They were cousins of the Raycies’, and she inherited the pictures.”

            I continued to ponder. “I wanted awfully to marry her, the year I left Harvard,” I said presently, more to myself than to my hearer.

            “Well, if you had you’d have annexed a prize fool; and one of the most beautiful collections of Italian Primitives in the world.”

            “In the world?”

            “Well—you wait till you see them; if you haven’t already. And I seem to make out that you haven’t?—that you can’t have. How long have you been in Japan? Four years? I thought so. Well, it was only last winter that Netta found out.

            “Found out what?”

            “What there was in old Alethea Raycie’s attic. You must remember the old Miss Raycie who lived in that hideous house in Tenth Street when we were children. She was a cousin of your mother’s, wasn’t she? Well, the old fool lived there for nearly half a century, with five millions’ worth of pictures shut up in the attic over her head. It seems they’d been there ever since the death of a poor young Raycie who collected them in Italy years and years ago. I don’t know much about the story; I never was strong on genealogy, and the Raycies have always been rather dim to me. They were everybody’s cousins, of course; but as far as one can make out that seems to have been their principal if not their only function. Oh—and I suppose the Raycie Building was called after them; only they didn’t build it!

            “But there was this one young fellow—I wish I could find out more about him. All that Netta seems to know (or to care, for that matter) is that when he was very young—barely out of college—he was sent to Italy by his father to buy Old Masters—in the ‘forties, it must have been—and came back with this extraordinary, this unbelievable collection…a boy of that age!…and was disinherited by the old gentleman for bringing home such rubbish. The young fellow and his wife died ever so many years ago, both of them. It seems he was so laughed at for buying such pictures that they went away and lived like hermits in the depths of the country. There were some funny spectral portraits of them that old Alethea had up in her bedroom. Netta showed me one of them the last time I went to see her: a pathetic drawing of the only child, an anaemic little girl with a big forehead. Jove, but that must have been your little Louisa!”

            I nodded. “In a plaid frock and embroidered pantalettes?”

            “Yes, something of the sort. Well, when Louisa and her parents died, I suppose the pictures went to old Miss Raycie. At any rate, at some time or other—and it must have been longer ago than you or I can remember—the old lady inherited them with the Tenth Street house; and when she died, three or four years ago, her relations found she’d never even been upstairs to look at them.”

            “Well—?”

            “Well, she died intestate, and Netta Kent—Netta Cosby—turned out to be the next of kin. There wasn’t much to be got out of the estate (or so they thought) and, as the Cosby’s are always hard up, the house in Tenth Street had to be sold, and the pictures were very nearly sent off to the auction room with all the rest of the stuff. But nobody supposed they would bring anything, and the auctioneer said that if you tried to sell pictures with carpets and bedding and kitchen furniture it always depreciated the whole thing; and so, as the Cosbys had some bare walls to cover, they sent for the whole lot—there were about thirty—and decided to have them cleaned and hang them up. ‘After all,’ Netta said, ‘as well as I can make out through the cobwebs, some of them look like rather jolly copies of early Italian things.’ But as she was short of cash she decided to clean them at home instead of sending them to an expert; and one day, while she was operating on this very one before you, with her sleeves rolled up, the man called, who always does call on such occasions; the man who knows. In the given case, it was a quiet fellow connected with the Louvre, who’d brought her a letter from Paris, and whom she’d invited to one of her stupid dinners. He was announced, and she thought it would be a joke to let him see what she was doing; she has pretty arms, you may remember. So he was asked into the dining-room, where he found her with a pail of hot water and soap-suds, and this laid out on the table; and the first thing he did was to grab her pretty arm so tight that it was black and blue, while he shouted out: ‘God in heaven! Not hot water!’”

            My friend leaned back with a sigh of mingled resentment and satisfaction, and we sat silently looking up at the lovely “Adoration” above the mantelpiece.

            “That’s how I got it a little cheaper—most of the old varnish was gone for good. But luckily for her it was the first picture she had attacked; and as for the others—you must see them, that’s all I can say…Wait; I’ve got the catalogue somewhere about…”

            He began to rummage for it, and I asked, remembering how nearly I had married Netta Kent: “Do you mean to say she didn’t keep a single one of them?”

            “Oh, yes—in the shape of pearls and Rolls–Royces. And you’ve seen their new house in Fifth Avenue?” He ended with a grin of irony: “The best joke is that Jim was just thinking of divorcing her when the pictures were discovered.”

            “Poor little Louisa!” I sighed.

              

 

 


 The Old Maid.

 

 

            The ’Fifties.

 

 Part I.

 

 

 I.
 
 

            In the old New York of the ’fifties a few families ruled, in simplicity and affluence. Of these were the Ralstons.

            The sturdy English and the rubicund and heavier Dutch had mingled to produce a prosperous, prudent and yet lavish society. To “do things handsomely” had always been a fundamental principle in this cautious world, built up on the fortunes of bankers, India merchants, ship-builders and ship-chandlers. Those well-fed slow-moving people, who seemed irritable and dyspeptic to European eyes only because the caprices of the climate had stripped them of superfluous flesh, and strung their nerves a little tighter, lived in a genteel monotony of which the surface was never stirred by the dumb dramas now and then enacted underground. Sensitive souls in those days were like muted key-boards, on which Fate played without a sound.

            In this compact society, built of solidly welded blocks, one of the largest areas was filled by the Ralstons and their ramifications.