A. Dale, ‘Sartor Resartus and the Inverse Sublime: The Art of Humorous Deconstruction’, in Allegory, Myth and Symbol, ed. M. W. Bloomfield (Cambridge, Mass., 1981).

B. V. Quails, The Secular Pilgrims of Victorian Fiction: The Novel as Book of Life (Cambridge, 1982).

L. C. R. Baker, ‘The Open Secret of Sartor Resartus: Carlyle’s Method of Converting his Reader’, Studies in Philology, lxxxiii (1986), 218–35.

L. H. Peterson, ‘Carlyle’s Sartor Resartus: The Necessity of Reconstruction’, in her Victorian Autobiography: The Tradition of Self-Interpretation (New Haven, 1986).

S. Helming, ‘“The Thaumaturgic Art of Thought”: Carlyle’s Sartor Resartus’, in his The Esoteric Comedies of Carlyle, Newman, and Yeats (Cambridge, 1988).

J. H. Miller, ‘“Hieroglyphical Truth” in Sartor Resartus: Carlyle and the Language of Parable’, in Victorian Perspectives: Six Essays, ed. John Clubb and Jerome Meckier (Newark, Delaware, 1989).

D. Riede, ‘Transgression, Authority, and the Church of Literature in Carlyle’, in Victorian Connections, ed. Jerome J. McGann (Charlottesville, 1989).

D. F. Felluga, ‘The Critic’s New Clothes: Sartor Resartus as “Cold Carnival”’, Criticism, xxxvii (1995), 583–99.

W. Iser, ‘The Emergence of a Cross-Cultural Discourse: Thomas Carlyle’s Sartor Resartus’, in The Translatability of Cultures: Figurations of the Space Between, ed. Sanford Budick and Wolfgang Iser (Stanford, 1996).

J. Treadwell, ‘Sartor Resartus and the Work of Writing’, Essays in Criticism, xlviii (1998), 224–43.

BIBLIOGRAPHY

I. W. Dyer, A Bibliography of Thomas Carlyle’s Writings and Ana (Portland, Maine, 1928).

G. B. Tennyson, ‘Thomas Carlyle’, in Victorian Prose: A Guide to Research, ed. D.J. DeLaura (New York, 1973), 33–104.

R.