South Carolina or Georgia countrymen, filling a theatre with
the strong smell of clay and sweat, greeted Pearl's songs, left them
unwounded, pleased, eager. They were excited to know that they
were members of the profession; they bought Variety regularly, they
saw themselves finally a celebrated high-salaried team on "big
time" in great cities. Pearl was to "put over"
the popular songs, to introduce the rag melodies with the vital
rhythm of her dynamic meatiness, Helen was to give operatic dignity
to the programme. In a respectful hush, bathed in a pink spot,
she sang ditties of higher quality--Tosti's "Goodbye," "The
End of a Perfect Day," and "The Rosary." She had
a big, full, somewhat metallic voice: she had received training from
her Aunt Louise, the splendid blonde who had lived in Altamont for
several years after her separation from Elmer Pentland. Louise
gave music lessons and enjoyed her waning youth with handsome young
men. She was one of the ripe, rich, dangerous women that Helen
liked. She had a little girl and went away to New York with the
child when tongues grew fanged.
But she said: "Helen, that voice ought to
be trained for grand opera."
Helen had not forgotten. She fantasied of
France and Italy: the big crude glare of what she called "a
career in opera," the florid music, the tiered galleries winking
with gems, the torrential applause directed toward the full-blooded,
dominant all-shadowing songsters struck up great anthems in her.
It was a scene, she thought, in which she was meant to shine.
And as the team of Gant and Hines (The Dixie Melody Twins)
moved on their jagged circuit through the South, this desire, bright,
fierce, and formless, seemed, in some way, to be nearer realization.
She wrote home frequently, usually to Gant. Her
letters beat like great pulses; they were filled with the excitement
of new cities, presentiments of abundant life. In every town
they met "lovely people"--everywhere, in fact, good wives
and mothers, and nice young men, were attracted hospitably to these
two decent, happy, exciting girls. There was a vast decency, an
enormous clean vitality about Helen that subjugated good people and
defeated bad ones. She held under her dominion a score of young
men?masculine, red-faced, hard-drinking and shy. Her relation
to them was maternal and magistral, they came to listen and to be
ruled; they adored her, but few of them tried to kiss her.
Eugene was puzzled and frightened by these lamb-like
lions. Among men, they were fierce, bold, and combative; with
her, awkward and timorous. One of them, a city surveyor, lean,
highboned, alcoholic, was constantly involved in police-court brawls;
another, a railroad detective, a large fair young man, split the
skulls of negroes when he was drunk, shot several men, and was
himself finally killed in a Tennessee gun-fight.
She never lacked for friends and protectors wherever
she went. Occasionally, Pearl's happy and vital sensuality, the
innocent
gusto with which she implored
"Some sweet old daddy
Come make a fuss over
me."
drew on village rakedom to false conjectures.
Unpleasant men with wet cigars would ask them to have a convivial
drink of corn whisky, call them "girley," and suggest a
hotel room or a motorcar as a meeting-place. When this
happened, Pearl was stricken into silence; helpless and abashed, she
appealed to Helen.
And she, her large loose mouth tense and wounded at
the corners, her eyes a little brighter, would answer:
"I don't know what you mean by that remark.
I guess you've made a mistake about us." This did not fail
to exact stammering apologies and excuses.
She was painfully innocent, temperamentally incapable
of wholly believing the worst about any one. She lived in the
excitement of rumor and suggestion: it never seemed to her actually
possible that the fast young women who excited her had, in the phrase
she used, "gone the limit." She was skilled in
gossip, and greedily attentive to it, but of the complex nastiness of
village life she had little actual knowledge. Thus, with Pearl
Hines, she walked confidently and joyously over volcanic crust,
scenting only the odor of freedom, change, and adventure.
But this partnership came to an end. The
intention of Pearl Hines' life was direct and certain. She
wanted to get married, she had always wanted to get married before
she was twenty-five. For Helen, the singing partnership, the
exploration of new lands, had been a gesture toward freedom, an
instinctive groping toward a centre of life and purpose to which she
could fasten her energy, a blind hunger for variety, beauty, and
independence. She did not know what she wanted to do with her
life; it was probable that she would never control even partially her
destiny: she would be controlled, when the time came, by the great
necessity that lived in her. That necessity was to enslave and
to serve.
