The Collected Stories of Katherine Mansfield

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The Collected Stories of Katherine Mansfield

with an Introduction by ALI SMITH

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Contents

BLISS

Prelude

Je ne Parle pas Français

Bliss

The Wind Blows

Psychology

Pictures

The Man Without a Temperament

Mr. Reginald Peacock’s Day

Sun and Moon

Feuille d’Album

A Dill Pickle

The Little Governess

Revelations

The Escape

THE GARDEN-PARTY

At the Bay

The Garden-Party

The Daughters of the Late Colonel

Mr. and Mrs. Dove

The Young Girl

Life of Ma Parker

Marriage à la Mode

The Voyage

Miss Brill

Her First Ball

The Singing Lesson

The Stranger

Bank Holiday

An Ideal Family

The Lady’s Maid

THE DOVES’ NEST

The Doll’s House

Honeymoon

A Cup of Tea

Taking the Veil

The Fly

The Canary

UNFINISHED STORIES

A Married Man’s Story

The Doves’ Nest

Six Years After

Daphne

Father and the Girls

All Serene!

A Bad Idea

A Man and His Dog

Such a Sweet Old Lady

Honesty

Susannah

Second Violin

Mr. and Mrs. Williams

Weak Heart

Widowed

SOMETHING CHILDISH

The Tiredness of Rosabel

How Pearl Button was Kidnapped

The Journey to Bruges

A Truthful Adventure

New Dresses

The Woman at the Store

Ole Underwood

The Little Girl

Millie

Pension Séguin

Violet

Bains Turcs

Something Childish but very Natural

An Indiscreet Journey

Spring Pictures

Late at Night

Two Tuppenny Ones, Please

The Black Cap

A Suburban Fairy Tale,

Carnation

See-Saw

This Flower

The Wrong House

Sixpence

Poison

IN A GERMAN PENSION

Germans at Meat

The Baron

The Sister of the Baroness

Frau Fischer

Frau Brechenmacher Attends a Wedding

The Modern Soul

At Lehmann’s

The Luft Bad

A Birthday

The Child-Who-Was-Tired

The Advanced Lady

The Swing of the Pendulum

A Blaze

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THE COLLECTED STORIES OF KATHERINE MANSFIELD

KATHERINE MANSFIELD was born in Wellington, New Zealand, in 1888 and died in Fontainebleau in 1923. She came to London for the latter part of her education, and could not settle down back in Wellington society; in 1908 she again left for Europe, never to return. Her first writing (apart from some early sketches) was published in The New Age, to which she became a regular contributor. Her first book, In a German Pension, was published in 1911. In 1912 she began to write for Rhythm, edited by John Middleton Murry, whom she eventually married. She was a conscious modernist, an experimenter in life and writing, and mixed with others of her kind, including D. H. Lawrence and Virginia Woolf. With ‘Prelude’ in 1918 she evolved her distinctive voice as a writer of short fiction. By 1917 she had contracted tuberculosis, and from that time led a wandering life in search of health. Her second book of stories, Bliss, was published in 1920, and her third, The Garden Party, appeared a year later. It was the last book to be published in her lifetime. After her death, two more collections of stories were published, as well as her Letters, and later, her Journal.

ALI SMITH was born in Inverness in 1962 and lives in Cambridge. She is the author of Free Love, Like, Other Stories and Other Stories, Hotel World, The Whole Story and Other Stories and The Accidental.

Introduction

‘Writers ought to have a real claim on each other,’ Katherine Mansfield wrote in 1921, from Montana-sur-Sierre in Switzerland, on a postcard to the young writer William Gerhardi. She was helping Gerhardi, who had written to her because he loved her story ‘The Daughters of the Late Colonel’, to find a publisher for his first novel. Over the autumn of 1921 the senior writer chides the junior gently about aspects of his writing: ‘the rain thumped. Dont you mean the rain drummed?’ With a kind of double tension typical of her in every way, she tells him about, and at the same time denies, her grave state of health: ‘yes I live in Switzerland because I have consumption. But I am not an invalid. Consumption doesn’t belong to me. Its only a horrid stray dog who has persisted in following me for four years, so I am trying to lose him among these mountains’.

Mansfield was expert at being more than one thing at once, and she confides in this brand-new correspondent here in a way that manages to be both formal and intimate, world-weary and naive: ‘you know – if I may speak in confidence – I shall not be ‘fashionable’ long. They will find me out; they will be disgusted; they will shiver in dismay. I like such awfully unfashionable things – and people – I like sitting on doorsteps, & talking to the old woman who brings quinces, & going for picnics in a jolting little waggon, and listening to the kind of music they play in public gardens on warm evenings… you see I am not a high brow. Sunday lunches and very intricate conversations on Sex and that ‘fatigue’ which is so essential and that awful ‘brightness’ which is even more essential – these things I flee from. I’m in love with life – terribly.’ The senior blesses the junior, formally, benevolently: ‘Goodbye. I hope you will write wonderful stories; numbers of them.