Siegel, ed., Carlyle: The Critical Heritage (London, 1971).

P. Rosenberg, The Seventh Hero: Thomas Carlyle and the Theory of Radical Activism (Cambridge, Mass., 1974).

R. Ashton, The German Idea: Four English Writers and the Reception of German Thought, 1800–1860 (Cambridge, 1980).

A. L. Le Quesne, Carlyle (Oxford, 1982).

F. Kaplan, Thomas Carlyle: A Biography (Ithaca, New York, 1983).

J. D. Rosenberg, Carlyle and the Burden of History (Cambridge, Mass., 1985).

STUDIES OF ‘SARTOR RESARTUS’

C. Moore, ‘Sartor Resartus and the Problem of Carlyle’s Conversion’, PMLA, lxx (1955), 662–81.

G. Levine, ‘Sartor Resartus and the Balance of Fiction’, Victorian Studies, viii (1964), 131–60; a revised version appears in Levine’s The Boundaries of Fiction: Carlyle, Macaulay, Newman (Princeton, 1968).

C. R. Sanders, ‘The Byron Closed in Sartor Resartus’, Studies in Romanticism, iii (1964), 77–108.

J. W. Smeed, ‘Thomas Carlyle and Jean Paul Richter’, Comparative Literature, xvi (1964), 226–53.

G. B. Tennyson, Sartor Called Resartus: The Genesis, Structure and Style of Thomas Carlyle’s First Major Work (Princeton, 1965).

G. H. Brookes, The Rhetorical Form of Carlyle’s ‘Sartor Resartus’ (Berkeley, 1972).

P. Brantlinger, ‘“Romance”, “Biography”, and the Making of Sartor Resartus’, Philological Quarterly, lii (1973), 108–18.

J. Clubbe, ‘Carlyle on Sartor Resartus’, in Carlyle Past and Present: A Collection of New Essays, ed. K. J. Fielding and R. Tarr (London, 1978).

J. A. Dibble, The Pythia’s Drunken Song: Thomas Carlyle’s ‘Sartor Resartus’ and the Style Problem in German Idealist Philosophy (The Hague, 1978).

J. L. Haney, ‘“Shadow-Hunting”: Romantic Irony, Sartor Resartus, and Victorian Romanticism’, Studies in Romanticism, xvii (1978), 307–33.

A. K. Mellor, ‘Carlyle’s Sartor Resartus: A Self-Consuming Artifact’, in her English Romantic Irony (Cambridge, Mass., 1980).

P.