For two or three years Helen and Pearl supported
themselves by these tours, leaving Altamont during its dull winter
lassitude, and returning to it in Spring, or in Summer, with money
enough to suffice them until their next season.
Pearl juggled carefully with the proposals of several
young men during this period. She had the warmest affection for
a ball-player, the second baseman and manager of the Altamont team.
He was a tough handsome young animal, forever hurling his glove down
in a frenzy of despair during the course of a game, and rushing
belligerently at the umpire. She liked his hard assurance, his
rapid twang, his tanned lean body.
But she was in love with no one--she would never
be--and caution told her that the life-risk on bush-league
ball-players was very great. She married finally a young man
from Jersey City, heavy of hand, hoof, and voice, who owned a young
but flourishing truck and livery business.
Thus, the partnership of the Dixie Melody Twins was
dissolved. Helen, left alone, turned away from the drear monotony of
the small towns to the gaiety, the variety, and the slaking
fulfilment of her desires, which she hoped somehow to find in the
cities.
She missed Luke terribly. Without him she felt
incomplete, unarmored. He had been enrolled in the Georgia
School of Technology in Atlanta for two years. He was taking
the course in electrical engineering, the whole direction of his life
had been thus shaped by Gant's eulogies, years before, of the young
electrical expert, Liddell. He was failing in his work--his
mind had never been forced to the discipline of study. All
purpose with him was broken by a thousand impulses: his brain
stammered as did his tongue, and as he turned impatiently and
irritably to the logarithm tables, he muttered the number of the page
in idiot repetition, keeping up a constant wild vibration of his leg
upon the ball of his foot.
His great commercial talent was salesmanship; he had
superlatively that quality that American actors and men of business
call "personality"--a wild energy, a Rabelaisian vulgarity,
a sensory instinct for rapid and swinging repartee, and a hypnotic
power of speech, torrential, meaningless, mad, and evangelical.
He could sell anything because, in the jargon of salesmen, he could
sell himself; and there was a fortune in him in the fantastic
elasticity of American business, the club of all the queer trades, of
wild promotions, where, amok with zealot rage, he could have chanted
the yokels into delirium, and cut the buttons from their coats, doing
every one, everything, and finally himself. He was not an
electrical engineer--he was electrical energy. He had no gift
for study--he gathered his unriveted mind together and bridged with
it desperately, but crumpled under the stress and strain of calculus
and the mechanical sciences.
Enormous humor flowed from him like crude light.
Men who had never known him seethed with strange internal laughter
when they saw him, and roared helplessly when he began to speak.
Yet, his physical beauty was astonishing. His head was like
that of a wild angel--coils and whorls of living golden hair flashed
from his head, his features were regular, generous, and masculine,
illuminated by the strange inner smile of idiot ecstasy.
His broad mouth, even when stammering irritably or
when nervousness clouded his face, was always cocked for
laughter?unearthly, exultant, idiot laughter. There was in him
demonic exuberance, a wild intelligence that did not come from the
brain. Eager for praise, for public esteem, and expert in
ingratiation, this demon possessed him utterly at the most
unexpected moments, in the most decorous surroundings, when he was
himself doing all in his power to preserve the good opinion in which
he was held.
Thus, listening to an old lady of the church, who
with all her power of persuasion and earnestness was unfolding the
dogmas of Presbyterianism to him, he would lean forward in an
attitude of exaggerated respectfulness and attention, one broad hand
clinched about his knee, while he murmured gentle agreement to what
she said:
"Yes? . . . Ye-e-es? . . .
Ye-e-e-es? . . . Ye-e-es? . . . Is that right? . . .
Ye-e-es?"
Suddenly the demonic force would burst in him.
Insanely tickled at the cadences of his agreement, the earnest
placidity and oblivion of the old woman, and the extravagant pretense
of the whole situation, his face flooded with wild exultancy, he
would croon in a fat luscious bawdily suggestive voice:
"Y-ah-s? . . . Y-a-h-s? . . .
Y-a-h-s? .
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